In David Guterson’s short essay “No Place like Home,” he visits communities like Green Valley and meets with residents to discuss the lifestyle of the average suburban family, typically four members in total, who live in the walled in, well watched, prestigious sounding, city sized western version of our local community Landfall. While the essay begins with a sunny sounding tone the reporter almost attempts to portray the community as a facade with something dark lurking in the deeper corners, he does this by phrasing certain things with a suspenseful tone in the first paragraph. David does, inevidetly reach some of his darker topics as he address crime and a certain area of politics. His point, after all though, seemed just to be to inform…
The concept of belonging to a place has been shown through Billy’s perspective in the poem ‘Longlands Road’, it has shaped his identity as well as given him a reason to hate the place he grew up in drawing a lack of connection to his father. Billy tells the readers how much he hates the town he lives in and feels that he doesn’t belong “deadbeat no-hoper shithole lonely downtrodden house in Longlands Road, Nowheresville.” By the use adjectives, negative tone and expletives it shows Billy’s resentment he has towards his home town as well as suggesting negative experiences he’s encountered. Billy feels he doesn’t belong and even though there’s a sense of history, it has been a negative experience and has urged him to leave. At the start of the poem Billy describes that the house “this place has never looked so rundown and beat” showing the physical degradation of the house not being looked after symbolising the way Billy wasn’t looked after. Furthermore, suggesting that he doesn’t belong or have a positive connection to Longlands Road. By Billy’s actions of throwing rocks onto the roofs of the houses in Longlands Road additionally adds his negative attitude he has towards his street and the rest of the place situated in it. The increase of negative diction in the quote “I throw one rock on the roof” highlights his…
There is no concern for individuals; ‘the comings and goings’ and the arrivals and new comers are simply just a part of the process, like business and making it impersonal. The sense of impersonality and anonymity is further emphasized by the reference to the ‘busloads’ of newcomers – individuality is lost and is overwhelmed by the multitudes of new arrivals. This is heightened further by the last 2 lines of the stanza, where the migrants are ‘left wondering who will be coming next’. This contributes to the sense of impermanence felt by the migrants, who struggle to find a sense of security and belonging amidst the uncertainty that a new life holds and over which they have little control. The title of the poem 10 Mary Street, a home address, immediately evokes a sense of security and feeling of stability and belonging that are associated with the concept of a home. This sense of belonging is quickly strengthened by the opening lines of the poem ‘for nineteen years’, with as reference to a prolonged period of time establishing a sense of permanency and security. The poet’s reminiscences of the family’s day routine served to strengthen the feeling of permanency; it’s a routine that has clearly been followed over many years ‘we departed each morning’. A sense of comfort is derived from this well established routine, the image of shutting the house ‘like a well oiled lock’ carrying out with it a sense of familiarity and ordinariness. The poets detailed description of the family’s habit of ‘[hiding] the key under a rusty bucket’ hints further at the comfort and strong sense of belonging that he felt here. The reference to small details, such as the secreting of the key - a detail only known to the family – establishes a feeling of family intimacy and…
“Neighbours” by Peter Skrzynecki presents us with the idea that common interests can bring people together. In the beginning, the newlyweds move into a new environment and experience a cultural barrier. The simile “it made the newly-weds feel like sojourners in a foreign land” indicates that they are outsiders and do not yet have a sense of belonging. This is reinforced through the short sentence structure “the street was full of European migrants” which demonstrates how they know little about their neighbours and have no connection established. This is similar to “10 Mary Street”, where a cultural barrier must also be overcome in order to create a sense of belonging. However, after some time, the newlyweds begin to tolerate their neighbours’ behaviour and adjust to their new environment. The use of alliteration “big woman with…
The brief but complex stories of "Araby" by James Joyce and, "A&P by John Updike focuses on character traits rather than on plot to reveal the ironies that inherent self deception. The theme for both Sammy from "A&P" and the narrator from "Araby" is the transition from childhood to adulthood, a process that everyone experiences in one's own way and time. The transformation that both characters make from children to adults includes unrealistic expectations of women, focusing upon one girl in particular which he places all his unreciprocated affection, and the rejection they suffer is far too great for them to bear.…
What makes a person an Arab? One may very quickly answer that an Arab is someone whose first language is Arabic. Another common answer would be that an Arab originates from the Middle East. Therefore, because there is an increasing trend in America to understand who Arabs truly are, Samhan describes the role of Arab Americans in shaping America. Samhan begins by stating that Arabs come from a highly diverse background.…
The urban life in Harlem has being described by many authors, including James Baldwin. The life of an African American man in this place during the 1950’s was a “disaster”, “faces and bodies” […] were “trapped in the darkness” (Baldwin n.pag). It was a time prior to the Civil Rights Movement, the time of segregation and unjust. Baldwin writes about black and very poor neighborhood in Harlem, where people were struggling to survive in the racist society. The author describes Harlem as a place where “the wages of sin were visible everywhere, in every wine-stained and urine-splashed hallway” (Baldwin n.pag).. The living conditions were horrible and not safe: “Safe, hell!” (Baldwin n.pag). In the 1950s most whites and black middle class had left Harlem, the crime and drug addiction rates were higher than anywhere in the United States. Baldwin portrays Harlem as a place where people can feel danger-…
