The rhyme scheme is regular, with an ABAC structure that makes each short stanza playful until the dramatic break in the last line. The voice of the narrator is delightfully captured, and we see that this woman is revitalised by more than just revenge; she is invigorated by the power that murder allows her to…
The second part of the poem ‘Nightfall’ continues the story of the child forty years from ‘Barn owl’, where she had lost her innocence by shooting an owl and this had resulted in a heavy hearted guilt which was caused by her unknowing and stubborn actions. The poem represents death closing in on the father, and the limitations of time on their relationship that was never experienced before in her younger years. The father, who in the first poem is depicted as an “old no-sayer”, is now held in high esteem, he is admired and respected as an “old king”. The extended metaphor “Since there is no more to taste ripeness is plainly all. Father we pick our last fruits of the temporal.” Appeals to our senses and is now an aural metaphor, it illustrates the father’s life becoming fulfilled or ripe, it has come near to its end and the father and child will now spend or pick the last moments of the father’s life together. Over time her appreciation of her father has changed, this is shown through “Who can be what you were?” and “Old King, your marvellous journey’s done.” She has realised the valuable life her father has led and the great loss that will be felt after he is gone. The child, now a grown woman learns another lesson about death, it can be quiet and peaceful, and “Your night and day…
The poem contains no end rhyme; it does contain internal rhyme, in lines 2-6 and 8 &10. The use of short words containing hard consonants are clothes, blueblack, cold, cracked, ached, weekday, banked, thanked, wake, breaking, call, chronic, speaking. These words emphasize the hardness of life for the speaker's father.…
Have you ever felt like time was running past you? That the world kept spinning while you just stood still? Time is a central theme in many of Kenneth Slessor’s poems, however it is primarily explored through ‘Out of time’ and ‘Five Bells’. Slessor has made it obvious that he is aware that time continues whether we want it to or not and this is what allows us to put into perspective the notion of humanity’s dominance.…
"Midterm Break" is a happy, promising title that belies the experience of the narrator; the irony of a death in the family over midterm has robbed not only Heaney's joy in family nostalgia, but all his horror and grief as well. The ideas of death, grief, and finality are explored in this poem. As he encounters other mourners, each more intense than the next, his neighbors, his crying father, Jim Evans, an emotionally ravaged family friend. His tone takes on an aura of dismay. Heaney retreats emotionally at their hollow comforts.…
The reader is unsure at first just what might unfold, after all, the title suggests that this might be a poem about a holiday, a chance to get away from school work and relax. Instead, we're gradually taken into the grieving world of the first-person speaker, and the seriousness of the situation soon becomes clear. Heaney uses his special insights to reveal an emotional scene - remember this was the patriarchal Ireland of the 1950s - one in which grown men cry and others find it hard to take. The last line is full of pathos, the four-foot box measuring out the life of the victim in years.…
What is unique that I have observed is each stanza has exactly eight lines. Yes the poem does rhyme and this allows for the poem to flow smoothly.…
There are multiple examples of rhyme in her poem, for example, “Small towns from where they came to give themselves for freedom for their country here no shame.” (Line 2, stanzas 2,3,4) She uses mostly rhyme in this poem which attracts audience attention. She uses a sad emotional rhyme to also attract the audience to inform them. To also convey sorrowful emotion to the reader she uses hyperbole such as “Sailing a ship board to hell”.…
One of the biggest factors in a coherent essay is said to be the end-rhyme. Not only does the end-rhyme of a line sound better to the ears than say a non rhyme, the choice of words and semantics can cleverly balance themes such as irony. It would also be hard to argue that rhymes do not sound better than regular words in everyday language; many of our favorite phrases are rhymes that describe every-day chores and occurrences. The bottom line: pleasantly sounded rhymes exploit our pleasure of harmony and consonance. The poet writing in stichic most be keen to line integrity – that is, whether or not each line works to form a whole poem, or whether the poem is full of run-ons, creating a “symphonic sense of flow and flux, a sort of tidal variation”. The use of end-stopping or run-on sentences can greatly set the tone and effect of the language used; traditionally, stichic poetry maintains a high degree of line integrity.…
Later in the book on the bottom of page 61 he makes a most brilliant observation. “It is commonplace among artists and children at play that they're not aware of time or solitude while they're chasing their vision. The hours fly.” When I write the day passes and the sunsets. I’ve gone from morning coffee to needing to eat dinner. “The hours…
Throughout the clock’s contradictory speech, the tone shifts sardonically as the clock utilizes diction that is critical of the lover’s thought process. The theme shines through the darkness of the reality that the clock expose to the poem; the theme being face reality and make every day count. The main purpose of the clock’s speech accentuates that worrying about things you can’t change only wastes time. Not only does comparing a green valley and appalling snow provide evidence of the correlation between life and death, this also corresponds with time as the seasons…
I realized that this poem was about a son and a mother that was grieving over the death of his father, and her husband. They both that day had thought about the father and husband cause the son had called that day to talk to his father. That's when he found out that his mother, had made coffee for his father and had put it on the table like she does everyday for him. They both knew that he had been deceased for a year now. I know the death of a family member can be a traumatic thing for most families to every experience in their lifetime.…
the poem is that children do not think about death. In fact, they do not even know that the…
The rhyme scheme seems to be help convey the tone of the author. He seems to be getting angry and he seems to be raising his voice. At the end of each line that contains dialogue it shows that he is using exclamation points and that indicates that he’s either yelling or raising his voice.…
The second section of 'Mid-Term Break' is the largest, and lasts from stanza two to stanza five. This section is also the darkest and most vibrant in imagery of the poem. The second section talks about the boy being greeted by a house full of strangers after the death of his younger brother, and the different ways each of his family members are handling the situation. The tone changes from section one to a deeper, more sad feel, as the writer is describing things like the main characters father crying, and old men offering their condolences to a child. Stanzas two, three and four develop the storyline in the form of the writer leading the reader through the house, as the main character is made uneasy by things like his father crying, the baby laughing in the pram, and people whispering about him. Stanza five is where the poem begins to explain the tragedy, through the last two lines "at ten o'clock the ambulance arrived, with the corpse, stanched and bandaged by the nurses."…