Trapped in an African veldt and devoured by virtual lions that spring to life, Lydia and George’s “Happy life Home” (7) turned out to be their last horrendous “nightmare” (24). Ray Bradbury’s “The Veldt” introduces a dark futuristic tale, forewarning readers on the dangers of the heavy reliance on technology through a dystopia that progressively dehumanises the children and annihilates the parents. When the setting of “Happy life Home” is first introduced, Bradbury portrays a seemingly serene technology-controlled home, which “clothed and fed and rocked them to sleep and played and sang and was good to them” (7) – them being referred to as the Hadley family. However, this positive
Trapped in an African veldt and devoured by virtual lions that spring to life, Lydia and George’s “Happy life Home” (7) turned out to be their last horrendous “nightmare” (24). Ray Bradbury’s “The Veldt” introduces a dark futuristic tale, forewarning readers on the dangers of the heavy reliance on technology through a dystopia that progressively dehumanises the children and annihilates the parents. When the setting of “Happy life Home” is first introduced, Bradbury portrays a seemingly serene technology-controlled home, which “clothed and fed and rocked them to sleep and played and sang and was good to them” (7) – them being referred to as the Hadley family. However, this positive