The setting of "Araby" is North Richmond Street and the town flea market, also named in the story Araby. This is described as a quiet cove to the reader. The only time where there seems to be movement is when the school lets out during the day. The children on the street are always looking for action or excitement to provide relief from the everyday bore. "Young Goodman Brown" is told from the Salem Village and forest where Brown takes a journey. The street is just as dull as Richmond Street without the pretty head of Faith peering out towards Brown. Faith gives the dark street some light from the eyes of Brown. The forest is given the symbol of a place of extreme evil and darkness. Also, realization comes to Brown in the forest. These two settings in the stories both give a grim cold feeling to the reader.…
With some connections to the idea of struggle and survival, we can use The Inheritance of Exile by Susan Muaddi Darraj and A Gathering of Old Men by Ernest J. Gaines to show that a home may not always be a safe and secure place. Both stories represent the importance of a rooted home with the exceptions to the difficulties within that home. We will see the struggles behind the immigrant Palestinian women now living in America as they share their personal stories with their daughters, of living in refugee camps. As for the old men gathered at a Louisiana sugarcane plantation known as Marshalls. They await Fix Boutan’s arrival for the murder of his son Beau Boutan. They will share their personal and collective…
The most remarkable imagery in Joyce's' "Araby" is the imagery of dark and light. The whole story reads like a chiaroscuro, a play of light and darkness. Joyce uses the darkness to describe the reality which the boy lives in and the light to describe the boy's imagination - his love for Mangan's sister. The story starts with the description of the dark surroundings of the boy: his neighborhood and his home. Joyce uses these dark and gloomy references to create the dark mood and atmosphere. Later, when he discusses Mangan's sister, he changes to bright light references which are used to create a fairy tale world of dreams and illusions. In the end of the story, we see the darkness of the bazaar that represents the boy's disappointment. On the simplest level, "Araby" is a story about a boy's first love. On a deeper level, however, it is a story about the world in which he lives - a world inimical to ideals and dreams. This imagery reinforces the theme and the characters. Thus, it becomes the true subject of the story.…
In the Araby, we can appreciate a feeling of darkness surrounding the street where the main character lives. The neighbors tend to be dreary, the weather tends to be cold, and the environment tends to be loneliness. This paragraph says, “When we met in the street the houses had grown sombre. The space of sky above us was the color of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses….”, it describes the depressive atmosphere the narrator normally perceives of where he lives. But not everything is so dark for the narrator, his hidden love for…
North Richman Street seems like a quiet street, until you discover the people and their interest. Araby is a novel written by James Joyce, his use of diction, imagery, and characterization creates a sense of desperation and anxiety. Although Araby is some what considered a love story, it has many surprising ironic twists and unexpected resolutions.…
When young people are set into a dull and constant living environment ,they will have a sense of being trapped and even they will grasp an idea to escape from their original life.The protagonist in A&P Sammy is a cashier and lives in a small town “ five miles from beach”.He is young and fed up with the life currency “the women generally put on a shirt or shorts or something else before they get out…..with six children…”.The common figures of women seem have rooted in his heart and which will never lit his flames of passion.He is cynical as he considers everyone around him as sheep and “there’s people in this town haven’t seen the ocean for twenty years”. Analogously, in Araby the young boy lives in an area where “ being blind….an uninhabited house of two storeys stood at the blind end……imperturbable faces”. It fully pictured the dullness and the gloominess of that city in Ireland. Both stories show the protagonists are not satisfied with their current life ,only boredom occupies their life whole.…
The car plunged from sun drenched desert into tall, dark palms. Into a different world. Inside, the road softened to a track that wound and bumped its way forward over sandy, unimproved soil, shielded from the sun’s glare by walls of greenery. That is, the track came about as close as any vehicleway can to being in harmony with earth and vegetation. But before long it ended; just petered out. A few yards ahead, nestling so naturally among the palms that at first my eye hardly registered it, stood a thatched-roof cabin. Or perhaps the right word is “shanty.” For the place had a definite South Sea Island air. The big stars-and-stripes hanging from a flagpole seemed almost colonial.…
Here Marlow has become the narrator to tell his story. He uses imagery to highlight this stately building which he was about to enter. a paragraph before he went into detail about the house he made a reference to a “white sepulchre”; a reference to to empty streets and boulevards, big houses tightly shut, and a disquieting sense of turpitude. In this quote Marlow places himself standing at the far end of the road looking down and seeing nothing but grandeur houses lined up. Just looking at the first few descriptions Marlow says “innumerable windows” which would most likely symbolize a sense of isolation. He then continues with “dead silence” which would give way to believe that there is very little life happing throughout the street…