In Mary Shelly’s novel Frankenstein we see not only the internal struggles of both Victor Frankenstein and the Creature he has created,…
Shelley’s Gothic novel, Frankenstein, explores the complex nature of mankind by considering the consequences of an unrestricted pursuit of science. A rise in scientific experimentation with Galvanism during Shelley’s time is reflected through the protagonist Victor as he uses it to bestow life. Shelley portrays Victor and the Creature as complex beings, demonstrating both inhuman and human qualities. Despite this, the subsequent rejection by his creator and the De Lacy family drives the Creature to ‘eternal rejection and vengeance of mankind’. Victor’s initial response when meeting the creature, demonstrates his savage, cruel treatment and lack of responsibility towards his creation.…
In Marry Shelley’s Frankenstein, Victor and the monster share similar nature. Throughout the story, Victor Frankenstein and his creation share hatred towards one another. The two characters have the same objective that they are trying to achieve. They each not only value their learning through reading, but appreciate the natural world to help them cope, and have a craving for revenge when they feel it is necessary. While reading the story, the reader can see similarities between Frankenstein and the monster’s eagerness for knowledge, gratefulness for nature, and devotion for revenge.…
Mary Shelley’s novel, Frankenstein, deals with two very distinct individuals: the young-but-foolish Victor Frankenstein and his creation, the “Monster”. Victor is the main focus of the novel for the beginning chapters, while the rest of the work focuses more on the development and actions of the Monster. The characters of Victor and the Monster are first brought together during the Monster’s creation in Chapter 4 (34). It was Victor’s isolation from both his family and his peers that ultimately lead to his creation of the Monster, and it was the Monster’s feelings of isolation and resentment towards Victor that lead to his violent episodes. While these feelings are evident in both characters’ actions throughout the majority of the novel, it was during the Monster’s statements to Captain Robert Walton towards the end of the story that drives home the fact that the Monster’s actions were products of his repeated rejections when he attempted to be accepted by society and as such are not indicative of his inherent nature. It was these feelings of loneliness and resentment that drove both Victor and the Monster to their actions, and it is safe to assume that some of Shelley’s personal feelings of abandonment and resentment towards her mother bled through into her characters. These feelings are made evident by way of the diction of the characters, both elements of and deviations from the Gothic stereotype, the development of the characters throughout the story and the lack of any definite closure to the text.…
Frankenstein seeks supremacy by trying to uncover the secrets that science has to offer and by pursuing to obtain dangerous knowledge. Victor Frankenstein’s drive and self-belief is so strong that he forces to exploit himself by studying long ridiculous hours, blinding himself to his own personal health and to the ramification of his desire. "For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart”. This drive becomes so compulsive that Frankenstein isolates himself from the rest of society and his family. “ Two years passed in this manner, during which I paid no visit to Geneva, but was engaged, heart and soul in the pursuit of some discoveries which I hoped to make.” His exuberant perseverance to acquire knowledge and egotism results in Frankenstein’s aspiration to defy the order of nature and play God, displaying…
In Shelley’s text Frankenstein’s animation of the creature explores the consequences of the blind pursuit of knowledge. This moment is largely a comment on the unknown consequences of the grand expansion of scientific knowledge and experiments of the day, particularly in anatomy with figures such as Luigi Galvani. Frankenstein is an exaggerated incarnation of such figures: the master scientist who seeks to interfere and control nature, rather than the scholar-scientist who seeks to understand. Shelley warns against this as Frankenstein embarks on his creation of life, and the strengthening of his obsession to unlock the secrets of life becomes apparent. Shelley uses the gothic polarity of life and death to examine the nature of his obsession. Frankenstein ironically surrounds himself with the materials of death and corrupted bodies to create life and as such reveals the grotesqueness of his transgression. Shelley’s use of gothic settings highlights his isolation, “and forced to spend days and nights in vaults and charnel-houses"; a metaphor for his isolated state of mind, reflecting Frankenstein’s diminishing humanity. As his humanity diminishes, the idea of who is monster and who is human here surfaces. Shelley draws from the Age of Enlightenment and the…
Regardless of Creature’s motivations for murder, he is heavy with guilt for every death he has done and commits suicide after his vengeance for Frankenstein, showing that his humanitarian education still holds influence over his morals. Frankenstein is a stark contrast because he never takes responsibility for his actions nor feels guilty for his hand in the death of loved ones by creating the Creature and neglecting him basic rights. Shelley’s emphasis on the result of education and isolation on the moral character demonstrates how the Creature, born innocent and naïve for love, murders and avenges his creator while Frankenstein is destined for a sad death chasing the…
Victor Frankenstein is shown playing with life and therefore creating a God-like impression on the reader. “A new species would bless me as its creator and source,” the transgression of boundaries can be seen through this statement made by Victor Frankenstein as the statement is genuinely associated with God. It shows he wants to be praised and seen as a mother figure towards his creation. Victor also represents the debate between reason and science, “How can I describe my emotions at this catastrophe [...] I had endeavoured to form?” This line shows the juxtaposition between reason and science. The use of the word “catastrophe” shows his salvage of reason, while “I had endeavoured to form” conveys his obsessive nature to create his monster. The monster is the consequence of his obsessive nature and as a result is repulsed by his “yellow skin [...] hair of lustrous black [...] more horrid contrast with his watery eyes [...] shrivelled complexion and straight black lips.” The image which has been revealed provides the reader with a detailed description of the monster and also exposes Victors feelings towards the monster. During the time the novel was written, the monsters long, black hair associates his image with that of gypsies and therefore creates the idea that he is of a foreign…
