In the beginning the narrator still had quite a grasp on reality and just did not prefer the color, pattern or condition of the wallpaper. She then starts picking apart every aspect of the wallpaper to the point of obsession which is her picking apart the details of her own life. She really starts getting sucked into her illness when she starts describing the woman trapped behind the wallpaper as she is trapped not only in life but in her mind as well. She gets progressively worse when she believes the woman behind the wallpaper is helping her tear down the wallpaper so they both can escape. When she finally goes off the deep end is when the description of the wall paper stops. There is no more wallpaper or woman trapped behind it just the narrator lost in her own…
Subsequently, she becomes used to all of the room’s features except for the wallpaper. The other symbols of confinement do not bother her as much as the wallpaper. At first just the ugly pattern and order of the wallpaper bothers her, however as time passes, she begins to believe the wallpaper has eyes that stare at her. This leads her to admit, “This paper looks to me as if it knew what a vicious influence it had!” The wallpaper begins to influence her mental state for the reason that she has no other mental stimulation. Without other stimulation from others or work, the wallpaper remains all the narrator focuses on and it begins to push her to…
Charlotte Perkin Gilman’s “The Yellow Wallpaper” was published in 1892 after Gilman suffered from “a severe and continuous nervous breakdown tending to melancholia” (Gilman, “Why I wrote”) and was placed under the care of Silas Weir Mitchell. Mitchell’s cure for women with Gilman’s affliction were told to “live as domestic life as far as possible, have but two hours’ intellectual life a day and to never touch a pen, brush, or pencil again” (Gilman, “Why I wrote”). While following Mitchell’s advice, Gilman’s condition slowly worsened and only after she returned to working did her health improve. Using the knowledge she gained from the experience, Gilman wrote “The Yellow Wallpaper”. The short story features a woman by the name of Jane, who is…
When the narrator starts to describe the wallpaper, it is easy to simply think that she’s going insane, but the reader must go deeper to find the real meaning.…
Over time, the woman becomes mentally unstable and believes there is another woman living in the wallpaper. The short story is based off of Charlotte’s personal experience with postpartum depression, which gives the story a deeper meaning. “The Yellow Wallpaper” is written in first person point of view and is the narrator’s private journal. Knowing that the woman is writing down her true feelings creates an emotional tone in the story, especially since the author has experienced a similar situation…
The narrator is suffering from an illness and her husband who is a physician takes her away to a vacation house to get better. While there he forbids her to do any mental or physical activity. While her husband is away she secretly writes in a diary telling the readers about her experience with the horrid yellow wallpaper. Charlotte Perkins Gilman’s character, the…
At the beginning of the story the protagonist despises the wallpaper and wants it removed, but as the story progresses it is the wallpaper that allows her a canvas of opportunity to imagine on. As her creativity flows and her insanity starts to develop, her perceptions are thought to be figurative and she just imagines this character who wants to escape the wallpaper of her bedroom. All of the windows are “barred” representing a prison like facility illuminating her physical confinement (23). Not only that, but when she is lying in bed at night she sees the light from “twilight, candle light, lamplight and worst of all by moonlight,” cause the wallpapers pattern to become bars (29). This imagery brings out her true feelings towards the room. She acts imprisoned as if the confinement is increasing the desire she has to escape. As the night becomes clearer, the protagonist notices, “the outside pattern I mean, and the woman behind it is as plain as can be.” (29). The moonlit night is revealing her shadow more precisely and the pattern of the bars are preventing her from any further advancement. As the story goes on her fascination with this character grow and she feels the need to escape from the segregation of her room as…
The narrator in Gilman's "The Yellow Wallpaper" is infatuated with the wallpaper in her "colonial mansion" (531). The protagonist sees what she is "quite sure it is a woman" (538) trapped behind the wallpaper. The woman changes by day and night. "By daylight she is subdued, quiet" (539), however, "at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it [the wallpaper] becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be." (538). The protagonist sees a woman who represents…
