Ian McKellan says “As Iago confides the truth to the audience (as always in Shakespeare), they are privy to his deceit and the gulling of Roderigo, Cassio, Desdemona and Othello himself. It is an unfair advantage and early on Willard (actor playing Othello) accused me of trying to get the audience on my side against him. I explained that I didn’t need to try – Shakespeare had organised it that the villain’s part should be the audience’s portal into action”, meaning he believes that Shakespeare’s decision to have moments when Iago solely interacts with the audience gives an advantage to craft them against Othello; in a way which disregards the danger of
Ian McKellan says “As Iago confides the truth to the audience (as always in Shakespeare), they are privy to his deceit and the gulling of Roderigo, Cassio, Desdemona and Othello himself. It is an unfair advantage and early on Willard (actor playing Othello) accused me of trying to get the audience on my side against him. I explained that I didn’t need to try – Shakespeare had organised it that the villain’s part should be the audience’s portal into action”, meaning he believes that Shakespeare’s decision to have moments when Iago solely interacts with the audience gives an advantage to craft them against Othello; in a way which disregards the danger of