However, the tale may be saved for the reader by the distance the author keeps from his material and the atmosphere of mystery that he maintains. He has heard the story, and it has amazed him with its mixture of the humane and the barbaric. If the plot is a teaser, are its psychological concerns also? In not letting the characters speak, in not even naming them, and in having their motivations generalized, the author approaches allegory—the allegory of logical human emotions. He turns the tale into a matter of “what would you do?” He turns outward from the story to the reader directly, thus placing emphasis on theme rather than on plot.
In not deeply developing his characters, holding them at arm’s length, he has made it impossible for one to know what they will do. One is told their motivations in general terms, but one does not experience the characters having them: One does not hear their words or glimpse their process of thought. Hence, the reader is not involved in the story. The characters in the tale are but once-upon-a-time people, representative but not real. When readers are asked at last to decide, on the basis of their personalities, what they will do, they are unable to respond but can say only what they would do or what people they have known would do. If the tale fails, it is in this aspect.
One can see that the king turned his fancies into facts,