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The Great Gatsby and Modernism

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The Great Gatsby and Modernism
Modernism is a period in literary history which started around the early 1900s and continued until the early 1940s. Modernist writers in general stood against typical storytelling and ordinary verse from the 19th century. Instead, many of them told stories the way they seen it in a state of society during and after World War I. “Modernist literature is characterized chiefly by a rejection of 19th-century traditions and of their consensus between author and reader”- Chris Baldick. In all, modernism is a rejection of tradition and a hostile attitude toward the past.
In The Great Gatsby it is a first person narrator. Vision and viewpoint became an essential aspect of the modernist novel as well the way the story was told became as important as the story itself." (Kathryn VanSpanckeren, 2003). Nick Carraway is not very reliable. He fails to remember some parts of the story, because he was too drunk to remember. "I have been drunk just twice in my life and the second time was that afternoon, so everything that happened has a dim hazy cast over it although until after eight o'clock the apartment was full of cheerful sun" (p.33). At the end of Chapter II he wakes up beside Mr. McKee, who is in his underwear, looking at pictures, and wondering what just happened. His narration isn't complete, because he remembers only parts of that night. And because Nick is the narrator of the story, we only know what he lets us know about Gatsby and when he wants to tell us. Because of that, the story is told in fragments, there is not really a chronological order. What also makes the novel a modernist novel is the symbol of Dr. T.J. Eckleberg eyes and what it represents. In modernism God is dead and people are looking for something else to replace Him. In the novel, Dr. T. J. Eckleburg is actually a billboard that represents God. Times were changing and God was not, people's main concern in life anymore. Dr. Eckleburg's billboard showed that America had a lack of morals and

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