"The Cask of Amontillado," is about a man named Montresor, who seeks revenge on Fortunato by taking him on a journey and burying him alive. "The Pit and the Pendulum" starts with the narrator recounting hearing his death sentence. Fainting after listening to this news, he awakens later in the darkness as the man finds himself disorientated about where he is. He explores the room he is in and his body is very weak. The narrator thinks that he might be in a tomb where he has been buried alive. He is paranoid because he thinks he is going to die. The narrator, however, comes up with an escape plan, and is rescued by General Lasalle and his French army.…
The short stories “The Cask of Amontillado” and “The Fall of the House of Usher” both by Edgar Allen Poe have many similarities as well as differences. The theme of death is very apparent when making a comparison between the two short stories. Though the terms of death differ greatly between the two stories, the aspect of death is a prevalent focus in both pieces of literature. In this essay I will compare and contrast the stories “The Cask of Amontillado,” and “The Fall of the House of Usher” in regards to the aspect of death that is apparent in both pieces of work.…
In “The Cask of Amontillado,” Poe engages the reader by using point of view to emphasize the untrustworthiness of Montresor's, the narrator’s, character. For example, when Montresor had described how Fortunato had inflicted him with “[a] thousand injuries” and “ventured upon insult”, “[Montresor] vowed revenge” (1). This is the moment when the reader first experiences his unreliability as a narrator. Montresor had never specified the copious wounds that he had supposedly suffered from Fortunato and the severity of his offense. Furthermore, when Montresor had voiced out that Fortunato had ventured, in order words proceed with knowledge of risks, he had let bias trickle into his words. Us, the readers do not know whether or not Fortunato had intentionally insulted Montresor with malicious intentions, but in Montresor’s phrasing of words, it implies that he did indeed intended to do so. This not only makes the reader question the extent of exaggeration that Montresor inserts into his statements, but the reliability of the narrator as the story progresses. In addition, after Montresor had successfully, albeit reluctantly, finishes burying Fortunato in the alcove, he remarks: “My heart grew sick—on account of the dampness of the catacombs” (9). Here, one can see that Montresor had almost a moment in which he had felt guilt, yet had been quick to disregard it to the scenery. The dash indicated that Montresor added the latter portion onto his thoughts as more of an afterthought, rather than a…
While reading this story, you can tell that Poe utilizes a lot of Irony with all of his characters. Fortunato (the main character) but at the end of the story, he is killed by Montresor. “No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in reply only a jingling of the bells. My heart grew sick—on account of the dampness of the catacombs. I hastened to make an end of my labor. I forced the last…
The story starts out with Montresor running into Fortunato, his enemy who has irreparably insulted him, at a carnival. “The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge” (pg. 236). Carnivals put on performances, just as Montresor puts on a show for Fortunato by portraying that they are friends when, in reality, Montresor is plotting out his revenge for him. The setting then moves to the catacombs of the Montresors, where he lures Fortunato with the hope of getting a flagon of Amontillado. Montresor also puts on a show by continuously trying to get Fortunato to turn around, saying he can go get Luchesi, Fortunato’s competition in the wine business, and by mentioning repeatedly his concern for Fortunato’s health. “Come,” I said, “we will go back; your health is precious….Besides, there is Luchesi-” (pg. 238) He makes the reader picture the catacomb as dark, never ending, and deathly by saying, “The vaults are insufferably damp. They are encrusted with nitre” (pg. 237). Poe creates this nightmare of “the innermost recess of the catacombs” by describing the bones and intermingled puncheons (pg. 238).…
In Poe’s story the “The Pit and the Pendulum” he distinctively uses symbolism, repetition, mood and diction to tell a tale of hope over circumstance to make this story come to life for the reader. Unlike the hypersensitive characters from other stories, such as the narrator in “The Tell-Tale Heart,” this narrator claims to lose the capacity of sensation during the swoon upon receiving his death sentence that opens the story. This story is different from Poe’s other works such as this narrator remains hopeful in his emotional state; he is able to describe his surroundings while also portraying his emotional chaos. We the readers are not given specific circumstances of his arrest, nor are we given any evidence for his innocence. Although, even without those details he gives us a famous suspense story that is violent and graphic yet hopeful and ethically allusive.…
Bree marvelously sets a scene and tells a story with his painting. He places us as the voyeur, watching the events without being a part of them. We are given a momentary glimpse into a highly dynamic and energized incident. Bree accomplished this by recreating the moment exactly after Cato was either wounded or discovered. The intensity and tension of the composition was further amplified by Bree’s usage of highly expressive characters. These elements worked in harmony to provide us with a single dynamic moment in…
