When deconstructing the text ‘W;t’, by Margaret Edson, a comparative study of the poetry of John Donne is necessary for a better conceptual understanding of the values and ideas presented in Edson’s ‘W;t’. Through this comparative study, the audience is able to develop an extended understanding of the ideas surrounding death. This is achieved through the use of the semi-colon in the dramas title, ‘W;t’. Edson also uses juxtapositions and the literary device, wit, to shape and reshape the meaning of the drama when studied in alliance to the poetry of John Donne. This alliance has been strengthened by the parallel of Vivian Bearing’s and Donne’s interpretation of life, death and eternal life. This enables the responder to recognise the higher concepts of death and its meaning.…
Grief and a sense of the tenderness of death assimilates itself throughout the tale of Liesel Meminger and hearkens us to what will one day be the fate of all. In conclusion, death possesses an omnipresent outlook within this novel and exemplifies the tragic unfolding of the life of Liesel…
Mrs. Mallard is an upper-class women opposed to Mrs. Sommers being poor. Chopin describes the appearance of Mrs. Mallard’s face in the story: “She was young, with a fair, calm face”(paragraph 8). Mrs. Mallard is an attractive, admirable, and a simple woman as learned from the Chopin’s description. “There stood facing the open window, a comfortable, roomy chair”(paragraph 4) connotes that she has wealthy-living. Generally, Mrs. Mallard is a refined, elegant woman during the nineteenth-century that belongs to the upper-class society. In contrast, Mrs. Sommers is fighting poverty and is struggling with the fact that she does not have much to support her family. For instance when Mrs. Sommers suddenly finds $15 on the ground, it seemed to her quite…
These are the first description given about someone's death in the novel. Henry chose to die while the woman was killed against her will. This reveals the mortality directly associated…
There are many social issues in the story that is pervasive throughout our society today. The book serves as a reminder that life is far from sunshine and daffodils. However, the novel doesn’t just promote the idea that life is one hundred percent cruel, either. In spite of the fact that Marcus dies, the lives of the other characters’ do not end. Characters such as A.J. Dupree and Bludge gain a new appreciation of life through his death and mature because of it. Thus, Desperation Passes offers a small but sure glimmer of hope for the future to…
6) In The Scarlet Letter, Nathaniel Hawthorne employs figurative language to explain the symbolic character of Pearl before she becomes a woman. To Hester, her child who is often associated with sin is, “Her Pearl! ...she named the infant “Pearl”, as being of great price, --purchased with all she had, her mother’s only treasure!”(6,1). This allusion of the Gospel of Matthew, the merchant man seeking goodly pearls gave up everything to get that one pearl, similarly connects to how Hester gave up everything such as her home, friends, and dignity just to obtain her daughter, Pearl. Hester sustains the pain of abandonment and wrath from the Puritans just to keep Pearl; Pearl gives Hester a reason to strengthen herself and survive in this community…
Death is a horrendous thing that can cause an irreplaceable hole in somebody’s life. Death can also represent chaos and the pain of another character in the story. In Of Mice And Men by John Steinbeck, the deaths of Johnny, Dally, and Bob created an intriguing plot and unveiled the hidden feelings and personalities of characters who react to the deaths, like Dally and Randy. The major deaths in The Outsiders by S.E. Hinton, which are the deaths of Candy’s Dog, Curley’s Wife, and Lennie, displayed the personalities of the characters who killed them and developed the story in the book. The theme of death reveals hidden elements of characters who strongly felt a certain way about the character. Even though death is the end of a character, it…
Tess has thoughts above the normal thinking pattern of an eight-year-old. She struggles with some of these thoughts, and ponders them for days. Death is a morbid one she thinks of often. She has grasped the concept that “Death is an inevitable thing” (Webb), but seems obsessed with the concept. She claims that her mother is dead, though she just left her alone. She also claims that “her father is dying of lung cancer” (Kyle 1), even though…
The death of a loved one is always a stressful event, but the unnatural death of someone close is beyond the usual stress of death; this compacted stress is evident in Blanche’s reaction to her husband’s death. Blanche’s husband’s unnatural death left her with a guilty conscience. Indeed, Blanche’s response to the ordeal could quite possibly be classified as symptomatic of post traumatic stress disorder: “A psychological disorder in which a person continues to respond with distress to a traumatic event long after that event has occurred. The affected person may re-experience the event in their…
