Another reason Bybanks is important to to Sal, is the swimming hole. Sal moves to Euclid and gets to the house. Sal is mad that Euclid does not have one of the same stuff as they do in Bybanks that there is no swimming hole at the new house.On page 10 Sharon Creech says “No swimming hole,no barn,no cows,no chickens,no pigs. Since the swimming hole is so important to Sal she wants the swimming hole to be back. Along with the barn. The cows. The chickens. And the pigs. Since Sal reminds us of the all this stuff that means it must be important to sal and her mom and even her…
Porter uses dialogue first and foremost to show the vast difference between what what we want to say and what we really end up saying. A great example of this would be Granny’s dislike towards the doctor. Granny makes comments here and there such as, “Where were you forty years ago when I pulled through milk-leg and double pneumonia? You weren’t even born.” (7) but she can not manage to come up with the exact words to say to convey her anger properly. The structure of her insults simply sound snappy and almost like whining instead of angry or purposeful. Granny’s lack of ability to relay the true meaning of her emotions shows the reader that she is slowly losing her grip on reality. The way Porter uses dialogue also serves as a theme for the…
In the short story, Edna’s Ruthie, used good diction to explain Ruthie’s strange behaviors in an understandable way. The author explained she acted more like a child than an adult, without just outright saying that. The reader is capable of making conclusions about Ruthie, and the way she acts, without it being said word for word because the author used good diction.…
Everyman is considered as the greatest medieval morality play written by an anonymous author. Because of its religious content and moral message, poets assumed that a priest wrote it. The author of this masterpiece made it allegorical, which means that each figure represents abstract characteristics.…
The writer’s description of George as he ‘exploded’ defines the irritability felt toward Lennie’s lack of social awareness and compatibility. Throughout this extract it becomes progressively more evident that the ‘ketchup’ functions a trigger, which Steinbeck uses to initiate George’s explosive outburst. In turn, the character’s language is crafted to expose various aspects of grievance and dissatisfaction. The repetitive use of the word ‘an’ demonstrates the fast pace and emotional release which is used as George charges Lennie with the responsibility of being a hindrance. References to “I could live so easy”, “get a job an’ work” and “eat any place I want” present a strong antithesis to the reality of George’s reaction.…
Ellen Goodman, the author of the short story, “Company Man.” The story was all too real and relatable. Something that can happen and tear apart the best of families. A father or mother constantly working, over working, and becoming so involved with their job that their family begins to live in the shadow of their everyday thoughts. This man Phil fell victim to what some may consider a type of disease, addicted to work. “He worked himself to death, finally and precisely, at 3:00 A.M. Sunday morning (Goodman par. 5).” Not surprisingly, Phil also died from his overzealous working lifestyle at a still young age of 51 years old. Little did he realize, he was dispensable.…
Prompt: Carolyn Heilbrun contends that, contrary to the predominant critical opinion, Gertrude is not a weak character who lacks “depth and vigorous intelligence.” Heilbrun argues that Gertrude’s actions, in fact, reveal her to be clear-headed and courageous, lustful but also “intelligent, penetrating, and gifted with a remarkable talent for concise and pithy speech.”…
In Parks’s Topdog/Underdog and Gish Jen’s Typical American, comedy in dialogue is implemented to mislead the audience away from the serious and tragic nature the works. While on the surface the dialogue in both of the stories may seem humorous, there is a deeper and more serious meaning that is foreshadowed by the remarks of the characters (mainly Booth’s and Ralph’s) throughout the story. Due to this, it is as if the audience is deliberately blinded by comedy until there is a sudden shift in the tone of the stories towards the brutal reality of Lincoln’s and Theresa’s fates.…
With attention to diction, Truman Capote exercises this rhetorical device to emphasize the reckless assumptions people may carry when first encountering an unfamiliar character. The way in which an individual may think can be reflected through their choice of speech. For example, “’But a nigger.’ said Perry. That’s different’” is an example of the persona in which Perry may portray himself as (109). The word choice exemplified through Perry’s phrase indicates that the way he talks is reflective in the way he organizes his mind. When one may encounter the phrase said by Perry, it is inevitable that the first impression can lead to the assumption that Perry thinks lowly of the talked about subject. Truman Capote in this case specifically uses this diction to show that the characters in the novel incoherently misjudge the surrounding atmosphere involved with the subject. Capote…
