These two are contrasts of each other because one is a person who is already living, in the afterlife, with Death and goes looking through her old life; the other is a man running from his old life and his fear of Death. Both were written during times of war, so the idea that death is either the friend or the enemy would be share among many people during the time. Some people during war may be willing to walk with death, and others may want to keep death away from them. Both ways a journey is taken and Death is meet eventually whether…
With geographical-type diction and imagery, an analytical style may be drawn for passage 1 as references are made…
This introduces Ashley Crowther, a Cambridge educated man, who has returned home from his studies in England, as he owns the swamplands. Jim immediately feels a connection; he knows that they are going to be friends. “Something in the silence that existed between them…. made Jim believe that there could be a common ground between them…” Ashley shares the same views on the divinity of the land. “For all his cultivation, he liked what was unmade here and [it] could, without harm, be left that way.” Jim accepts a job to be a curator of Ashley’s prospective bird sanctuary.…
This opening passage introduces several important ideas and approaches that will operate through the entire book. Dillard insistently presents the natural world as both beautiful and cruel, like the image of roses painted in blood. She demonstrates throughout the book that to discover nature, one must actively put oneself in its way. The narrator sleeps naked, with the windows open, to put no barriers between herself and the natural world. But the natural world is a manifestation of God, and it is God she is really seeking to understand through the book. Dillard introduces the theme of religion as the narrator washes the bloodstains off her body, wondering whether they are ‘‘the keys to the kingdom or the mark of Cain.’’ Finally, the anecdote structure itself is typical; throughout the book, Dillard weaves together passages of reflection, description, and narration.…
The author of the first passage seems to be writing in an almost lighthearted tone. The author’s use of literary devices, such as imagery, exhibits perfect examples of this tone, as well as establishes a seemingly positive view on the swamp. For instance, the author provides vivid descriptions of the Okefenokee Swamp, such as “shallow, saucer-shaped”, “meandering channels…intricate maze”, and “bald cypress trees festooned…and vines” (passage 1). In addition to the author’s use of imagery to convey a rather insouciant…
First, the author uses imagery to vividly explain the sufferable experience sinners will have in hell. For instance in the ninth paragraph Jonathan Edwards coldly states, " When you look forward, you shall see a long for ever, a boundless duration before you, which will swallow up your thoughts, and amaze your soul , and you will absolutely despair of ever having any deliverance,…
While the first book was full of romantic descriptions of the land, the second and third books lack such detail. There are very few descriptions of the settings, likely because they take place in cities, which are common. The landscape descriptions of the previous books, on the other hand, showed readers a part of nature they had likely never seen before. The few descriptions that are included often take place at night, and the darkness does not lend a positive air to the city. The one passage that does include beautiful descriptions is when Jim, Antonia, and some of their friends go to the river. Compared to the rest of the books, this scene is very serene and happy. Although not all the conversation subjects are positive, like the death of Antonia’s father, the overall tone of the passage still remains pleasant. This suggests that country life, while sometimes difficult, offers something that city life cannot offer: the beauty of nature. The city may have some benefits, but the difference between the scene at the river and the scenes that place in the city reveal that country living is ultimately more…
At the beginning of the book, the author begins with his plan- to travel through the bayou. He doesn't have a main goal, just to experience life in the bayou as it happens. He begins his story near the end. Telling of men who he is sad to say goodbye to, while the reader doesn't know anything about how he came to know these men. Following the prologue, he goes back to the beginning, where he first reached the area in Louisiana. He goes on to recount his adventures. Each chapter beginning a new adventure, a new part of the bayou to explore, a new friend to meet. He tells of how friendly the residents of the Cajun coast are. One of his new friends Tim Melancon said “A Cajun will give you de hat off his head on a hot sunny day if you need it.”(pg 63) Throughout the book he brings up the pressing issue of the disappearing marshlands in the territory that he was traveling in. He is quite upset…
