In addition to the insightful clues these titles provide about the plots, the writers also utilize foreshadowing to intensify the events leading up to the Smythes offer to adopt Will in “Traplines”, and Mr. Joy sexually abusing Betty in “The Wednesday Circle”. Birdsell and Robinson’s main characters reject any possibility of escape from their unhealthy, abusive situations. These authors craft the presentation of their stories to maintain the realistic qualities of underplayed native roots and unresolved endings. Birdsell uses religious values to restrict Betty from resolving her abusive situation, and contrastingly, Robinson uses cultural values to restrict Will from accepting…
It is evident throughout the novel ‘Year of Wonders’ that Geraldine Brooks makes the point that some characters have difficulties with societal pressures. Through the use of her protagonist Anna Frith, Brooks was able to show us that it was possible to break through societal pressures when the individual was ready and eager to change. Difficulties including hierarchal status, religious morals and one of Brooks on going themes- women’s roles within society. We see Anna able to change because she no longer “dwells any more on things in the past”. Anna is able to break through society’s structures and become more powerful and self-confident than before.…
Year of Wonders, a novel written by Geraldine Brooks provides the reader with a true insight into the fabric of human nature and demonstrates how crisis can expose many new characteristics about the people we think we have formed close bonds with. After discovering Elinor’s past sins in the ‘Poppies of Lethe’, Anna comments on how oblivious of people’s true attributes and past experiences we can be, which reveals ‘how little we know… of the people we live amongst’. This revelation suggests that throughout times of crisis the way people respond and react will differ between individuals and possibly reveal an incident from their past which has resulted in a person’s personality and characteristics. This is evident in the narrative as Elinor’s ‘gentlewomen’ façade is revealed to be exactly that. It is also illustrated by John Gordon who turned into a self-harming, flagellant in an attempt to cope with the catastrophic effects of the plague. In the case of the Bont clan, their already horrid nature is amplified even more so, to an…
Golding displays many secret things in his writing. He uses key symbols to show human impulses, and it how it affects their displacement from society…
There are many memories that may come to mind when the word adolescence is spoken. Some people recall times of enjoyable, innocent adventures, but for others the phrase “teenage years” holds horrific memories. For a section of the populace their “teen experiences” may be the most appalling time period, as they begin to undergo many changes. This concept of dark adolescence is present, not only in the real world, but in the literary world as well. For example, in the novel A Separate Peace where a friendship turned in the wrong direction and a deadly war, mark the moments of growing up. While some readers believe that Phineas (Finny) and Gene’s separate peace shows the innocence of youthful occurrences; a closer inquiry demonstrates that through mental illness and death , adolescence is a time of terror, thus showing a theme of the realization of reality.…
The term, “Coming of Age” has a variety of connotations ranging from a realization of one’s personal duty in life to a more harrowing observation about the harsh reality one has been hidden from while in the depths of his/her youth. While perhaps there are as many different conclusions reached about growing up as there are pieces of literature revolving around the subject, two works in particular offer transitional tales that depict vastly different narratives. Judith Ortiz Cofer in her poem, Quinceanera, presents a dark and literal use of language to portray a raw and reluctant journey to womanhood, while in “My Back Pages” Bob Dylan more frequently utilizes figurative language to relay a sense that the anger and resentment of his youth was…
Center stage in Kaye Gibbons’ inspiring bildungsroman, Ellen Foster, is the spunky heroine Ellen Foster. At the start of the novel, Ellen is a fiery nine-year old girl. Her whole life, especially the three years depicted in Ellen Foster, Ellen is exposed to death, neglect, hunger and emotional and physical abuse. Despite the atrocities surrounding her, Ellen asks for nothing more than to find a “new mama” to love her. She avoids facing the harsh reality of strangers and her own family’s cruelty towards her by using different forms of escapism. Thrice Ellen is exposed to death (Gibbons 27). Each time, Ellen has a conversation with a magician to cope with the trauma (Gibbons 22-145). Many times Ellen’s actions and words cause it to be difficult to tell that she is still a child. However, in order to distract herself, Ellen will play meaningful games (Gibbons 26). These games become a fulcrum for Ellen’s inner child to express itself. Frequently, Ellen will lapse into a daydream (Gibbons 67). Usually, these daydreams are meant to protect herself from the harsh reality around her. Ellen Foster’s unique use of escapism resounds as the theme of Kaye Gibbon’s Ellen Foster.…
