The Evolution of La Virgen de Guadalupe in Chicano Art
A beautiful dark-skinned brunette stands before you. Her long, flowing hair beautifully frames her sweet face and demure smile. Yards of richly colored clothing adorn her tall, slender frame. Rays of sunlight appear from behind, emphasizing pure beauty. Her hands are joined together and she holds them at her chest in worship or, perhaps, in gratitude. Who is she, or rather, who do you see? Practicing Catholics all over Central and South America see a venerated patron saint. In Mexico, she is immediately recognizable as symbolic mother of a nation, ‘nuestra madre.’ New generations of mestizos see a symbol of all that is woman, as real and complex as their mothers, sisters, daughters, and lovers. Who you see depends on who you are, but all identify her as the Virgin of Guadalupe, perhaps the most recognizable icon to emerge out of post-conquest Americas. La Virgen of Guadalupe has evolved throughout history as a cross-cultural and multi-generational icon of virginity, femininity, purity, and maternal love. Her presence can be seen everywhere, on clothing, jewelry, car windows, and even on coffins. This essay charts the evolution of La Virgen de Guadalupe in Chicano art, from religious icon to feminist mascot; I examine the forms in which contemporary Mexican-American artists have adopted this image, in the tradition of the Chicano art movement, to galvanize communities toward a common social or political cause, and, as Chicana artists will co-opt her image as a vehicle to assert gender issues within the larger agenda, I will argue that the opposition to such efforts reveals a double-standard of allegiance in stark contrast to the goals of the Chicano movement. To understand how La Virgen has evolved outside of her intended religious context, her genesis must first be examined. Origin stories vary but, according to tradition, on Dec 9, 1531, Juan Diego first saw La Virgen on top of Tepeyac, a hill northwest of Mexico City. She instructed him to have the Bishop