In the first section, he insists that a poem should be 'silent', dumb' or wordless. This seems contradictory or paradoxical as a poem uses words and is not silent. However, what he intends is the imagist concept of art, namely being brief and being direct. This is achieved through using the right words and right images which appeal to the reader’s senses of touch, sight, smell, hearing and taste. To convey this he has used the image of fruit that can be tasted or directly felt without the need for words/explanations. Also 'globed fruit' indicates the universality of the senses indicating that sensual images transcend individual cultures and time. Medallions are dumb to the feel of the thumb yet the image of medallions that commemorate past events recalls to memory the emotive past. Similarly, the silent image of 'sleeve worn stone of casement ledges’ evokes the sense of touch and along with it nostalgic memories of someone waiting and looking out by the window. Finally, the image of the soundless flight of birds touches the sense of sight. There is action yet it is a silent action. So too should a poem be: it should speak silently, which means, a poem doesn’t brashly convey a message or meaning but should evoke emotion/experience and impel imagination through images/words.…