Bibliography: N/A
Bibliography: N/A
In the poem, the author describes the scene of birds singing early in the morning and how quickly the sereneness ends. The author uses diction and metaphors to describe the birds’ song.…
William Butler Yeats' poem "The Wild Swans at Coole" tells of a man who, in the autumn, would visit this pool of water that was a resting place for a flock of swans. He visits them one autumn but does not return for 19 years, "The nineteenth autumn has come upon me since I first made my count." Yeats uses simple diction so he does not distract from the empasis on the swans themselves. Words like; "Clamorous" (line 12) and "Bell-beat" (line 17) describe the nature of the swan's wings, the sounds they make and the effect the sound has on him. The details that Yeats gives about the swans, help the reader to visualize what the speaker is seeing. "The trees are in their autumn beauty, The woodland paths are dry." tells us the season that the poem is set and gives us a picture of the speakers surroundings. "I have looked upon these creature and now my heart is sore." The speaker is very fond of these swans, that is why he visits them and watches their continuing cycle of coming and going.…
The Poem ‘Winter Swans’ seems to convey a strong theme of natural love. The poem begins with setting a scene of a peaceful day, where nature seems to be stilled after the torrential weather that is referred to in the first line through ‘The clouds had given their all.’ It goes on to say that there was then a ‘break’, and throughout the poem the poet uses words such as ‘silent’ and ‘rolling’, ‘stilling’ and ‘slow-stepping’ to capture this scene of peace and serenity, as if the world was resting after being thrashed about by a storm.…
“WC”, written in romantic style, emphasises his inner turmoil through an array of poetic techniques entrenched within a cynical yet lethargic tone. “Nine and fifty swans” exemplifies the misery of his single life by juxtaposing the strength in unity of the swans. This enduring symbol of swans in his poetry evokes empathy towards his depressed state as he continues to elevate the imagery of the swans by juxtaposing their unity “cold companionable streams” to his solitude.…
Humanity’s ungraspable longing for a sense of permanence such for beauty, aging and love, acquires tones of both contemplation and despair such seen in The Wild Swans At Coole. This reception of despondency is portrayed in the juxtaposition by the “sore heart” of an “aging poet”, with the “brilliant creatures” whose “hearts have not grown old”. In addition to this physical pain, it is the sense of loss that signifies humanity’s desire for something that is lasting. Yeats clearly admires the nature; especially the “autumn beauty”, as he “counts” his “nineteenth” one. The water imagery throughout described as detailed observations of “brimming” and his careful observations of the swans displays his meditation and appreciation through nature, but then echoes his envy towards their beauty and apparent immortality being different to himself. Yeat’s life develops symbolically as a “woodland path”- eventually becoming metaphorically “dry” and miserable. This portrays a sense of reflection as time passes, looking back, showing that Yeats “unwearied still” holds onto his desire to love, despite already knowing it is unaquirable as it has…
William Butler Yeats’ poetry possesses strong imagery and themes of stability and change. Two of the poems, which especially highlight these elements, are The Second Coming and The Wild Swans At Coole. Within both of these poems the recurring imagery conjures creates strong elements of stability and change.…
The gentle, tone in Oliver’s poem “Wild Geese” is extremely encouraging, speaking straight to the reader. In this particular poem, the lines don’t rhyme, however it is still harmonious in not only rhythm but repetition as well. Take note of the rhythm in the lines starting with the word “You”: “You do not have to be good,” “You do not have to walk,” “You only have to let.” This rhythm is also heard in the lines starting with the word “Meanwhile”: “Meanwhile the world goes on,” “Meanwhile the sun and the clear pebbles,” “Meanwhile the wild geese.” The reiteration of the words “You” and “Meanwhile” presents a soft rhythmic element to the writers expression. It attracts readers with its tenderness while also inspiring the understanding with what this poem really means.…
The following quote "The sedge is withr'd from the lake, And no birds sing," (Keats)…
In the forth (final) stanza the speaker again relays a felling of nostalgia, when he says "I shall be telling this with a sigh Somewhere ages and ages hence". The speaker closes the poem with a sense of pride and accomplishment by announcing "Two roads Diverged in a wood, and I- I took the one less traveled by, And that has made all the difference".…
A vibrant time of year, autumn is presented as a season that offers many colours to adorn the landscape. The “copper-coated hill” and “violet ground” is a romanticism of the dyes of the season, a literary style often associated with Keats. The intrusion of the strangling winter appears to trap and take the life autumn has to offer. The “vulture headed sun lies low”, as if in wait to take its prey. The negative connotations the word “vulture” entails are mainly in connection with death, as a vulture feeds on carrion. Using this metaphor for the sun, Lee darkens the mood of the poem, just as she darkens the immagery within the poem. The “blackened tongue” of a sheep somehow seems to sour the colours of the poem, almost using the “tongue” to taste the foul colour.…
