In The Woman in Fairy Tales, Marie-Louise von Franz studies the feminine representations in fairy tales. She bases her study on collective symbols assumed to be present in these stories to shed light on the various facets of the anima. This book points at the fact that even if fairy tales are generally seen as a form of distraction, these stories have also a psychological function which expresses the psychic processes of the collective unconscious. This is of a capital interest to analyze the instrumentalization of the princesses in the advertising campaigns.…
Her stepmother struck her hard in the face, her father whipped her multiple times, and her siblings blamed her for their mother’s death. Just wonder she felt, Adeline Yen Mah, with her horrid family, separation from her only loved ones; her aunt and single grandfather, and her genius mind that only her beloved Aunt Baba treasured. As it seems, this depressing novel, Chinese Cinderella, by Adeline Yen Mah, the one who lived through it all, was the most unfortunate girl in all of eastern China.…
Two boys are sent to a mountain at the age of 17 and 18 during the Cultural Revolution in China in the 1970s for re-education. The narrator, a violin player, and his best friend Luo both have parents that are doctors and therefore classed as enemies of the people, which is the worst thing that can happen to an intellectual. The chance of going home from this remote village 500 kilometers away from their hometown, the big city Chengdu, is less than three in a thousand. At the mountain Phoenix of the Sky, which is just a poetic way of suggesting its terrifying altitude, they are put into a house on stilts with a sow underneath in the poorest village perched on a summit. Their re-education consists of working in a coal mine and carrying buckets of excrement up and down a mountain. With them in another village is an old friend called Fore-Eyes, because of his glasses. Soon the two discover his hidden suitcase that contains a large number of Western literature translated into Chinese. And when they meet the Little Seamstress, the beautiful mountain girl in need of culture, they decide to steal the suitcase.…
People have different values by what they experiences. More specifically, the values can be differed by time, education, and society. The book, “The realm of the Dying Emperor”, shows that how modern Japanese people take the emperor’s death differently. The author experienced the death of emperor in 1989. I assume that many of her ages or higher will admire his death, because they’ve lived economically glorious time the emperor made. Also, the emperor hadn’t been exposed by media or people, which makes more deific of him. If the emperor Hirohito was more often exposed by people like the emperor Akihito, the emperor Hirohito’s divine character might be weaken just like todays celebrities gossips. After he declared “he is just a human, not a god” and several surgeries, people started to think he is not mighty like a god. And the time goes by, the emperor’s mighty character is getting weaken, and the younger generations don’t take it seriously like previous generations did. The values also affected by one’s experiences and education. Field thought the right-wing extremists are terrifying. The right-wing people might have right-wing tendency education from their right- wing families or schools. They might think that person who doesn’t kneeling and touching their heads in grief about the emperor’s death (p.24) is weird and unnatural. In this sense, different societies could affect people’s values too. Since the author was exposed by Americanized society, she wouldn’t take up a lamentation for the emperor’s death. The author doesn’t feel that way like right-wing people think, because she had different society and experiences. The newspaper in Okinawa didn’t use the word “hogyo” for the emperor’s death. Since Okinawa state has historically unfavorable relation with the emperor, the people from Okinawa society could not agree with the sympathy of the emperor’s death.…
The narrator has a swirl of emotions and leaves the house, building on her jealousy for hope. She has no clue where she is going or what she is doing and then an idea hits her, she feels the urge to destroy the marigolds, to take away the hope they seems impossible and misplaced. One day the narrator stomps and smashes the marigolds the reality hits her, this had helped no one, destroying the hope of others, all that ruining the marigolds did was to bring the narrator to a realization ofher childish actions,that she was an adult, and should act like one. That she should create hope for herself and her family by being mature, sophisticated, and helping her parents, not destroy the hope that others had so dearly cared for. She realizes that the old lady had worked hard to nurture and grow her hope, her joy, her marigolds, that destroying them was wrong, and it brought no one else any hope, it just took someone's away. Her childish actions of rebellion had left her. The lines “ and they was the moment that childhood faded and womanhood began. The violent, crazy act was the last act of childhood. For as I gazed at the immobile face with sat and weary eyes, I gazed upon a kind of reality that is hidden to childhood. The witch was no longer a witch but only a lonely old woman who dared to create beauty in the midst so of ugliness and sterility. She had been born in squalor and lived in it all her life ow at the end of tent life she nothing but a falling down hut” communicate these…
It was bright and early when Reo began his journey. Everyone was there to cheer him on as he trotted through the pasture. After awhile the cheers began to fade and he could no longer see the scared look on his mom’s face. Imagining the look on his mom’s face, Reo started to feel good about his decision to be brave and not chicken out. He knew that in the end his mom, friends, and the village could ultimately die of starvation and…
story by mentioning the pile of stones and the way the older people distance themselves…
