In the narrative "interpretation and appropriation are a part of the textual history of Mary Prince. Prince dictated her narrative to a white woman, and her life story is edited by a white (abolitionist) man Thomas Pringle" (Baumgartner 254). The narrative begins with a preface written by Pringle who explains right away that "The idea of writing Mary Prince's history was first suggested by herself" (i). Mary Prince obviously wanted her story heard, but for what reasons? Apparently Prince "wished it to be done, she said, that good people in England might hear from a slave what a slave had felt and suffered" (i). Indeed, Prince has every right to introduce the horrors of slavery, and must have realized the possibility of receiving negative feedback. Prince; however, had a plan on how to present this narrative, she used different events and portrayals to gain the empathy that
Cited: aumgartner, Barbara. "The Body as Evidence: Resistance, Collaboration, and Appropriation in "The History of Mary Prince." Callaloo, Vol. 24, No. 1. (Winter, 2001), pp. 253-275. Deck, Alice. "The History of Mary Prince, a West Indian Slave, Related by Herself."African American Review, Vol. 30, No. 2. (Summer, 1996), pp. 297-299. Prince, Mary. The History of Mary Prince. F. Westley and A. H. Davis. (1831). Sharpe, Jenny. " 'Something akin to freedom ': the case of Mary Prince." Differences: A Journal of Feminist Cultural Studies 8.n1 (Spring 1996): 31(26). General OneFile. Gale. Florida State University. 24 Oct. 2007