When Anna Woodward and Josiah Flint lived in Steuben County, New York, it wasn’t unusual for Indians to stop by the cabin to trade. One day an Indian squaw with her papoose strapped to a board came to trade baskets for bread. When finished, they started down the path. They were scarcely out of sight when Anna heard a piercing scream and ran to see what was wrong.…
A Review of “A Tapestry of History and Reimagination; Women’s Place in James Welch’s Fool’s Crow.” Barbara Cook. The American Indian Quarterly. Volume 24, Issue 3. Fall, 2000. Pages 441-453.…
In Momaday’s “The Way to Rainy Mountain,” Momaday has the same structure described in Leslie Silko’s “Language and Literature from a Pueblo Indian Perspective.” Some of his story has roots from oral tradition, he takes a central subject and branches many ideas off it, like a web, and he writes informally as to show his true feelings to the reader.…
In Taylor’s “Dead White Writer on The Floor” Pocahontas’ specific language choice provides a critique against the stereotype of the dependent native woman that she finds herself constructed as.…
After instantaneously establishing the importance of memory in this novel, Watson then begins to weave racial prejudices which are the other key feature in the composition. “A young Sioux woman lies on a bed…” is the second sentence of the prologue and by using the word ‘Sioux’ makes the audience aware of the underlying racial issues about to become apparent.…
engagement with the forced Cherokee removal of the nineteenth century as he maneuvers within a critical milieu of Native literary theorists such as Daniel Heath Justice and Robert Warrior. Confronting the historical gaps that are generated from Euro Western claims to truth, authenticity, and accuracy, Hausman has actively produced a space of cultural resistance that follows in the critical tracks of Justice,…
The author of Little Crow: Spokesman for the Sioux, Gary Clayton Anderson, is a professor of history at the University of Oklahoma. He is also the author Kinsmen of Another Kind: Dakota-White Relations in the Upper Mississippi Valley, 1650-1862, The Conquest of Texas: Ethnic Cleansing in the Promised Land, 1830-1875 and The Indian Southwest 1580-1830: Ethnogenesis and Cultural Reinvention. Other publications include Sitting Bull and the Paradox of Lakota Nationhood and he teaches U.S. Survey and Native American history courses at University of Oklahoma at undergraduate and graduate levels. Anderson is credited for co-editing with Alan R. Woolworth on the publication of, Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862. Specializing in American Indians of the Great Plains and the Southwest, Anderson presents his biography of Little Crow and a well written story of the Sioux tribe.…
Tecumseh and the Quest for Indian Leadership allows the reader to gain the perspective of Native Americans in particular the Shawnee Indians during a time period in American history. This book takes place before the Revolution, and to the War of 1812.…
Jack Davis shows different techniques of spoken language to maintain the identity of Aboriginal people. The mixture of Nyoongah has effectively used to show the white people how the aboriginal people hold on to their own unique culture, even though their society has been overtaken by whites, and their customs and traditions have been influenced and combined with the new society.…
When the government constantly issues tiny borders for the Cherokee Indians, they do not take into account the reality that the Cherokee Indians don’t have anywhere to go. The land the government wants is the only home of the Indians. The government swiftly annihilates rebels and sticks to its plan to gain more land (Carnes, 1996). Although this might seem like a plan of perseverance, it is selfish, ensnares, and abuses others. The Indians have lost their kin and home because of wrong control. This piece of evidence is important because it reveals the personal desires of the government and its cruel ways to get what it wants (Carnes, 1996). This system of law keeps people powerless and dependent on the government. While the Indian’s homes are to be abandoned, they offer no solution to the problem, and depend on their leader, Sitting Bull. Sitting Bull proposes and leads an idea of peace with the Americans, but this all comes to an end when he is accidentally killed by a policeman. The Indians seek a new leader [a strange farmer], and rely on the miraculous Ghost Dance (Carnes, 1996). Their enemy views the dance as a superstitious, and then massacres all of the Indians. Because of the selfish control of the government, led by fear of the Indians and greed, the Indians have no freedom; this shows how much people shouldn’t have ultimate control over…
The Cherokee are perhaps one of the most interesting of Native American Groups. Their life and culture are closely intertwined with early American settlers and the history of our own nation 's struggle for freedom. In the interest of promoting tolerance and peace, and with regard to the United States government 's handling of Native affairs, their story is one that is painful, stoic, and must not be forgotten.…
The Painting of Language Throughout House Made of Dawn Momaday forces the reader to see a clear distinction between how white people and Native Americans use language. Momaday calls it the written word, the white people's word, and the spoken word, the Native American word. The white people's spoken word is so rigidly focused on the fundamental meaning of each word that is lacks the imagery of the Native American word. It is like listening to a contact being read aloud. Momaday clearly shows how the Native American word speaks beyond its sound through Tosamah speaking of his Grandmother. Tosamah says, "You see, for her words were medicine; they were magic and invisible. They came from nothing into sound and meaning. They were beyond price; they could neither be bought nor sold. And she never threw words away." --Pg. 85 Momaday forces upon the reader the idea of language as a remedy for sickness; not only of the mind, but of the heart, also. If a speaker can reach a listener and show the listener what she means, then that is the most honorable achievement. Momaday wants the reader to know the importance of word weaving, of weaving the words to form a beautiful picture that can heal souls if spoken correctly. Momaday believes that the Native Americans who never bothered to learn to read and write, those who depend on their words, are those whose words are most powerful. The love for words, spoken with passion, makes them take on a three-dimensional quality. The words become the images and show a listener instead of telling, making the moment an experience instead of just a moment. The listener can feel what the speaker is trying to say; there is no need for interpretation, everything is already understood. Momaday convinces the reader that the spoken language goes beyond what words are being said; the words become their meaning, transcend into complete understanding and clarity. The experience should be remembered as one of self-revelation and…
The most striking fact about the novel is the use of different authorial voices. Voice of the narrator has a double vision: The novel starts off with an intrusive omniscient, typically Victorian, voice: “I exaggerate? Perhaps, but I can be put to the test, for the Cobb has changed very little since the year of which I write; [...]” (Fowles, p.10).…
The novel is written in a very specific manner. This style is called telegraphic. It means that the author’s speech is dry, has no vivid descriptions of characters, their feelings and their surroundings. To show some changes in the life of the characters the author uses rather syntactical devices than stylistic ones.…
To start with, language is a significant thing in the representation of the characters for the time and place the novel was written in as they use language significant to their ‘group’.…