There are often many people who are falsely excused every day, and are punished for their false accusations. This happened numerous times during the Spanish Inquisition to seize the converts’ wealth and destroy their influence. In “The Pit and the Pendulum” by Edgar Allan Poe, Poe shows the falsely accused life of the narrator. The author helps support this main plot line through the using the use of imagery through the symbolism of the Pit, the rats, and the General.…
The violence of the novel begins with the death of Rosa the Beautiful, a symbol of perfection and innocence. Her accidental death is caused by a poisoned brandy intended for her father. She becomes a blameless victim and takes Severo’s place in death, a gesture so unjust it symbolizes the beginning of the family’s violent timeline. After her autopsy, her dead body is molested by Dr. Cuevas’ assistant, who paradoxically violates her with such an eerie tenderness, that it sends a shocked Clara, who witnesses the incident, into a nine year silence. “She stayed until the young man she had never seen before kissed Rosa on the lips, the neck, the breasts, and between her legs… she stayed until the assistant took her in his arms with the same tenderness with which he would have picked her up and carried her across the threshold of the house if she had been his eyes… Silence filled her utterly” (39.) Allende takes something as graphic as molestation and portrays it in a delicate way that questions ethics and the right or wrongness of human nature.…
At the outset, Szymborska offers a dry depiction of a beetle which she observes has died. However, in so doing, she points out something that most of us would be quick to ignore – the difference in attitude with which we treat the death of a human and that of the beetle. She observes that, ‘Instead of death’s confusion, [there is] tidiness and order’. Here, Szymborska subtly makes a comparison: rather than the din and confusion, commotion…
The main character in “The Black Cat “by Edgar Allen Poe, is also the narrator of the story since it is told in first person point of view. He represents a man who has lost everything due to drinking, although one thing stays with him all the way through, his guilt. Guilt never leaves you no matter how much you try to make it. His drinking and his growing insanity only cause more pain to himself and to others. By the end of this analysis, you will know how the narrator’s never-ending guilt affected him and the story and why it is the theme. You will also know how the narrator showed his guilt, and how the story showed his guilt.…
The Chronicle of a Death Foretold by Gabriel Garcia Marquez explores a story through Columbia, published in 1981. Colombia’s society revolved around family morals, cultural values and religious beliefs. The top priority in society was respecting the idea of ‘honor’, which Marquez displays as being immoral. The novella deals with themes based on religion, culture and sacrifice. One of the many interesting aspects in the novella is the usage of time. The title of the novella dictates to be a ‘chronicle’, yet Marquez clearly depicts the lack of synchronization of the events in each chapter. The use of time has been varied from chapter to chapter, but all together, time almost signifies deeper meaning that Marquez wants the readers to extract from the novella. Marquez uses time as a tool to emphasize the injustice of the honor killing in the novella.…
Introduction Body Baldo and his brother Leon waiting for the arrival of their visitor riding the carretella. Seeing his brother’s wife, Baldo was easily taken away by the beauty of Maria. Baldo describe Maria as lovely girl, tall, have a long nails and fragrant like a morning when papayas are in bloom.…
The poem “Endings” shows a great amount of imagery and emotions. The writer applied a brilliant simile when saying- 'The kisses that were hot as curry.' This simile is one of the many visceral lines that helps the reader understand the poets emotions. It gives them an appropriate representation of how the poet used to feel. In the poem “Ending,” the author continuously stresses that the passion between them is from former experience by using words or phrases in the past tense such as 'were,' 'we thought' and “the feet that ran”. By doing this he is reinforcing to the reader that things have changed. On his next line he shows how morbid and dull things are presently by saying-'are the bird pecks taken in a hurry.” This metaphor gives the reader a clear idea and visual of the lack of emotion he shares with his lover by giving the impression of brief and almost non-existent acts of affection. There was also alliteration used in the sentence “The feet that ran to meet a date,” this arrangement has a catchy sound to it and makes the reader automatically pick up the pace to accompany both the meaning of the verse, but also the sound of the words forming together.…
Gabriel Garcia Marquez 's Chronicle of a Death Foretold is a relatively small book, yet it is open to countless interpretations as to the book 's overall purpose. Here I will discuss two such interpretations: Isabel Alvarez-Borland 's analysis sees the novella as asking why a senseless murder was allowed to occur; Carlos J. Alonso focuses on the point of the text being a ritual means for redemption. Both analyses are strongly argued and very conceivable, offering valuable insights into the text and developing meaningful interpretations.…