3. What can you infer about Cortes’ motives in writing about “the wonders of Tenochtitlan” and the Aztecs? Why did he choose to write about the topics he addressed in this letter? Who is is intended audience, and how might that have influenced the letter?…
After reading chapter 4, “The Chicana/o Mural Environment”, I thought of all the murals I’ve seen and how I didn’t really pay attention to them. The author focuses on murals located in Los Angeles, San Diego and San Francisco. I smiled when I read this because I’ve seen at least one mural in each city. The reading talks about how each mural has meaning and most of the time the meaning will depend in the area that is located in. I’m from L.A county so I’ve been to East L.A. I’ve seen many murals there, but never really thought much of them. East L.A. is full of history, especially for the chicano community and it’s sad to say that people that don’t live there might not know much about the beautiful art that surrounds the area. Next time I go,…
Mirkin’s article, “Aurora Reyes: ataque a la maestra rural,” was about one of the most iconic women in Mexican history. She was a very inspiring woman, she still found time to create her murals and fight for what she believed in all while being a single mother of two and having a job. Reyes was someone who fought for things that were dear to her such as education, children, and equality for women. I found it interesting but not surprising that her murals reflected her beliefs and illustrated the essence of their importance. Unlike the other artists who depicted the revolution, Reyes’ murals showed the unfortunate but somewhat inevitable side of the revolution.…
Orozco had every intention of being a plastic shell of the artist revolution, in Hidalgo as well as Orozco stood a monumental, deeply tragic portrait of art for its content and topics related to historical events. Orozco’s painting of Hidalgo reflected social and political issues that had prevailed in the country, providing always from the disappointment and a progressive leftist perspective, which as art should, explain his as well as current events with an extremely critical…
I think Rivera wanted to show a normal day for the Aztecs in Tenochtitlan. Which is, work, and sacrifice. But I think his main goal was to show the Aztec sacrifices, since there is that one pyramid sticking out with blood on the stairs. During the Aztecs time , the sacrifices were taken to the tops of the Aztec pyramids and laid upon a flat stone. There, their chests were cut open and their hearts were ripped out. The bodies were then thrown down the steps of the pyramid.While human sacrifice was practiced throughout Mesoamerica, the Aztecs, if their own accounts are to be believed, brought this practice to an unprecedented level. For example, for the reconsecration of Great Pyramid of Tetnochtitlan in 1487, the Aztecs reported that they sacrificed 84,400 prisoners over the course of four days. I think that this mural depictsTenochtitlan during the late 15th century, early 16th century.…
Malintzin had an important role in the ancient history and colonization of Latin America. She would rise from just a simple servant girl and slave, to become one of the key factors of the Spanish colonization of the indigenous natives in the New World. She helped translate for the Spanish conquistadors and even Hernando Cortés himself. Malintzin’s interpreting skills would prove crucial in the dealings between Hernando Cortés and the Aztec emperor Montezuma. Camilla Townsend uses the story of Malintzin to display the conquest of Mexico in a different aspect and first person point of view.…
Born in New Jersey in 1953 Juana Alicia is an American citizen most well-known for her murals and being involved in the Chicano art movement. Juana Alicia currently teaches full time at Berkeley City College where she directs a program called true colors. Alicia’s mother and friends were all activists, her mother being an activist in the farm worker movement, and her friends being Black Panthers, and Alicia herself attending a few of these meetings. In the early seventies Alicia was personally invited by Cesar Chavez himself to work together, they met at an earlier rally where she showed him her poster “Boycott Grapes in A&P”3.…
Rivera and Orozco both expressed their views on the Mexican Revolution through their murals. These artists had a few similarities as well as their differences when it came to their individual murals. They both used similar colors to symbolize different aspects of the events that were taking place. For example, mostly the peasants in Rivera’s murals wore white which could possibly stand for innocence. However, a difference among the artists that I saw was that Rivera tends to paint more of wider frame that includes a bigger scenery and many people while Orozco paints more of a closer frame that focuses more on what he wants to illustrate which includes fewer people.…
Horace Hall Professor Sansome Latin America Humanities March 7, 2016 Diego Rivera: 1 Mexican Painter Diego Rivera was a big man, and not only because he stood over six feet tall and weighed, at times, more than three hundred pounds. Rivera dominated the Mexican art world from soon after the end of the country's revolution in 1920 until his death in 1957. At the age of seventy. 1 Rivera revived, and put to use, the antique medium of fresco painting. Fresco painting used pigments impregnating a paste of marble dust or sand and water-treated lime, which dries rock hard. His energy and his optimism charmed all sorts of people, from Parisian avant-gardes to American captains of industry.…