The first passage uses a more direct writing style supported by concrete evidence and facts. Here, “The brushwood appears from a short distance as a leafless as our trees during winter; and it was some time before I discovered that not only almost every plant was now in full leaf, but that the greater number were in flower” (Lines 15 - 19), the author sounds more honest and straight-forward, describing exactly what he sees. The passage sounds more realistic rather than impractical, “A broken field of black basaltic lava, thrown into the most rugged waves and crossed by great... which shows little signs of life”. With the first piece the author gives off the impression that he is also telling a story, and with the constant usage of I, we receive a more personal experience. When reading this piece, one may feel as though they are sitting down and having a conversation with the author especially with the addition of personal pronouns, which makes his account seem more familiar, rather than a dry scientific report. However, even with the affect of the personal pronouns, the tone of this piece is still resembles that of a scientific journal when the author describes his surroundings. They are more analytical on landscape and habitat “Although I diligently tried to collect as many plants…
The literary device that the author uses to compare the book and himself to was a metaphor. When the narrator said, “it was cold consolation to think that I, who looked upon it with my eye and fondled it with my ten flesh-and-bone fingers, was no less monstrous than the book”, this proved that he was comparing himself to the monstrous book. The meaning and significance of this metaphor states that he was no different from the book. His mind was now as dense and endless. The book carried infinite secrets and toyed with its readers. As it stated in the short story, “I felt it was a nightmare thing, an obscene thing, and that it defiled and corrupted reality”. The narrator felt that the deadly secrets that emanated from the book were all getting to his head. His fear of infinite evil caused him to hide the demonic book and run away from the eternal thoughts.…
The poem Crossing the Swamp is a well-organized poem which uses many techniques to develop the relationship between the speaker and the swamp. Some of these techniques include diction, narrative structure, repetition, imagery, personification, tone shift, as well as many interesting sound devices that.…
Regarding diction, descriptive words in passage one provided the reader with an image. With sentences such as “dies of cold, fatigue, horror,” the reader can visualize the harshness of the text while feeling a certain aura of horror. Another example would be in line 16, when the author for passage one writes, “tissue of horrible and disgusting absurdity.” The use of descriptive negatives is balanced so that the sentence enhances the true grotesque themes found in Frankenstein. In conjunction with descriptive diction, the author for passage one includes himself with his/her audience by continually referring to his ideas with we. His repetition of the world we, as seen in the passage as “we conjecture” or “we have thus,” symbols unity amongst the readers and the author. In contrast, passage two the author posses the ability of rhetoric as he indentifies with parallelism. The repeating words, “I shall,” shows the audience that the author strategically organized the piece so that the main points was repeated throughout the paragraph. Unlike passage one, the second text of literature directly addresses his audience with the informality of repeating I. Strategies such as parallelism were used in the first piece, the Quarterly review, as well. The anonymous piece utilized the strategy of anti-thesis by directly contrasting two objects in the same sentence. For example, “Burn himself on…
The differing dictions that each author uses illuminate their different objectives. Passage 1 begins with a praising assertion about skin: "layered fine as baklava, whose colors shame the dawn...” set the colorful mood for the whole selection. Being poetic, this type of diction creates a visual for the audience; hence it is used for telling an imaginative story about skin: the purpose of the first passage. Passage 2 is on a different page; it consists of bluntly lashed out information: "each square centimeter has 6 millions cells, 5,000 sensory points, 100 sweat glands..." (Idiom) Opposite of that of Passage 1, this straightforward, formal diction permeates the excerpt with the earthy smell of a school textbook. (Metaphor) With their specific dictions, the two passages effectively convey their purposes on their pieces to the audiences of their choice.…
Hawthorne’s use of figurative language connects Chillingworth’s misshapen form with his damaged soul. “A writhing horror twisted itself across his features like a snake flying swiftly over them..”(57). A creeping terror moved across his face; compared to a snake inferring a sinister expression. When Chillingworth first notices Hester on the scaffold, the narrator describes his reaction as a “writhing horror which twisted itself across his features like a snake gliding swiftly over them” inferring his sinister character. “Wonder, joy, horror” the difference from Satan is the wonder in it. The juxtaposition wonder and horror shows Chillingworth’s conflicted moral state; he is seen as more heinous than Satan. His moral outrage appears to creep across his face, if only for a moment, initially connecting his evil path with his physical demise.…
Second, in his essay about Hell, Joyce uses intensive imagery to create a scenery of Hell. Imagery is the figurative language that is most prominent in this passage. Without it, describing what hell looks like is useless. For example, in paragraph six, Joyce gives a description of the sensation of hellfire. He states “Every sense of the flesh is tortured eternally and every faculty of the soul therewith: the eyes with impenetrable utter darkness, the nose noisome odor, the ears with yells, howls, and execrations, the taste with foul matter, leprous corruption, nameless suffocating filth, the touch of red-hot goads and spikes, with cruel tongues of flame” (297).…