Preview

Vertigo

Better Essays
Open Document
Open Document
1783 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Vertigo
Vertigo
Vertigo is a very deeply loved masterpiece of Alfred Hitchcock’s. He made a stack of movies, yet Vertigo happens to be my favorite. The movie is about the inner and outer journey of two characters involved willingly and unwillingly in a set-up. In fact, there were a lot of behind the scenes ideas that the average movie-goer may not have known about yet.
The movie begins with Jimmy Stewart talking to his friend after a long sequence where he is chasing a burglar on a roof top. In a word, he is a detective. The detective almost falls to his death and is pulled up by a police officer when the police officer falls to his death, of course, trying to save Detective Scottie when Scottie is finally helped to safety by another policemen. That is how Scottie gets vertigo.
In the next scene he is safe; laughs with his friend, Barbara Bell Geddes the bra maker, and steps up onto a chair when all of the sudden he gets his vertigo back, and almost falls off the chair. I see a lot of movies and this one is a masterpiece because the plot is unbendingly well thought out. What I mean is that you are set on a collision course to the final scene with the amount of tension and curiosity the director foreshadows. Jimmy Stewart plays Scottie, and Kim Novak plays the wife of a rich businessman also Scotties highschool chum who wants her, Madeleine, to be followed because she has exhibited some scary behavior. Scottie takes on the job yet still has a problem with his vertigo, for which the movie is named after. She leads him through art museums, old apartment buildings, and flower shops when she finally throws herself into the San Francisco bay, gets rescued by Scottie and falls in love that night. Now, remember this is someone else’s woman, and she seems to be a bit unstable. Scottie does not seem to care that she is someone else’s, and throws caution to the wind; he goes with her on some of her curious jaunts. One of them is through Muir Woods, California,

You May Also Find These Documents Helpful

  • Good Essays

    Movies are much more than just a picture on a screen. They are not linear, they are complex and have depth beyond our imagination. One of the most critically acclaimed master of this art is Alfred Hitchcock. The movie describes the events that occur when a small town is attacked by vicious birds. The movie “The Birds” by Alfred Hitchcock has a deeper emotional weight with its audience than the book “The Birds” by Daphne du Maurier because of Hitchcock’s deliberate use of setting, imagery, and mood in the cinematic experience.…

    • 1468 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Maxfield suggested that the Alfred Hitchcock film Vertigo (1958) could be interpreted as a variant on "An Occurrence at Owl Creek Bridge", and that the main narrative of the film is actually imagined by the protagonist, who is left dangling from a building at the end of the film's first scene. This theory is supported by the fact that the first draft of the Vertigo script written by co-screenwriter Samuel A. Taylor is entitled "From among the Dead, or There'll Never Be Another You, by Samuel Taylor and Ambrose…

    • 893 Words
    • 4 Pages
    Good Essays
  • Good Essays

    CMNS 304 Notes

    • 5782 Words
    • 19 Pages

    Hitchcock is leaving you with your own imagination. When the camera track’s back, you imagine what is going on behind the windows…

    • 5782 Words
    • 19 Pages
    Good Essays
  • Better Essays

    Alfred Hitchcock was an amazing director and his films have lived on and are still thriving today due to the techniques he used in his films and the way he created them. He was known for taking the least probable scenarios and turning them into a masterpiece just by playing with light and form or angles. Some of these films are Psycho, Perfect Crime, The Man Who Knew Too Much and Rear Window. At first it was quite difficult to pinpoint a particular film to choose as he used brilliant techniques in all of them. However, I have chosen to talk about Rear Window. This is because the fact that the whole film occurs in the same setting and still holds our interest is very hard to do but he was able to by using diverse camera angles and playing with lighting.…