In Mary Shelley’s Frankenstein, the character of victor Frankenstein begins his story as a virtuous man who desires to use his education and intelligence to do something good for mankind; to solve man’s greatest problem: death. As he pursues that dream, he begins to believe that he is like God, holding the power of life and death. In his pride, he seeks the admiration and praises of men. And after creating that life, he rejects it, and neglects to teach the creature and the world about each other. Ambitious conceit, pride and neglect bring about the fall of Victor Frankenstein.…
Human dreams of achievement, recognition, wealth and the pursuit of happiness often bring misery, rejection, irresponsibility, unethical choices and sometimes death. Attempting to fulfill those dreams can bring arrogance that blinds our vision to reality and the choices made eliminate right and wrong from our hearts or minds. In Frankenstein, the monster learns to be human by reading, _The Sorrows of Young Werther_, written by Johann Wolfgang von Goethe. "Must it ever be thus, -- that the source of our happiness must also be the fountain of our misery?" (von Goethe, Book I, August 18). Frankenstein went beyond the boundaries of science…
Frankenstein, written by Mary Shelley and first published in 1818, follows the set of extraordinary events encompassing the life of Victor Frankenstein; natural philosophy devotee and reanimation pioneer. Characterization plays a major role in encouraging different attitudes in Frankenstein, an example being how the reader is encouraged to feel sympathy for Frankenstein and his creation throughout the novel. Aided by the differing narrative perspective, these sympathies are continually evolving, changing as the reader’s perception of the two is altered, and at the end of the novel, the reader is left questioning who the real monster is: Frankenstein, or his creation? The…
Victor Frankenstein’s demise stemmed from his infatuation with the balance of nature and science. Even as a child, Frankenstein longed for answers that no one could give, “ I confess that neither the structure of languages, nor the code of governments, nor the politics of various states possessed attractions for me. It was the secrets of heaven and earth that I desired to learn” (28). From that moment Victor’s fate was determined, and his pursuit for these answers soon became an obsession with playing God. However, moments after the birth of his creation, his entire deanor shifts; he suffers remorse, “breathless horror and disgust filled [his] heart” (51). This horror only worsens with his later encounters with the monster and the knowledge of the several murders of his most beloved. Victor Frankenstein gave life and now longed for…
Frankenstein is a didactic novel that teaches the reader not to judge solely on appearances, as they can be deceptive. The protagonist, the famous Creature, is shunned by society due to his hideous physique. This highlights Mary Shelley’s criticism of her prejudiced society, who consider the Creature as a monster because of something as superficial as his physical appearance. However, the reader knows that The Creature has a good heart and a true inner beauty, yet he is seen as the monster of the story. A common interpretation is that Victor, the creator, should be considered as the monster because he is monstrous from within, a mirror image of his creation. This shows how appearances do not always represent reality, they can be deceptive.…
The novel opens as Victor Frankenstein recalls his curiosity and fascination with human life. Frankenstein quickly becomes obsessed with experimenting, and he attempts to create a living being out of dead body parts. He succeeds, but his creation turns into a living monster. Exclaimed by Frankenstein, “It was the secrets of heaven and earth that I desired to learn” (Shelley 33). Victor is extremely horrified by his grotesque looking creation and falls into a severe illness. While Victor is ill, the monster escapes to the woods where he watches a family and tries to befriend the humans. But once the monster makes his presence known, the family can’t accept Frankenstein’s ugly appearance. Because all humans he encountered reject him, the monster begins to hate people and believe that they are his enemies. Frustrated, the monster returns to his creator and demands that Frankenstein makes a female companion to cure his loneliness. The creature promises Victor that he will leave with his female companion, travel to South America, and never come in contact with humans again. However, two years beforehand, the creature spitefully murdered Victor 's brother William to get back at him. Holding a grudge against his monster creation for the death of William, Victor refuses to make a friend for the monster. In an effort to make Victor as miserable as himself,…
The monster continually calls out for sensibility from the romantic. The monster has a desire for companionship, and implores of his creator to make him a being of his own species. The monster also desires to be accepted by mankind. The final way the monster displays sensibility is through his desire to learn. He displays his capabilities of learning at the beginning of his creation, and continues to grow throughout the novel. Victor Frankenstein shows the individualistic, mystic, and love of nature side of romanticism. He displays individualism through his desire to be his own creator. He also rejects the help from others, and strives on selfish ambition. Victor shows the mysticism, through gaining power of being his own god. Finally, he shows a love for nature, through taking the time to breathe and admire the beautiful countryside around him. Romanticism is concluded in the comparison of the two characters, and how similar their situations are. Victor Frankenstein and the monster both have a strong desire for love from others around them. They also show great passion for sympathy from others, which they do not necessarily receive. Their situations are unrealistic, and portray the case of non-neoclassicism. Both Frankenstein and the monster experience deep sorrow throughout the entire novel. This experience is heightened when the monster is denied a companion and Victor loses all of his loved ones. In the end, both Victor and the creature share their desire for friendship, which neither fully obtain, due to the circumstances of the rejection and bitterness. Mary Shelley’s Frankenstein, displays the aspects of Romanticism through Frankenstein and his creature; they display sensibility, individualism, love of nature, non-neoclassicism, and…