In “My Creature From the Black Lagoon”, Stephen King compares and contrasts how children and adults handle fear, specifically in movies. His main argument is that the fear experienced by both adults and children is the result of a focus on the movie in which all emotions are fixated on the movies, and there is no logical thinking of the unrealism. In other words, their fixation allows for their imagination to dominate.…
Joe, a seven year old boy, was very excited to go see his first clown with his family. He experienced his first clown when he went to the circus. He went to the Ringling Bros Circus and met a Whiteface clown. Joe later found out that the Whiteface clown was not the only type. In addition to the Whiteface clown, Joe soon discovered that there are more kinds of clowns: the “Auguste” clown as well as “character” clowns, which are all very different in appearance and character (All About Clowns, “Types”).…
Teish shares her experience of Halloween, where her neighbor Mr. Buck invited kids inside his house and then scared them dressing up in white sheet with a rifle and a rope. Children who witnessed Mr. Buck's appearance were scared and ran out the house screaming and crying, including Teish. Later, Teish adds that Mr. Buck was dressed in the hood and cloak of the Ku Klux Klan (Carnival of the Spirit, 166).…
To begin, Pennywise the clown, also known as “IT,” is the antagonist of the novel. He preys on the children of Derry every three decades, dwelling in the sewers he brings childhood nightmares to life. What makes “IT” so horrifying is how the violence and slaughtering is brought to the youth of the town. Preying on young children sparks the protective nature of anyone and reminds everyone that no one is safe. There are many reasons that Pennywise’s target is children; children tend to make up wild stories that no adults could believe, they are smaller and weaker than most adults, they are far more naive, but most importantly, they have something that most adults…
Isolation, in medical psychology, is defined as the state or quality of being alone away from others. According to Corey, psychoanalytic theory defines isolation as a defense mechanism that emphasizes on keeping negative cognitions and feelings from influencing other thoughts and feelings (57). Isolation, therefore, is more of a psychological process that creators of psychological horror often exploit to create horrifying films. This paper investigates the effects of isolation on the mental processes of an individual. It also explores the spectacle of isolation in psychological horror films and looks at the deep-seated mental processes and emotions that form the basis for the genre of psychological horror.…
Please answer the following questions based on the information contained in the movie and place in the drop box no later than 11:59 p.m. on FRIDAY 03/12/10;…
Melissa Chan debriefs the clown epidemic in the article, “Everything You Need to Know About the ‘Clown Attack’ Craze”. She goes on explaining many different perspectives, such as the terrified citizens of America, the real professional clowns, and the police force.…
Throughout the course of our childhood, we have all been told frightening stories. Whether those stories were about “The Boogey Man” or “Bloody Mary” or even an original story, they all served one purpose, to frighten us into behaving. I really wish I had listened to my mother, I really wish I hadn’t tried to be the moron I was, if only I had experienced the slightest ounce of fear to prevent me from entering the woods, especially at night, when evil is said to be at its strongest.…
On page twenty five, paragraph two of Monsters, there is a statement that says, “The monster awakens one to the pleasures of the body, to the simple and fleeting joys of being frightened, or frightening to the experience of mortality and corporality”(Brandy Blake & L Andrew Cooper 25). Anyone who has seen A Nightmare on Elm Street can tell that the antagonist Freddy Krueger loves frightening people in their dreams and that he loves it. Freddy makes his victims not even want to go to sleep and he feeds off of that fear and that leads to the poor innocent victim’s death. Another statement mentioned in the theses is “The co-optation of the monster into a symbol of the desirable is often accomplished through the neutralization of…
Fear is the source of ideas that scares people the most. They took advantage of that in this film by making the Antagonist fear itself. At this point you might be thinking, “ Isn't the antagonist the creepy looking clown that can take shape of things people fear the most?” Believe it or not, the clown is just a representation of fear itself. It is just using the clown as one of many states it can take, such as one of the protagonist's brother, and a father. As a result, Coulrophobia is a really prominent symbol in this film. Coulrophobia is the fear of clowns, and a high percentage of people have it. To further support this claim, take a look at this article by Chapman University discussing fears of the average US citizen, Clowns are one of the top three fears in the US, alongside tight spaces and public speaking.…
Horror and thriller are a long standing favorite media type of our kind. A good scare that lingers in our minds sticks with us in ways other genres do not. The interest can span through movies and novels which both deliver results in different ways. Horrors and thrillers also affect our bodies while watching, though also differently. The reasons of why we like to be scared continue to be studied, but a few theories have emerged that are all partially accepted. Horrors and thrillers stimulate both our bodies and minds because they remain a mystery as to why we like them, they have helped us evolve, and they demand our attention.…
Furthermore, the perception of ugly can be deceiving. Ugliness isn’t only shown on the outside; a person can be attractive to the eye while on the inside the thoughts and the driving force behind them can be filled with ugly and monstrous intentions. When a parent warns their child to look out for strangers, the child’s perception of a stranger is of an ugly or menacing person. However, more often than not, when a child is abducted by a stranger the outward appearance of that person is not what we would deem “ugly”, but the emotion or psychological feelings that the person carries inside them is what really bears their “ugliness”.…
A child’s ability to trust and hope are so important to their innocence, and yet like so many other important things they are not treated with the care necessary to keep them alive. An innocent, trusting child will walk up to anyone on the street and believe they cannot nor will never hurt them in any way. Unfortunately, all too often that part of them gets pulverized into dust. Our parents try to teach us there are no monsters, trying to protect us from the ugly truths that life holds. They never really lie to us, there are no monsters under our beds or hiding in our closets. Tragically some children are forced to face the appalling truths, fiends do exist and they look just like people. I was one that had to grow up much too soon and face the facts of those monsters, I learned the worst truth possible, and like a glass globe that is dropped, my world was shattered into a million pieces as the answers to my fears were delivered in anger. My entire self was dismembered, and for too long those horrors had complete control.…
Carnivals are places that you go to have fun, but sometimes these fun places can turn into your worst nightmares. It all began on a night out with my family. We were just out at the mall and when we were coming back home, we passed by a carnival. The carnival looked incredible so my family and I decided to go to the carnival and have some fun as well. We went to the carnival and it looked better up close. There were people and lights everywhere, but the carnival still had a hollow and chilly feeling to it. Wherever I went, I had the feeling that somebody was following me.…
In the early 20th century a third category of characterization developed from the so-called carpet clown, who performed short, solo routines between circus acts. These character clowns, as they are known today, include any clown who has a unique routine and who usually works alone or without a partner in a large group. The character clown is the most realistic of the…