The main character in Hurston’s novel, Janie Crawford, Janie’s hair is a symbol that portrays her individuality and resistance to the stereotypes that are intertwined in her society. As Janie begins to settle into her home in Eatonville, she is soon confronted by her husband, Jody, and the townspeople’s antithetical views about her proper role in society. In response to the constant critiques Janie receives for wearing her hair down, Jody demands that she begin to wear a head rag. After the next twenty monotonous years of Janie’s life, she begins to finally find her inner voice that had been suppressed by Jody’s…
In the novel, Their Eyes Were Watching God, Zora Neale Hurston exposes the story of the love life of Janie. The relationship between Janie and her third husband, Tea Cake, was above and beyond the most positive of the three relationships with men she had and summoned forth her best assets. The relationships she had with these three men permitted her to be subjected to her first true love, expand her knowledge of working and taking care of herself, and discover a new culture/society.…
The novel begins at the end of Janie’s journey. She has returned to Eatonville a strong and proud woman who has already been “tuh de horizon and back,” but at the beginning of the story, Janie is completely unsure of who she is and how she wants to live. When she tells her story to Phoeby, she begins with her revelation under the blossoming pear tree, giving the reader an immediate sense of Janie’s deepest desires. Under the pear tree, Janie is inspired by the images of springtime. Sitting under the tree she sees the tree, a representation of the female, passively waiting for a bee, or the male, to penetrate its flowers. Janie resonates with this springtime moment of sexuality, and for the remainder of the book, the pear tree functions as her standard of sexual and emotional fulfillment. She says, "Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think. Ah…" (23).…
Their Eyes Were Watching God features many symbols throughout Hurston’s novel; however, one symbol in particular attracts men towards Janie and creates Janie’s image and personality – her hair. Her hair is a symbol of power to her, an overwhelming presence in the eyes of men, and a strength most people don’t expect out of most women during this time.…
"She was stretched on her back beneath the pear tree soak- ing in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation. Then Janie felt a pain remorseless sweet that left her limp and languid."(Hurston 13).…
The tree is therefore personified as a woman in the story as she exhibits characteristics of the "maternal instinct" and though she did not give birth to the boy she takes him in as if she had. One of the main messages portrayed in the story is that unselfish everlasting love ultimately has the greatest effect on the lover not the one being loved. The mother figure/tree was deeply wounded in the long run as every time the boy came for something more, she would have to sacrifice a part of her body to make him happy or satisfy him. Psychologist Barbara Frederickson offers a psychosocial theory on the concept of everlasting love. She describes that it does not exist and ultimately any connects a human being engages in is true love if those engaging in the scene are both portraying strong positive emotions. Taking this theory as fact, it leads to a counterargument on whether or not the tree truly loved the boy or felt obligated to show feelings towards him. Either way, she along the journey of her life loved more than the boy but ultimately ended up sacrificing everything for him, once again portraying that maternal instinct. There was also a metaphor…
In the novel, Their Eyes Were Watching God, Janie identifies with a pear tree and makes it her life quest to imitate the marvel that is the circle of life. Janie's life mimics the life cycle of the pear tree, in that the tree blossoms, dies, and revives with every season. At the beginning of her life, Janie is can be seen as not having roots, as she does not have a mother or father to take care of her, rather her grandmother, Nanny, cares for her. Nanny even says to Janie, "Us colored folks is branches without roots and that makes things come round in queer ways" (Hurston, 13). Each connection that Janie is involved in blooms and withers away like the symbol of the pear tree from her childhood.…
The first time the pear tree is mentioned in the novel is back in her childhood. She was 16 years old living with her Nanny, just a young teen trying to find herself, and as she grows she slowly tunes into her sexuality and broadens her understanding of a marriage. “She was stretched on her back beneath the pear…
Their Eyes Were Watching God by Zora Neale Hurston is chock-full of metaphors. Through metaphors, the author can create a link between different parts of the book, pointing out changes over time that the characters experience. These metaphors showcase the character development and refining of personality which the characters, especially Janie, go through in this book. Although she must suffer hardships in life to reach it, Janie ultimately attains happiness and good character, as is evident in the signature nature-focused Romantic metaphors [HUH?!?Try rewording it] that Hurston uses. [Try to make the thesis in one sentence with the “why” portion after a semicolon]…
The pear tree ties closely to another symbol in the novel: the horizon. The horizon represents Janie's realm of what's possible; Hurston invokes this throughout the novel, as evidenced by Janie's comments that Joe "spoke for far horizon" (Hurston 35). This is shown again after she marries Tea Cake because even after his death, she still feels as though she has and always will have access to the world and allows her to arrive to the metaphorical horizon at the end of the book, which she reaches magnificently, she "pulled it from around the waist of the world and draped it over her shoulder…She called in her soul to come and see." (Hurston 277) Through all of Janie's marriages and heartbreak and lust and love, she is able to discover who she is on her…
Janie Crawford is fascinated by the transformation from the blooming pear tree. Curiosity did not let the sixteen-year-old Janie leave the backyard lying beneath the pear tree during the spring; as a result she begins to spend most of her time there. “Janie had spent most of the day under a blossoming pear tree in the back-yard…ever since the first tiny bloom had opened. It had called her to come and gaze on a mystery.” (Chapter 2, page 13) This is a…
Hurston's novel “Their eyes were watching God” is not just a novel about relationships and finding true love,but a story about finding one's own identity and living for yourself.Janie’s sense of identity,the main character,is revealed through the symbolic imagery and narrative motifs associated with the scenes described to illustrate the overarching theme of identity and Janie's development into her own person,from her shapeless beginnings to a sturdy foundation at the end of the novel and the end of her journey into finding her identity.…
In contrast to the jealousy portrayed in My Pretty Rose Tree, the Clod and the Pebble begins by displaying how love can be selfless by giving us two different…
Zora Neale Hurston Portrays multiple sublime themes and ideas in her classic 1937 novel. Janie Crawford, the main character, desires love throughout her life in hopes to find the companion of her life to match the familiar ideal that love and successful relationships lead to true happiness. Through her relationships with Vergible “Tea Cake” Woods and Joe Starks she finally discovers a contradicting revelation that she feels genuinely satisfied alone. The accounts of these three characters help implement the theme throughout the…
Allegories are used within ‘Oranges are not the Only Fruit’ to fragment the text; the fragmentation is a key characteristic of post-modernist works. This use of fragmentations helps the reader to look deeper into the myths and fairytales to better understand the novel’s main plot and to highlight Winterson’s post-modernist ideas. The allegories have an element of ambiguity, causing the reader to question their preconceptions about the novel. They also help illustrate Jeanette’s own emotions and aspirations the struggles she faces within the main plot as they act as a form of escapism from her mother and the crippling control the church has over her life.…