Narrator refers to “—of joy that kills” in her death. Then, what leads her to death? Precisely speaking, what makes her death be joyful one? “a monstrous joy” in the text is the answer for the question. To think deeply, “a monstrous joy” can be interpreted as the author, kind of a founder of feminism literature, wants to cast a reflection of her expectation, which she has born secretly in mind, in Louise. Taking into consideration that the story is written even before female suffrage is guaranteed to woman, for an ordinary woman, who lives a serene passive life without any ambition, the unexpected loss of her husband must be something that is much bigger than just a trivial sense of loss when she first hears the news. But she shortly comes to know that she can manage to live happily without her husband, which means she has already experienced the pleasure of emancipation. Thus, now, she can’t go back to her life again. The author doesn’t let her pleasure exist only in her realm of the subconscious so Louise’s joy is expressed as an extreme reversal, which is death, of the story. Since her thirst for freedom has already reached its climax, her husband’s safe return naturally drives her to the exit which is death. Her fate is her choice, rather than giving up and, at the same time, preferable to accepting her coming miserable days. The author concludes the story by giving a sign “—of…
In Hardy's poem, he successfully uses a variety of images to convey a bleak, cold late autumn or early winter evening. This poem is quite interesting because it has a sort of pattern of description, climax and ending with further description. In the first two stanzas, he introduces the evening, the scenery surrounding him, and then in the third stanza, the thrush causes a sort of climax in which he summarizes the basic mood. Finally, in the fourth stanza he ends with the effect of the song of the thrush on the general mood related to the evening and a sort of desolation (sometimes associated with winter) within.…
'Afterwards,' by Thomas Hardy, is a poem that questions the way that people will look upon the narrator after his death. It centre's around the idea of 'noticing things,' showing the narrators precision and the ambivalence of his neighbours. Hardy gets this across by the techniques that he uses, and the detailed descriptions which show the full extent of what the narrator has noticed. The poem shows the complexity of nature, and describes the cycle of life.…
[Abstract]: The Return of the Native is one of Thomas Hardy 's "Novels of Character and Environment". This paper mainly deals with the conflict between the main characters in the novel and the "Environment"----Egdon Heath, especially the conflict between Eustacia and the Heath. The Heath as a physical object is described as "inviolate", untouchable and unalterable by man, as a symbol it is highly flexible: it becomes what the various characters want to make of it. It is ugly for Eustacia, beautiful for Clym, comforting for Thomasin, and home for Venn. And it is described differently by the narrator at different times, depending on the perspective of the character being focused on. Besides, Egdon Heath itself is the oldest character. In The Return, Eustacia hates the Heath and wants to escape from it, Clym wants to change it; while Thomasin and Venn are faithful to it; but for Mrs. Yeobright, she neither loves it nor hates it, she is like a denizen. Whoever you are, if you want to rebel against the Heath, more or less, you will get punishment; on the contrary, you will be happy on the Heath. In brief, the paper chiefly reveals the theme: those who rebel against the nature will be lost.…
The choice of imagery also captures a state of ugliness, disharmony and confusion. The usual whitish frost strangely takes on a “spectre-gray” colour and shape. The same desolation is extended to the outlook of the day. The simile, “like strings of broke lyres” helps to capture a state of confusion and discord in the Victorian society. Expectedly so, Hardy is a poet who has romantic sympathy and as such sees the coming of the Industrial Revolution in England as anti-nature. This view is found in most of his poems, “The Darkling Thrush”, being no exception. The theme of death is aptly captured through vivid images too. The outgoing century is portrayed as being full of decadence and death, which is reflected in all facets of human endeavour.…
Hardy uses imagery to evoke ideas and images in the readers mind. “The land's sharp features seemed to me. The Century's corpse outleant, His crypt the cloudy canopy, The wind its death-lament.” In describing the landscape he refers to the landscape as an intimate object as if it were human. He compares the landscape to a dead body laying all around him and the clouds becoming the coffins top, and the wind his death lament. The man also describes the landscape to have as much life and spirit as he does.…