The most obvious conflict the narrator has to deal with is living in the room with the yellow wallpaper and differentiating creativity from reality. The narrator becomes fond of the wallpaper and feels an excessive need to figure out the pattern. She says, “I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry, or anything else that I have ever heard of” (Gilman 224). Her days become preoccupied with the wallpaper and she feels a distinct connection to it. While she tries to decode the wallpaper’s pattern, her creativity allows her to see a face in the wallpaper. She says, “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (Gilman 223). As she continues to study the wallpaper, she comes to believe that she sees a woman creeping in the chaotic wallpaper who is trapped behind it: “The front pattern does- and no wonder! The woman behind shakes it!” (Gilman 227). She begins to have a bond with this woman and can relate to her. The woman in the wallpaper is essentially the narrator. They are similar in the sense that they are both trapped and unable to escape. Towards the end of the story, the narrator reaches a state of insanity where she can no longer differentiate herself from the figure she sees in the wallpaper. She tells us, “I suppose I shall have to get back behind the pattern when it comes night, and that is…
At first the narrator sees the wallpaper as just an unpleasant decoration with a horrid pattern. However, as the story goes on she starts to see what appears to be a sub-pattern behind the main pattern. This later comes to view as a woman who seems to be trying to escape the…
It is a bit ironic that the author chose a color so bright and usually defined as being a happy and joyful color. However, this story is not at all joyful, but is instead is very depressing and sad. The wallpaper is described in such great detail that it is very easy for the reader to picture exactly what the author is trying to say. “It is dull enough to confuse the eye in following, pronounced enough constantly to irritate and provoke study…” within this description of the the wallpaper it is obvious that the narrator is unhappy with the wallpaper and as the story goes on the wallpaper begins to play a vital role in her psychological deterioration (156). The wallpaper appears to be a border that keeps the women trapped within the shadows of the men. As the narrator begins to rip the paper off this is the symbol of freedom and the struggle to be release from the constant stereotypes and gender differences. It is interesting to see that even though the wallpaper was what was causing the narrator to deteriorate at the end of the story, the wallpaper is what finally frees…
Instead of sleeping at night, the narrator “kept still and watched the moonlight on that undulating wallpaper till [she] felt creepy.” This demonstrates how much the narrator has been absorbed into the wallpaper. The wallpaper now controls the narrator to the point where she sleeps by day and examines the wall paper at night. By spending more nights to analyze the wallpaper, the narrator notices that “it changes as the light changes.” At this point, it is clear that the narrator has been utterly consumed by the wallpaper. for the narrator to see an inanimate object move reveals that she had been trapped in a figment of her own imagination. As the narrator “watch[es] [the wallpaper] always,” she implicitly discloses that the wallpaper has trapped her in a manner similar to how her husband trapped her in the…
Lastly, this short story has made me realize that whatever the situation in life, I can always break through. Despite the narrator not liking the room, thinking her husband is controlling and having an obsession with the wallpaper; the narrator had a secret only she could see. She doesn't want to leave the room and doesn’t want others to coming in because she doesn't want anyone finding out the secret. At the end, she rips the wallpaper down in order to break the woman behind it free which represents her escaping her husband misery that he has put her…
The narrator describes her illness and her husband’s take on her treatment. Her thoughts give detailed insight into her mind as the narrator enters the state of a psychotic breakdown. The narrator’s thoughts describe her reasoning for not getting well faster. “John is a physician, and perhaps-(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind) –perhaps that is one reason I do not get well faster.”(224) The narrator expresses her concerns on paper and wonders if this has any effect on her wellbeing. John has confined her to a room in which she initially dislikes the yellow wallpaper. “I’m really getting quite fond of the big room, all but that horrid paper.”(226) The narrator’s initial thoughts on the yellow wallpaper are that it is horrid. She is confined in a room, picked by her husband, and for some reason she is unable to figure out the pattern to the yellow wallpaper. “It makes me think of all the yellow things I ever saw-not beautiful ones like buttercups, but old foul, bad yellow things”.(226) She continues to look into the pattern, without actually figuring it out. The narrator is becoming used to the yellow wallpaper and its qualities. She smells the wallpaper everywhere in the house and even so, when she is out of the house. Unbeknownst to her, the smell of the wallpaper begins to creep around her the more…
The narrator decides to free the woman in the wallpaper and peels it off. In such a way she tries to free herself and to escape from her prison. Having torn off the wallpaper, she classifies herself with the woman in the wallpaper and at the same time sees other trapped women outside, skulking around. “I don’t like to look out of the windows even—there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did?”…