The Inferno begins when Dante strays off the rightful and straight path of moral truth and gets lost in a dark wood. He gets attack by three beasts that symbolize different sins. Fortunately, he then meets the spirit of the Roman epic poet Virgil. Virgil to the rescue! He’s an appropriate guide because he’s very much like Dante, a fellow writer and famous poet. For the rest of the Inferno, Virgil takes Dante on a guided tour of Hell, through all its nine circles and back up into the air of the mortal world.…
In the fifth and fourth centuries Rome’s tyrannical rule was defeated, and an aristocracy of patricians became the ruling class. The common people, the plebeians, had been weakened in society after the King’s defeat, but to meet the demands of the people, Tribunes were put into power as the heads of the plebeians. Up until this point, the “task of maintaining a body of law was met through oral traditions”, but the tribunes “demanded that laws should be reduced to writing and made public”. This made the development of a common alphabet for the Roman people a priority, and the Latin language was soon established. The resulting Twelve Tables became one of the earliest known Roman establishments of the written word. Literature, such as Virgil’s Aeneid, soon started the tradition of using the written word as a form of propaganda that could be geared toward the literate and therefore more influential in society. Other “literary propaganda in the form of letters, treatises, published books and speeches” from more strictly political circles were also made and used in abundance.…
Dante and Virgil are outside the eighth Circle of Hell, known as Malebolge. The circle has a wall along the outside, and has a circular pit in the center. The ridges create ten separate pits. This is where the people receive their punishment for fraud. This is where Virgil and Dante see souls from one side to another. The demons with great whips cause pain to the souls when they come to the demon’s reach, which then force the souls to the other ridge. There is an Italian that Dante recognize and he speaks to him. The Italian tells Dante that he lived in Bologna, and now is there to sell his sister. The pit is for the Seducers and the Panders, and then Dante saw the Jason of mythology who abandoned Medea. When Virgil and Dante had…
The thirteenth canto of Dante’s The Inferno clearly depicts several of the different themes that can be seen throughout the poem. Some of these themes are the idea of contrapasso, or the notion that the punishment dealt fits the crime committed, the portrayal of Hell as being devoid of hope, and the importance of fame. The images and language Dante uses to describe his experiences in the middle ring of the seventh circle of Hell, which houses the suicides, provide the reader with the feeling of despair and hopelessness present throughout the text, while also serving to show the idea of contrapasso and the underlying importance of fame.…
Before Dante and Virgil enter Hell proper, they find the opportunists in the vestibule. They are running around wildly chasing a banner, while nude being stung by hornets and wasps. When the split came between Satan and God, they tried to stay neutral, and now they must suffer their punishment. Here, the banner symbolizes a leader, serving as a direct punishment for their indecisive nature. They come across limbo next, where the virtuous pagans are. These are the souls of good non-Christians, who are stuck in limbo because they were never baptized and never went to church to study Jesus. This is where Virgil and the poets reside. Limbo is not a bad place to be, and their only punishment is that they will never get to see the face of God. This is a fitting punishment because while alive they never knew of God,…
He is guided in this journey by the ghost of the Roman classical poet Virgil, who, as wise in the ways of the spirit as he may be, cannot go to Heaven because he is not a Christian. Virgil's experience in the underworld, however, make him an authority on its structure, and he is more than willing to share his knowledge with Dante in order that Dante might return to life and share his revelations with others. In Hell Dante is presented with insight into the nature of…
In the first Canto, Dante realizes he is lost. He says that he does not remember how he lost his way, but he has wandered into a fearful place, a dark and tangled valley. Above, he sees a great hill that seems to offer protection from the shadowed vale. The sun shines down from this hilltop, and Dante attempts to climb toward the light. As he climbs,…
Dante’s journey began by meeting Virgil who is described throughout the story as Dante’s guide, master, teacher, protector and Lord. Virgil stated to Dante, “I think it well you follow me and I will be your guide and lead you forth through an eternal place.” “There you shall see the ancient spirits tried in endless pain,” (Canto I:105-110)…
Virgil and Dante enter through the gates of Hell and see a crowd of people along the banks of the river. Virgil tells Dante these are the souls who neither sinned nor worshipped God, and are therefore rejected by both Heaven and Hell. Charon takes them across the river. The Second Circle is guarded by Minos and is the first of four rings in which souls are punished. In the Second Circle, the souls of the lustful are blown about by never-ending winds. In the Third Circle, the souls of the gluttons are soaked by heavy rain and clawed by the three-headed dog, Cerberus.…
In a dark forest, a lament bursting with sorrow brushes past a poet’s ear. Then another. And another. Soon, regretful whispers are swarming around him and his Guide as the firelight retreats.When Virgil and Dante walk through the Wood of Suicides, they hear an infinite amount of forlorn sighs: When one commits suicide, one has no hope left-they are in despair. Dante is trying to show in Canto XIII that hopelessness is a huge factor of suicidal thoughts and events by using imagery and word choice. If one commits suicide, there is no one left to live for. He uses these devices because they can be both subtle and apparent, allowing him to better control what he shows to the public: After all, if suicide is considered a sin, it would not be wise…
Evelyn Late this afternoon a young boy named Vigil came to our pigsty apartment to play with my confident little brother, Thomas. He was talking on and on about this garden that was in the dirty lot a block away. I wasn’t paying much attention but I have never seen a vegetable garden let alone grown anything. Then he brought up the idea of taking us there to show us his father's lettuce patch.…
The heroic characteristics introduced in Virgil’s Aeneid are different in comparison to the Homeric epic characteristics. Unlike Homeric epics the Iliad and the Odyssey, Virgil depicts Aeneas, the Aeneid epic hero, in a modern way, making Aeneas more relatable and better understood by the audience. The three major differences between Virgil’s epic hero, Aeneas, and Homer’s epic heroes, Achilleus and Odysseus, from the Iliad and the Odyssey are the use of inner struggles within the epic hero, the compassion towards personal relationships, and situational self-awareness with oneself and ones fate with the Gods.…
During his journey, Dante is guided by Virgil, the symbol of human reason. When they approach the boatman Phlegyas, he becomes enraged that they are not sinners, but Virgil's word convinces Phlegyas to take them across, symbolic that human reason can shine through obstacles. However, Dante address the idea of Hell to be too much for the simple human mind to understand, so an angel must open the doors of Dis for them to pass through.…
The image depicts a scene from Inferno, a classical poem written by Dante Alighieri in the 1300’s in which Dante is led through the levels of Hell by the dead poet Virgil. In this particular moment, Dante is witnessing the horrors of the wrathful in Hell. Clearly, Dante is the figure cloaked in beige and covering his mouth in utter disbelief. His eyes, however, are not directed at the two fighting men. He is staring off towards the side of the painting which makes us wonder what exactly he is looking at. Virgil continues to look down at the scene before us while he attempts to steer Dante onward with a hand.…
Dante and Virgil reach the gates of Hell and read the printed inscription. When Dante is concerned, Virgil comforts him and tells him he must have courage. The two come to the first level of hell filled with people who only worked to benefit themselves and lacked conviction, including the angels who took no side in the battle between Lucifer and God. Here, the dead are seen naked, chasing after an ever-moving banner while being stung by hornet and treading on maggots. In this crowd Dante spots Popes Celestine V and Boniface VIII whom he disliked in real life. They continue on and meet Charon the ferryman who at first refuses to take Dante across the river but then reluctantly agrees. There are souls gathered along the banks wanting to cross…