Lucy Walker, the director of Waste Land, focuses on the perspective of Vik Muniz using the camera lens as an artistic and metaphorical eye to represent his distance, understanding, and ignorance on the Wasteland. Scenes within this documentary, especially in the beginning and middle, the camera view is often mimicking the changes in perspective of what Waste Land has within Vik’s point of view. Often the camera shows Vik glancing at an object, immediately the camera switches to his perspective in the same position he is viewing that said object or person. As an artistic trope, Lucy Walker focuses the camera as an eye that leads the viewer to have the same line of sight and view point as Vik did experiencing Waste Land…
This familiarity with the city is developed further in ‘Preludes’. In the third stanza Eliot writes that the sordid images of the night that are revealed constituted the soul. These images that the night reveal would be shadows caused by the world outside, and the use of the word “sordid” makes the reader recall Eliot’s earlier descriptions in the first stanza of “smoky days” and “grimy scraps” and the second stanza’s “faint stale smells of beer” and “sawdust-trampled streets” as these would all constitute a sordid setting of a modern city.” And yet despite this distasteful description of the city Eliot still writes that the soul of the person addresses as “you” in the third stanza is formed by these images of a squalid, degenerate city. The city is a part of this person and this shows that there is a very intense bond between the two. It is as if the failure to make meaningful connections with other people mean that the people in Eliot’s poetry have to turn to the only other presence that they are familiar with in their lives and that is the city that they…
TS Eliot’s 20th Century poem ‘The Love Song of J Alfred Prufrock’ is widely seen as a modernist work that Eliot employs to make the reader of the poem actually create their own opinion of what is actually meant by the poem. The modernist movement happened mainly in the late 19th to early 20th Century and started with the French poet, Jules Laforgue. It is easy to draw similarities between Eliot’s Lovesong and all of Laforgue’s works as they both employ symbolist and modernist aspects in the way they describe everything through metaphor. Throughout the poem, Eliot uses many metaphors to describe what Prufrock is seeing, ‘through [those] certain half-deserted streets.’ What Prufrock is seeing is often shown through his fragile mindset. The use of metaphor is an interesting one as, despite promoting a great sense of uncertainty with the actual events that Prufrock is experiencing, it gives the reader a very clear idea of Prufrock’s character. It is undeniable that Prufrock is presented as ‘awkward and emasculated’ as his social and sexual insecurities are portrayed by Eliot throughout.…
In ‘The Waste Land’ Eliot creates a ‘dead land’ recovering from the effects of world war one; ‘a heap of broken images’ in ‘stony rubbish’- the barren landscape reflecting the war-torn, disintegrating society in which it was written. It mirrors the meaninglessness of human interaction and lack of inspiration emphasised through repetition in ‘Prufrock’: ‘In the room the women come and…
T.S. Eliot conveys the deteriorating state of humanity in the beginning of the twentieth century in the poems The Hollow Men and The Love Song of J. Alfred Prufrock. Events, such as World War I, from the early twentieth century have influenced Eliot to express the superficiality and materialistic desire for wealth in modern society. The changing modern world with fallen morals and events such as the suffragette movement that brought a greater degree of freedom for women, have influenced Eliot to write about a breakdown in communication and society and its movement away from religion. Eliot uses a range of techniques such as metaphors and juxtaposition in the poems, The Hollow Men and The Love Song of J. Alfred Prufrock to convey the deteriorating state of humanity.…
An article, “Metaphor and Literature,’ defines metaphor as a tool that produces “meaningful communication” (MacCormac 59). Similarly, by adding visual metaphors in her poetry, Smith tries to submerge the readers into a deeper level of experience about abstract issues i.e. death and grief. She writes, “You stepped out of the body/Unzipped like a coat” (92-93). Here, Smith gives an insight to the belief that the soul leaves the body after death, which she imagines occurred with her father’s soul. She is trying to give the notion that death involves the separation of the soul. Likewise, in the later part of the poem, Smith uses different species of extinct tigers, “Javan,” “Bali,” and “Caspian,” to symbolize her father (80-82). The emptiness felt by her causes her to imagine her father as a rare species, who might also be alone in heaven. She imagines that her father might have also felt the deep pain in losing one dear to him. Smith describes this loneliness as “a solitary country” (84). However, later, she finds comfort in the fact that her father is no longer in fear. “Night kneels at your feet like a gypsy glistening with jewels” (90). “Night,” is considered to be a symbol of darkness, a time when people usually hide. Smith, adding these images throughout her poetry, tries to say that fear is eliminated in heaven .She emphasizes that her father experiences real power in his…
The media is an integral part of mankind’s history and progression. It has undoubtedly played a large role in influencing society, for better or for worse. Therefore, I qualify Newton Minow’s “Vast Wasteland” (May 1961) that “The power of instantaneous sight and sound…has limitless capabilities for good-and for evil.”…
Without an understanding of the time period when a poem is developed, we fail to fully appreciate and understand the purpose and messages within such compositions. While the contextual detail of some poems may be fairly simple, the way poets put words together often makes these themes, messages and forms abstract and confusing. A reader must attempt to delve deeper and study the context of society, culture, and that of the writer at the time of composition, or they will interpret and push away composed material as meaningless ‘mumbo-jumbo’ – which is what works by poets like T.S. Eliot strived to avoid.…
