The Study Films on Chinese Ethnic Minority in 1980’s

The Study Films on Chinese Ethnic Minority in 1980’s Abstract: Before the founding of New China on October 26, 1948, the Propaganda Department of Chinese Communist Party Central Committee announced that “ class society in film promotion, is a tool of class struggle, and not something else”. Film as a state ideology, education, and guide people to the spiritual life of the tool position, has been expressly established. (Li Daoxin) New China’s film as a new revolutionary ideology cultural products, from art form to the internal language of the external structure, with the old China before the founding of the film in stark contrast. Thus, some of the artists in-depth border areas, to shoot some movies that reflect local ethnic minorities’ life. Filmmakers shooting in a total of seventeen years, which reflect the ethnic minorities’ living eighteen feature films, they have gone through a form and subject matter from the initial exploration, maturing on the road to art. But, the Cultural Revolution brought all cultural industry into a standstill, including the Cultural Revolution; it was given a new lease of life. Introduction: Films on ethnic minority are undoubtedly special spectacle in New Chinese film history. Their expressive objects are hetero generous and pluralistic minorities; the films are an important link that exposes the inner pluralistic culture in nation-state, and also indispensable components for constructing political community and cultural community in socialist China. Its narrative mode gradually shifted concerning political ideology from about real life and narrative theme of diversity.
1. Background: The historical development of films on ethnic minority in 1980s, Minorities in China (Zhao Weifang) a century theme of the film plays an important role in film industry, some of which excellent work and some fine works were not only a wonderful flower in the Chinese film history, but these were also renowned in the world. (Zhouhuafang) In 1980s,