He painted on the treatment of the poor and how they were oppressed workers, but most importantly he tried to capture in his murals the everyday beauty of Mexico’s labor in and out of the fields. These murals sprouted cultural change. Diego Rivera’s unique way of depicting Mexico is what made him grow popularity with indigenous people and Mexican people from all different economic class (Kettenmann…
In this paper, I will be summarizing the following chapters: Chapter 3: "A Legacy of Hate: The Conquest of Mexico’s Northwest”; Chapter 4: “Remember the Alamo: The Colonization of Texas”; and Chapter 5: “Freedom in a Cage: The Colonization of New Mexico. All three chapters are from the book, “Occupied America, A History of Chicanos” by Rodolfo F. Acuna. In chapter three, Acuna explains the causes of the war between Mexico and North America. In chapter four, Acuna explains the colonization of Texas and how Mexicans migrated from Mexico to Texas. In chapter five, Acuna explains the colonization of New Mexico and the economic changes that the people had to go through.…
Born in the capital city of Mexico on September 18, 1890 Jose Tomas De Cuellar was one of colonial Latin America's polarizing figures and from one Mexico's wealthy families. He attended college at the military college of Chapultepec. Later he entered the Academy of San Carlos after taking part in the defense of the castle before the United States invasion on September 13, 1847. He went on to become secretary of the Mexican legislation in Washington D.C. and was secretary of foreign affairs. He gained note ability in 1848 for his essay "Duty and Sacrifices" in both Mexico and Madrid. But, he is most notably known for his skills as an observer and being a master illustrator in writing in his genre and because of the telling of humorous stories to make fun of the society he was living in.1 The Magic Lantern is but a small part of his repertoire , but is an excellent glimpse back into a culture that is long gone but still influencing its people today.…
While the mural gallery at appears to be nothing more than the typical non-Western cultural art and ancient artifacts showcase, the book Feathered Serpents and Flowering Trees discusses the Teotihuacan murals, the history of the murals, and the impact they had on the art world. Again, the artwork fragments from the Teotihuacan Mural Gallery came to the de Young Museum as a surprise bequeathal from Harald Wagner, a Pre-Colombian art collector and San Francisco native. The first segment in Feathered Serpents and Flowering Trees written by Thomas K. Seligman describes the gift as both “unexpected” as well as an “ethical dilemma.” Seligman discussed how the de Young Museum collaborated with the National Museum of Mexico and UNESCO (United Nations Educational, Scientific and Cultural Organization) while dealing with the ethical, legal and museological issues surrounding the enormous, seventy-plus piece gift. Seligman explained how the “Museum’s initial concern was for the safety of [the] very fragile objects” (Seligman 16), and how after the immediate museological concerns of artwork preservation was addressed that the more convoluted issues involving cultural patrimony and the return of Mexican national treasures. The…
“They were Chicano looked and at the world though Chicano eyes” , during a reading came across this appealing quote. Hence it correlates with the book of this title. The book has come up with so many flaws and positive aspects. One issue was struggled to gain acceptance in the gallery world, as stated in the book. Rather than waiting around, the artists would go and display their works anywhere that has people, example the book said “in public places wall” this has grab viewers attention because most people think of tagging or graffiti. However that is not the reason, artists have reason to put such a mural or scene on the wall. They wanted to tell a story, and expressing how they felt. Wondering what types of influences did artists have? Music, expressionism, impressionism, and photorealism were the reasons as mentioned in the book. Glugio”Gronk”Nicandro one influence was listening to the Beatles; Carlos Almarez has painting style similarity as an expressionism. John Valdez has an excellent photorealism painting, called Car show; that painting could easily be mistaken as a photo, if the artist did not explain what medium was used. In the late 1960’s and 1970’s formed social and political literacy, according to the book; therefore 1965 there was a popluar civil right activist, Cesar E Chavez. Who is known to fight with the famers to gain respect and…
The Conquest of New Spain was an interesting period of Spanish history, during this time the Spanish Empire was in a period of extensive. There are two sources that were written during this time, that portray events in different light. The first letter is written by Hernan Cortés to the Spanish king and Holy Roman Emperor Charles the V, and is a report written by Cortés about the Yucatan, describing its people and Cortés’ journey throughout these lands. The next letter is written by Bernal Diaz del Castillo a member of Cortés’ expedition, the letter itself is entitled Montezuma Stepped out of the Litter and is a description of the events surrounding the first meeting between Cortés’ expedition and the leader of the Aztecs Montezuma. Looking…