Keats life experience was of upmost importance in forming this awareness. Contacts with death such as the death of his brother Tom at a young age, as with other members of his family, had a profound impact on the poet. ‘To Autumn’ displays this heightened sense of time and its passing. The vivid description of the transition between the seasons gives the reader an almost snapshot like vision of a moment at the end of autumn with “all fruit with ripeness to the core;” (I. 6) However we are subtly reminded that this atmosphere of “fruitfulness” and “warm days” may soon be destroyed by the “winnowing wind” of the imminent winter. By the final stanza of the poem, we are given the harrowing reminder of the ready to be slaughtered “full grown lambs” (III. 30) and the “gathering swallows” which signify that the new season is pending. At these times it appeared he found a temporary respite through exploring his tortured nature through his poetry. Ward describes poems he wrote in the “dark months” where he contemplated the subject of death as: “the only release; poetry itself was a kind of communication with the immortal dead, or of the dead with one another, and the and the poet a birdlike figure who escapes who escapes the bonds of the earth to join them.”…
Yeats himself said "Poetry is no rootless flower, but the speech of man" and this concept is reflected deeply in his poetic works as he expresses concerns and ideas of close regard to himself and makes them memorable to the reader through his linguistic craftsmanship and mastery of poetic techniques. The Wild Swans At Coole (hereafter WS) examines the theme of intimate change and personal yearning, whilst The Second Coming (hereafter SC) examines change in context with cultural dissolution and fear. It is because Yeats' poetry is so deeply grounded in his own human feelings and is such an artful expression of those emotions that the ideas he presents in these poems resonate with the reader long after the piece has been read.…
Similarly, both authors use symbols to depict the different meanings between the two poems. Keats uses symbols to show how he has been missing out on life and how he regrets not being in love, whereas Longfellow uses symbols to show his fear for his approaching death. The regret that Keats feels is reiterated throughout the poem. During the night he looks up and sees, “Huge cloudy symbols of a high romance” (6), which shows that he wants someone to love, but feels that love is too far out of reach. Also, Keats reveals that, “unreflecting love” (12) is something that he has qualms over and that no one has ever loved him back. Keats uses the clouds and a blank mirror to show that achieving love is such an astronomical task, but yet he still wishes he would have tried harder at accomplishing this duty. Likeweise, Longfellow also uses symbols in his poem, but to show his trepidation of upcoming death. To display his dismal years of life, Longfellow explains that he is “half-way up the hill, I see the Past / Lying beneath me with its sounds and sights / A city in the twilight dim and vast” (11). Longfellow uses the “hill” to represent his years of life and he uses the dim and vast city to signify his past.…
William Butler Yeats’s “The Cap and Bells” depicts the behavior of love through an account of actions between a jester and a queen. Through the use of many symbolic references, the characters accurately reflect a lover’s actions towards his loved one. For example when Referring to jester-like men throughout many of his works (“A Coat”, “The Fool by the Roadside”, “Two Songs of a Fool”, etc.), Yeats is continually portraying the actions of humans towards love as foolish. Furthermore, "Cap and Bells came to Yeats in a dream most likely steaming from his obsessive infatuation he had for Maud Gonne. Being an acclaimed actress, Yeats most likely perceived Gonne as exceeding him in status; her queen and him the jester. Like many of Yeats poems, “The Cap and Bells” develops a lyrical tone full of emotion and images. Through this song-like piece, the reader strongly feels both the growing despondency of the jester and the eventual affection in the queen. Through his strong use of symbolism and imagery, Yeats suggests that love makes a fool of every man. From forfeiting the soul, the heart, and finally physical life, Yeats emphasizes mans’ willingness to sacrifice all the elements of his existence to feel the complete and irresistible passions of love. Throughout “The Cap and Bells” Yeats constantly uses symbolism to express various elements of love. With the whole poem existing as a subtle analogy. As Yeats opens with “The jester walked into the garden” he immediately establishes the idea of the garden of Eden as it is the first place of affection and romance between man and woman. As the garden “falls still”, Yeats also depicts the balance between nature and love. Continuing, we read how the jester “bade his soul rise upward.” Here, the man is offering his soul to rise to the queen who is above him both physically and in social status. It rises in a “straight blue garment” until it…
The narrator begins using phrases like “love deceives” showing that internal pain is still present. The protagonist goes on to say that he was “shaped” by the “wrings with wrong”, which shows how much mental pain he has been through and that he has learnt from the relationship. Instead of referring to the sun as “white”, he now refers to it as the “God-curst sun”, showing that the protagonist’s emotions and attitude has changed from the previous stanzas. The final line “And a pond edged with greyish leaves” brings us back to the beginning of the poem; almost like it is a continuous…