First of all, the board game and the game tiles are both examples of symbolic things used in this short story. Scrabble represents marriage. Nevertheless, this particular game is uninteresting and slow, which probably reflects the couple’s relationship. This first symbol can already foreshadow a divorce. The two main characters seem to hate each other. The husband reveals his thoughts that are reflecting his hatred and willingness to kill his wife. They play a game to try and solve their misunderstandings. The game tiles or the letters symbolize their past and future events. Every word played reflects their reality. Their future is decided through the words their tiles make. ‘‘The letters made it happen.’’ The husband realizes quickly that he has the power to kill his wife just by playing the right words. Symbolic things can make all the difference in a story.…
Pound was a romantic, talking of his love and lust for women quite openly while Eliot seems more wary of the temptations they pose. This slightly Puritanical outlook that Eliot had brought with him over from America to the more relaxed Europe is one that can be seen quite clearly in A Love Song of J. Alfred Prufrock. This poem was a pointed attack on all the well-dressed, upstanding bourgeois who loved their material wealth but had nothing when it came to love or happiness. But not only that, in a way it is a love song of unrequited feelings and the fear of rejection. Once again the thing that ties the two poets together is their preoccupation with the big cities that shaped their lives, the city that Eliot describes in the poem could be London or New York, and the cityscapes he uses in his imagery show just how much of an effect his surroundings have had on his artistic ideals. In keeping with Prufrock’s circular and evasive style, the poem returns again and again to the imagery of those dirty streets, which contrast nicely with the prim and proper middle-class existence that he seems to be stuck in. In lines 4-7 parts of the scene are depicted using the method of personification. The "retreats" aren’t "muttering," but it seems to be that way because they are the kinds of places where you would run into muttering or strange people. Also, the nights he speaks of are not "restless"; but they can make…
Billions of electronic waste has been thrown away in just the United States this year. Most of the waste was dumped in landfills and only a small percent was actually recycled. Functionalist view our society as a normal one. They see our society like a living organism with its various parts working together for the good of the whole (page 22). I believe that a functionalist would view this video as disaster! Thinking from their perspective we work together as one and do things the right way for the good of our country. Our electronics are being shipped over sea and being sold. Countries are making a living off of our electronic waste and it is illegal. The dumping of electronic waste in other countries is cost effective but highly dangerous. It is releasing hazardous chemicals in the air.…
The poem employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem is a rhyme scheme. In line forty-two “mansion” is implicitly compared to body and this is an example of metaphor, which consists that the soul resides in the body. Another example of a metaphor is “pregnant with celestial fire” it is an implicit comparison and hence constitutes. This poem’s message is a warning that darkness is within everyone. Yet this darkness has only as much power as a person allows it. Each person has the power to change humanity for the best or worse depending on his or her desires. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the…
Transforming the conventional ideas, he develops the qualities of both non-conformists and conformists into a more complicated, diverse picture. Presenting this non-conformist voice of rhythm, he establishes both non-conforming and conforming characters. Eliot shows the contradictory argument of both qualities with their conflicting attributes as their true identities are hidden as society shapes the idea of their individual qualities. This is shown as Eliot gives us a sense in which he is a conformist 'My necktie rich and modest, but asserted by a simple pin ' as he has been apart of the middle class word - 'For I have known them all already…Beneath the music from a farther room '. This conformist side of T.S Eliot is produced prominently in The Love Song of J. Alfred Prufrock, demonstrating the idea that he shapes himself into the ideals of society. However in Rhapsody on a. Windy Night he produces a contradictory dynamic of being a conformist when he reveals the characteristics of non-conformity, how he sees the corruption of society 'Twisted like a crooked pin '. While he travels, walking through the streets in his mind at night, seeing the cold, hard, confronting images of suffering and revealing society undergoing change that has turned catastrophic 'So the hand of the child, automatic/Slipped out and pocketed a toy/I could see nothing behind that child 's eye '. Here he reveals…
In the Waste Land: An Analysis by Cleanth Brooks, Jr. continues to have multiple quotation that are considered to be noteworthy, significant, and revealing to the ongoing argument that has been made by the other critics. Is when Cleanth Brooks, Jr. referees to lines that says “Where fisherman lounge at noon: where the walls/Of Magnus Martyr hold” (209) indicates the poverty that religion has fallen. This explains that Brooks, Jr. was able to notice that T.S. Elliot was frustrated in this specific topic. Another important quotation that Cleanth Brooks, Jr. makes is that he believes that the “poem would undoubtedly be “clearer” if every symbol had one, unequivocal meaning; but the poem would be thinner and less honest” (209). This tells that…
Eliot’s 1922 poem The Waste Land is unarguably a poem about the decline of western civilization in general. It is for this reason that the reader would not expect to find many specific references to time and place. Surprisingly, however, there are a large number of particular references to London – though, interestingly, only one to the recently-concluded World War One: the demobilisation of “Lil’s husband” from the British Army (line 139). This essay aims to identify to what extent the poem presents a picture of London immediately after the First World War and how it achieves that. What role is London playing within the poem?…