    • 1579 Words
    • 4 Pages
    Better Essays
  • Better Essays

    The murder in Vertigo followed the requirements of the code, which helped the movie to be more effective. It made Hitchcock think about how it would affect the audience with how it was presented. He couldn't have the killing performed in a way that people could imitate in real life. He first portrayed the killing as a suicide that was caused by some "spirit" that was inside of her (Kim Novak). Later on in the movie, he again recreated the scene, showing how the real murder was committed. By doing this, he was able to work around the laws set forth by the code. He created a murder that was so far out that it wouldn't inspire people to try to imitate it and avoided a brutal killing. In the code, it also stated that revenge wouldn't be justified. ("Motion Picture Production Code of 1930") Hitchcock completely avoided a revenge murder, although the implications were there that it could happen at the time when Scotty takes her up the tower…

    • 1392 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Vertigo Observation

    • 663 Words
    • 3 Pages

    The Daily Diary phone calls are very important for this study. Because of this we ask that the initial training of how important these phone calls are begins with the pre-screening conversation with the potential subject and continues with detail training at Visit 1.…

    • 663 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    In conclusion, Alfred Hitchcock is the master of suspense and remember suspense does not always have to be horror, in fact as we now know one of Hitchcock’s greatest secrets was incorporating humor into his works. He, of course he also has a specialty in mounting tension, and his success as a director shows in many of his movies including but not limited to north by northwest, vertigo, and…

    • 70 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    In both films, Rear Window and Vertigo, film director Alfred Hitchcock requires audiences to put themselves in the position of voyeur as they witness the action of the film through the eyes of the protagonists. Hitchcock introduces to us the meaning of the word voyeurism and the control it can possess over a person. The main characters in both films are voyeurs’ and get their excitement from invading others’ life. Hitchcock was an English-American film director, writer, and producer, whose distinctive style has influenced several generations of filmmakers. In Rear Window and Vertigo, Jeff and Scottie’s lives are affected by voyeurism. Essentially, both men prefer to live by watching rather than live by doing.…

    • 896 Words
    • 4 Pages
    Better Essays
  • Good Essays

    The cinematography of Vertigo is, at least for me, is the most memorable aspect of the film. The theme of voyeurism, already a common Hitchcock element, is accentuated by the use of the camera as Scottie’s eyes; the audience is Scottie, and we see exactly what he does. Only twice does the camera break from the protagonist. In Judy’s flashback the camera goes where Scottie cannot, making the audience more powerful than the protagonist. The audience does not object; we desire to see more of Judy’s inner thoughts, as if we were observing a rat in a laboratory. Soon afterwards, Judy dies, right as Scottie overcomes his acrophobia. He gets what he wants, but only at the cost of his love’s life. Similarly, we get what we want (the truth of the mystery),…

    • 230 Words
    • 1 Page
    Good Essays
  • Good Essays

    Alfred Hitchcock’s Rear Window is a mystery and thriller that leaves audiences in a constant state of suspense. Rear Window opens by showing photographs of high risk environments hanging on a wall of an apartment. This leads one to believe that whoever owns the apartment lives a high risk and adventurous life. However, once the broken camera is shown, it is understood that the main character, L.B Jefferies, is a photographer before it is stated through dialogue in the film.…

    • 589 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Vertigo Feminist Theory