The story was written to show Silko’s personal life and conflict. The author’s structure of text assists in making her points clear, convincing, and engaging. Frequently switching between past, present, and folklore stories helps develop the plot which leads to the resolution of her personal conflict. These events are effective because she relates past events to ideals of those around her, the “old people” and the “new people”. Her interactions with everyone in the community helps show how the community connects their life to tales of folklore. Silko shows that these connections of folklore and past are connected to her daily life.…
One day in the nearby village, lived an old man with three daughters. Their mother had died years ago. One of the older daughters was cruel to her younger sister who was more beautiful than her. For that reason the wicked sister was very jealous of her charms and was mean to her. She always made her younger sister do everything even though she’s weak and often ill. While the other sister was kinder and always on her side. At some point, the wicked sister burnt the younger sister’s face and arms, and she got the name of Oochigaeaskw, the rough faced girl, because of her scars.…
Being neighboring countries, the role of women was nearly identical in both China and Japan, but they were also slightly different. Noble women or women of high rank who may have been educated were allowed to work in the various field in Japan. For example, they can work in commercial centers in, entertainment, textile manufacturing, and publishing. While noble women in Japan enjoyed such freedom, peasant women were obliged to stay at home to work in the fields, raise children, and perform other house chores. On the other hand, Chinese women had little to no work outside the house. They could work as midwives or textile workers, but these were considered minor roles in the society compared to entertainment, manufacturing, and publishing. Moreover,…
Every country had own historical heroes or mythology. Even though many heroes had different name, characters, and the reasons why the hero appeared, all heroes showed similarities. They all had uncommon power compared to other ordinary people. One would not say that the person was hero because of extraordinary power. It was important how to using the strong abilities. Heroes always worked for the good of the others in most stories. If the person who had extraordinary abilities worked for own happiness or own right and interests, he or she could not be hold in high esteem from others. In addition, most heroes must show the wise act characteristics. Hero or heroine did not make any problems in their society or group. Therefore, common hero means that person sacrificially used their uniquely strong power and always showed acting wisely. Even though pre-modern Japanese heroes also similar characteristics with other common hero, they gave distinctive meaning of the hero or heroine compared to common heroes.…
Gail Godwin’s “A Sorrowful Woman” is a fairy-tale story gone wrong centered on her perception of marriage and motherhood. The plot illustrates the manner in which a woman slowly withdrawals from her husband and son, her home, and the world. Godwin’s sad and depressed female protagonist feels burdened by the demands of her family even through her husband and child are nothing but loving and loyal. As we continue to read about the daily doings of this woman, we find that she gradually shuts them completely out of her life. Unsatisfied with her role as a dutiful mother and wife, she “tried these personalities on like costumes, then discarded them.” With this story, all ends “unhappily ever after.”…
The author who brought to us The Tale of Genji, a novel now regarded as the first written novel in history, left behind an arguably more treasurable artifact: a diary that opens a window into history. The Diary of Lady Murasaki by Lady Murasaki Shikibu gives the reader a glimpse of the imperial court during eleventh century Japan and presents the past in an illuminated vision. Being an attendant in the imperial court, Lady Murasaki is frequently involved with the activities of elite Japanese women. Her day-to-day interaction with the nobles and elites enhance her account with the curious perspective of an elite female. As a woman, Lady Murasaki's descriptions are oriented around clothing and appearance, and add a female touch to this historical record. This personal perspective introduces a new dimension to the themes within the diary since Lady Murasaki not only discusses life within the court, but also her own perception of customs, rivalries, and aesthetics. Her added insights create an illuminated vision that allows the reader to feel what it is like to be an inhabitant of the Heian court and to acquire a better understanding of the historical events within the era.…
The horror that I felt when looking back upon this story, was only amplified by rereading it, knowing what the ceremony actually would entail. The unsuspecting reader begins the story thrown into a lovely summer seen in a quaint village. Details about children attending school, men and women chatting, lull the reader into contentment. Once the reveal is made, tiny, once insignificant details cast the story in completely new light, an awful one. This contrast between the relive happiness of the beginning, and the grimness at the end heightens the aspect of horror.…
According to Japanese mythology, the world begins with the birth of seven deities. These seven deities arise and then pass away in what the Japanese call the, "plain of high heaven." After this, five more couples were born, the last named, Izanagi and Izanami, who were ordered by their peers to consolidate the earth, which at this point was a chaos of muddy water. Izanagi and Izanami stood on the bridge of high heaven, thought to be the rainbow, and dipped their jeweled spear in the murky water below. When pulling the spear out of a piece of mud dropped of the tip and is said to have formed the island of Onogoro.…