Even at a young age, Ellen displays coming-of-age through the variety of different circumstances she is faced with. While this is true, a significant example of her coming-of-age is when she learns the sense of morality. In the novel, Ellen is raised in a racist part of time, and she is suppose to believe that all black people are dirt and carry diseases. Nonetheless, while working with black people in the cotton fields she analyzes how loving and caring the black people are “They fought strong as they played and laughed” (Gibbons 78). This changes her feelings towards black people and learns that racism is meaningless, wrong, and based on lies. Another example of how Ellen grows up, is when she learns that just because one is related to someone does not mean that they are true family. For instance, throughout the novel Ellen moves in with many different family members. Every single one of the family members either abuses her, abandons her, or dies and it was perfectly described in an article that Ellen’s family does not care for her; “her remaining family isn't really a family at all” (Makowsky 153). Lastly, Ellen demonstrates coming-of-age through bettering her control over her emotions. In the book, Ellen is left with the responsibility to look after her sick mother and eventually losing her a young age. After this traumatic experience, she learns how to deal with these…
Ellen couldn’t help but smile. Everyday, 365 days a year, he would talk and talk through the phone like an impatient child, telling him everything that happened to him that day. He was always so happy, so innocent, so vibrant…but that was because he didn’t know— didn’t know what it felt like to…
In the first couple chapters we learn the background of Ellen’s life. Ellen is a young girl whose father is an alcoholic and mother is very sick and eventually dies which leaves her to take care of herself. Ellen cooks, cleans, manages money, and more for her and her father. Most children at her age do not even worry about these kinds of things much less do it their self. Not only is Ellen’s father an alcoholic, he abuses her and shows absolutely no love for her. The first line of the book expresses Ellen’s feelings toward her…
The author’s use of specific word choice and dialogue to indicate the mood. For instance, in the text, it states, “Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon’s dead body moved out towards the open sea.” The author’s word choice created a mood of tragedy, because he described Simon, a well liked character, dead and drifting helplessly towards an area void of life. Furthermore, on page 201, it states, “Piggy [a main character] fell forty feet and landed on his back across that square red rock in the sea. His head opened and stuff came out and turned red. Piggy’s arms and legs twitched a bit, like a pig’s after it had been killed. Then the sea breathed again in a long slow sigh, the water boiled white and pink over the rock; and when it went, sucking back again, the body of Piggy was gone.” This piece of text created a mood of tragedy by recounting the death of Piggy, one of the main…
. . ‘Of course it must,’ Humpty Dumpty said with a short laugh: ‘my name mean the shape I am-and a good handsome shape it is too. With a name like yours, you might be any shape almost’ ” (215). Alice’s encounter with Humpty Dumpty is focused around the meaning and importance of words. While conversing with Humpty Dumpty, Alice begins to become familiar with the fact that words have different meanings to each individual person; everyone interprets everything in their own way. Before her conversation with Humpty Dumpty, Alice believed names and other pronouns to be of little significance and she placed more emphasis on adjectives and descriptive words. Humpty Dumpty implies the opposite and believes a name should be a great descriptor of the person. This begins to alter Alice’s thinking and she starts to learn that she might use and see words in a different manner than how everyone sees them. Likewise, later in her encounter with Humpty Dumpty, Alice beings to understand the necessity and importance of language when responding to Humpty Dumpty’s question about her age, and Humpty Dumpty retorts, "'Seven years and six months! . . .…
A man and woman converse on the porch of their farmhouse. The man is just coming home in the evening; his wife meets him at the door to warn him that Silas, the old "ne'r-do-well hired hand", had returned that day. They were afraid of why he had returned and what he would try to do to them. They had never done anything wrong to him but sometimes he would just get those ideas in his head. She found him a tattered, dilapidated mess, "huddled against the barn door, fast asleep, a miserable sight, and frightening, too"(line 35-36)…