The Role Of Nick In The Great Gatsby

The entry is critical in light of the fact that it accentuates the double parts of Nick's character in the novel. He is both participant and observer; he is drawn into life as he encounters it in the East; in the meantime, it jugs and oftentimes affronts his Midwestern sensibilities. In this scene, Nick is "within and without," taking part in a plastered gathering among outsiders whose qualities are plainly not his own, while all the while venturing outside nature mentally to view it from a goal point of view. In the section, Fitzgerald changes the physical perspective in portraying the flat to underline the two perspectives from which Nick encounters life in New York.

It is essential that Nick likes to be outside in the city, leaving, yet
can't appear to remove himself from quick occasions encompassing him. Similarly, he is drawn into the tragedy of Gatsby's life and can't remove himself from the flippancy of the East until Gatsby is dead and covered. Scratch is from various perspectives "enchanted" by life in the East that is so not the same as his Midwestern childhood, however the duality of his identity is determined in the finish of the novel when he denounces it and goes home.