The Hero's Journey: Mythic Structure of Joseph Campbell's Monomyth
Joseph Campbell's monomyth, or the hero's journey, is a basic pattern that its proponents argue is found in many narratives from around the world. This widely distributed pattern was described by Campbell in The Hero with a Thousand Faces (1949).[1] An enthusiast of novelist James Joyce, Campbell borrowed the term monomyth from Joyce's Finnegans Wake.[2]
Campbell held that numerous myths from disparate times and regions share fundamental structures and stages, which he summarized in The Hero with a Thousand Faces:
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.[3]
Campbell and other scholars, such as Erich Neumann, describe narratives of Gautama Buddha, Moses, and Christ in terms of the monomyth and Campbell argues that classic myths from many cultures follow this basic pattern.[4]
A chart outlining the Hero's Journey.
Contents [hide]
1 Summary
2 The 17 Stages of the Monomyth
2.1 Departure
2.1.1 The Call to Adventure
2.1.2 Refusal of the Call
2.1.3 Supernatural Aid
2.1.4 The Crossing of the First Threshold
2.1.5 Belly of The Whale
2.2 Initiation
2.2.1 The Road of Trials
2.2.2 The Meeting With the Goddess
2.2.3 Woman as Temptress
2.2.4 Atonement with the Father
2.2.5 Apotheosis
2.2.6 The Ultimate Boon
2.3 Return
2.3.1 Refusal of the Return
2.3.2 The Magic Flight
2.3.3 Rescue from Without
2.3.4 The Crossing of the Return Threshold
2.3.5 Master of Two Worlds
2.3.6 Freedom to Live
3 Other formulations
3.1 The Hero's Journey
4 Influence of the Monomyth
4.1 George Lucas and Star Wars
4.2 Chris Vogler, The Writer's Journey, and Hollywood films
4.3 The men's movement
5 Criticism
6 See also
7 Notes
8 References
8.1 Books based upon interviews with Campbell
8.2 DVD/Discography
9 External links
Summary[edit]
Main
Campbell held that numerous myths from disparate times and regions share fundamental structures and stages, which he summarized in The Hero with a Thousand Faces:
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.[3]
Campbell and other scholars, such as Erich Neumann, describe narratives of Gautama Buddha, Moses, and Christ in terms of the monomyth and Campbell argues that classic myths from many cultures follow this basic pattern.[4]
A chart outlining the Hero's Journey.
Contents [hide]
1 Summary
2 The 17 Stages of the Monomyth
2.1 Departure
2.1.1 The Call to Adventure
2.1.2 Refusal of the Call
2.1.3 Supernatural Aid
2.1.4 The Crossing of the First Threshold
2.1.5 Belly of The Whale
2.2 Initiation
2.2.1 The Road of Trials
2.2.2 The Meeting With the Goddess
2.2.3 Woman as Temptress
2.2.4 Atonement with the Father
2.2.5 Apotheosis
2.2.6 The Ultimate Boon
2.3 Return
2.3.1 Refusal of the Return
2.3.2 The Magic Flight
2.3.3 Rescue from Without
2.3.4 The Crossing of the Return Threshold
2.3.5 Master of Two Worlds
2.3.6 Freedom to Live
3 Other formulations
3.1 The Hero's Journey
4 Influence of the Monomyth
4.1 George Lucas and Star Wars
4.2 Chris Vogler, The Writer's Journey, and Hollywood films
4.3 The men's movement
5 Criticism
6 See also
7 Notes
8 References
8.1 Books based upon interviews with Campbell
8.2 DVD/Discography
9 External links
Summary[edit]
Main