Although Louisa lives a domestic lifestyle that is expected of her, she does it because she wants to. It makes her happy. Her housework and solitude represent her independence. She didn’t mind waiting fourteen years on Joe to return because it was really just an excuse for her to be alone and live the life she truly longed for. Although Joe had an affair, she could have easily married someone else and pursued the expectation of “True Womanhood”, yet she chooses to live a solo life without depending on a man. Edna also acquires freedom within “True Womanhood”. Unlike Louisa, she completely rejects everything that society believes a woman should be. Some might even call her actions selfish. She breaks through the “true woman” role and uncovers her own identity outside of the status…
A. Jeannette Walls, in her memoir The Glass Castle, demonstrates Erikson’s eight stages of development. Through the carefully recounted stories of her childhood and adolescence, we are able to trace her development from one stage to the next. While Walls struggles through some of the early developmental stages, she inevitably succeeds and has positive outcomes through adulthood. The memoir itself is not only the proof that she is successful and productive in middle adulthood, but the memoir may also have been part of her healing process. Writing is often a release and in writing her memoir and remembering her history, she may have been able to come to terms with her sad past. The memoir embodies both the proof that she has successfully graduated through Erickson’s stages of development while also being the reason that she is able to do so.…
Maturation is an important part of life, especially when it transitions a child to an adult. Coming of age texts mark this transition in characters to show the universality of adulthood through different settings and cultures. Normally they follow a transition from childhood to adulthood, but rarely does the development follow a birthday or milestone. Coming of age texts, whether they be novels, poems, short stories, or movies, have a central motif of knowledge to demonstrate that the most important part of maturing is what you know. The Knife of Never Letting Go, Room, “On Turning Ten,” and “St. Lucy’s Home for Girls Raised by Wolves” use age, or other signs of a physical development, contrasted with more abstract signals, like knowledge to show how little age matters in defining when a character has matured.…
This powerful memoir is a testament to the potential love and determination that can be exhibited despite being on the cusp of a nation's racial conflicts and confusions, one that lifts a young person above crushing social limitations and turns oppression into opportunity.…
In the novel “The Sun Also Rises” Hemingway depicts a story about “Lost Generation”. With the introduction of the two major characters, Jake Barnes and Brett Ashley, Hemingway proposes a possible blending of traditional gender roles. While Jake remains a passive voice throughout the novel, Brett takes initiative in her life and acts like a New Woman. In more ways than one, “The Sun Also Rises” portrays realistic situations for the acceptance of the blending of gender roles.…
The odds of the world were against Jane before she even took her first breath. She was not just born a female, but born to a lower-class family in a patriarchal and hierarchal society. As if this ascribed status was not unfortunate enough, Jane’s parents died thus leaving her an orphan under the care of her wealthy but cruel aunt,…
When Rosemarie Morgan claims, "Hardy 's women ... must have confused many readers caught with mixed feelings of admiration and alarm," (Morgan, Women and Sexuality in the Novels of Thomas Hardy xiii) she brings forward a duality of reaction which reflects Hardyan heroines ' characters. The confusion she refers to can be understood within the novels ' historical contexts, as these female protagonists were most likely to have been quite unusual at the time of their creation. Concomitantly, today 's readers are likely to be perplexed while reading Thomas Hardy 's novels, as his presentation of women seems to stand out from his contemporaries with his attempts at breaking down the stereotypical characters presented in his day. Hardy 's women have their faults as well as their qualities and thus they become more complete and real. This complexity makes them more human; they are not representations of the ideal Victorian housewife who is characterised by her perfection at all times. They are not only confronted with their own problems and have to make reasoned decisions, but can be just as composed and feeble as their male counterparts. As Rosemarie Morgan 's comment suggests these Hardyan women provoked varied emotions, through their trials and tribulations, and my aim is to explore in what way Hardy presents his female protagonists to entice such a varied palette of reactions.…
Mansfield uses this theme as a vehicle for a stinging portrait of the cruelty that was directed toward lower-class children. This portrait also contains a more sinister allusion to the pleasure that people, children and adults alike, derive from abusing those less materially fortunate. Not only are the Kelvey sisters shunned by their schoolmates, but even their teacher has a “special voice for them, and a special smile for the other children.” When the girls at school tire of the dollhouse, they look for fresh amusement by inciting Lena Logan to abuse the Kelveys verbally, taunting them about their future and their father. This makes the little rich girls “wild with joy.” After Aunt Beryl abuses the Kelvey girls, shooing “the little rats” from the dollhouse in the courtyard, she happily hums as she returns to the house, her bad mood dispersed.…