Crane’s four-part story concerns man’s interaction with his environment. (Jack’s wife is not an individualized person with a name; she is important only because she represents marriage as a civilized institution.) In part 1, Crane describes the progress of the "great Pullman" train across Texas. With its luxurious appointments ("the dazzling fittings of the coach"), the train is a foreign country to the newlyweds, whom Crane portrays as self-conscious aliens: Jack’s hands "perform" in a "most conscious fashion," and his bride is "embarrassed" by her puff sleeves. The couple are so self-conscious and intimidated by their surroundings that the black porter "bullies" them, regards them with "an amused and superior grin," and generally "oppresses" them, treatment that they also receive from the black waiter, who "patronizes them." As the train nears Yellow Sky, Jack becomes "commensurately restless," primarily because he knows that he has committed an "extraordinary crime" by going "headlong over all the social hedges" and ignoring his "duty to his friends," members of an "innocent and unsuspecting community." Marshals in frontier towns apparently do not marry because they need to be free of domestic entanglements. Because Jack and his bride sense their "mutual guilt," they "slink" away from the train station and walk rapidly to his home, a "safe citadel" from which Jack can later emerge to make his peace with the community.
While Jack and his bride make their way to his house, Crane cuts to the Weary Gentleman saloon,