    • 583 Words
    • 3 Pages

    First film theorist Laura Mulvey she wrote Visual Pleasure and Narrative Cinema in 1975. She came up with the idea of the Male Gaze. The idea that the woman is passive and the male is active. So the woman is the image and the man is the bare of the look which very much indicates the man has the power of the woman. In vertigo this is evident within the first scene the Ernie’s Restaurant when Scottie goes to meet Madeline for the first time. Where they don’t actually meet, they don’t even make eye contact. It is very much active male and passive female. Madeline is there to be looked at, the soft focus, the romantic music, the green dress contrasting with the red interior of the restaurant. The Mis-En-Scene in the restaurant is crying out for Madeline to be an object of desire. In Hitchcock’s films the women often have a strong visual and erotic impact. It could be the nature of the film, that’s a whole different story but mostly talks about the women and also Madeline also in Vertigo. They have a ‘to be looked at’ ness. They are there to be looked at basically. Laura Mulvey also talks about the idea of scopophilia which is looking at the sort of pleasure. It’s a Freudian term that he came up with. It basically talks about the pleasure gained from looking at desirable objects, the object been women. And it kind of takes on the whole boundary between male/female desire, kind of sort of thing going on there. In terms of Mulvey? They are also interested in the idea of fetishisation of women, in Vertigo in the opening scene we experience this. Madeline or Judy is reduced to her lips and her eyes. They are very much objects of desire. Things that men look for in a woman. She is basically dismembered. Shes nothing else but her sexual attributes. Later on in the film when Scottie is trying to recreate Madeline through Judy, Scottie is very much constructing female ideal. Which he thinks is Madeline. Mulvey said male project their fantasy onto the female figure is styled…

    • 583 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Establishing the difference between the story and the plot allows one to determine the effect each element has on the understanding and interpretation of the piece. It also provides a way of tracking the continuation of events and the relationship between seemingly isolated moments in time. Film Art clearly defines both story and plot but acknowledges that there is a significant overlap between the two functions and allows a flow within the film. The plot is the presentation of the events, in chronological order and includes the events that are seen, inferred and assumed by the viewer as opposed to the story. The story refers to the way in which the plot is presented, the ‘personality’ imposed onto it by the ‘storyteller and the way in which it is interpreted by the viewer, including all of the information that is inferred and assumed by the viewer. In the film Vertigo the distinction between story and plot allows the viewer to interpret the presented information in a way that makes the ‘story’ feasible, whilst at the beginning it appears that the film will run in chronological order, it becomes clear eventually due to inferences that the viewer makes there is more to the story than the plot lets on initially. Vertigo creates suspense by playing with the order in which information is released to the viewer; the amount of time spent creating the relationship between the characters ensures that the viewer understands the depth and intensity of the emotion. This plays into the evolution of the story by introducing another layer to the interpretation, the loss and despair when Madeline dies is compounded later by the fact that it was not actually her that dies, nor was it her that Jonny-O really loved. This linking of events through the overlap of story and plot is a good example of how inferred and assumed information can make or break the interpretation of events.…

    • 1506 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    I chose to do my discussion on the 50-year-old women. When talking with the patient I would first gather all the subjective data. It’s important to get to the source of the problem and by discussing her signs and symptoms we have a clearer picture of what diagnostic tests should be done. Her main complaints were headache, decreased range of motion in her neck, vertigo, hearing loss in one ear, and uncontrolled eye movements. She has also been in a motor vehicle accident three days ago. Being that she was in a MVA, my first instinct would be trauma. I feel that before any other tests are performed or manipulation of assessing her head, she should have a stat CT scan to rule out any life-threatening issues to her head, neck and or spine. Depending on the results of the CT scan, we would know if further advanced imaging tests are needed, like an MRI.…

    • 319 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Vertigo Paper

    • 508 Words
    • 3 Pages

    The movie Vertigo, by Alfred Hitchcock is a very dark, twisted film about a man falling in love with the wrong woman. The movie beings with a chase across rooftops to catch a criminal. When the police officer falls, Scotty, the detective, must face is newly discovered vertigo. This is when I began to think that he was dead and didn’t survive the fall and didn’t know he was actually dead (a Sixth Sense type of thing). But I realized quickly that that wasn’t the case because he was able to talk to the significant other in his life, Midge.…

    • 508 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Night of the Living Dead

    • 994 Words
    • 4 Pages

    http://www.filmsite.org/posters/psyc2.jpghttp://www.filmsite.org/reddot.gif Alfred Hitchcock's powerful, complex psychological thriller, Psycho (1960) is the "mother" of all modern horror suspense films - it single-handedly ushered in an era of inferior screen 'slashers' with blood-letting and graphic, shocking killings…

    • 994 Words
    • 4 Pages
    Good Essays

Related Topics