Art and Culture
At first thought of the Vikings, the comic strip “Hagar the Horrible” comes to mind. As this is probably not a good basis for reference, it still can give slight glimpse, if not a distorted one, of the Viking culture. As for Viking art, a more in depth search must be done, for “Hagar” was unfortunately not actually made by the Vikings.
The Viking culture was a primitive one of agriculture, hunting, and fishing. Families lived on farms together and were a tight knit labor force. During sowing time, the men would all work together from before dawn until after dark to tend to the field, and the women would work on providing the daily necessities, such as food, clothes, and cleaning. The wife would also occasionally …show more content…
He would head out with his neighbors for a pleasant summer of pillaging in the south. Then, he would return in the fall in time for the harvest. His wife would control all affairs of the household until he returned. If he should not return due to an unfortunate accident, his wife would inherit the land, business, and any other wealth. The eldest son of the family would take over the family farm, and the younger sons would go out to find their own careers as they became of age, possibly Vikings. Family was very important to the Viking people; it was a powerful unit of protection. Much like today, families provided support and assistance, and it was to their family that a person owed their obligation. A close family bond is evident as husbands, wives, and children would erect runes in honor of each other; husbands to their wives, wives to their husbands, and children to their parents. Runes were decorated monuments with inscriptions and verses for their deceased family, much as a tombstone would be now, and were often placed in public places so that they would be seen. They also normally lived as a nucleic family, much like today, with the mother, father, and the children in the household. It was fairly …show more content…
There was no art for art sake; it was mostly applied art. Their skills were used to decorate items of daily use. Weapons and ships were intricately decorated, as were drinking vessels, runes, and jewelry. This proved their affinity for showing off their wealth and rank with whatever their possessions were. Most of the art that has survived is made of metal even though most commonly leather, wood, and bone were used. Their art was not naturalistic, but instead abstract. A common theme art was distorted and disfigured animals. Animals were a dominant subject, as they seemed to have an endless devotion to them as a source of inspiration. The gripping beast is one motif that started in the Broa Style; it is a strong, muscular animal that is shown full face with its paws gripping either itself or another animal. The gripping beast is shown on the Oseberg ship along with two other animal motifs, S-shaped animals with ribbon-like bodies, and semi-naturalistic animals and birds. Being confronted with these images, one could not but be in awe of the energy of the decoration. Many different styles of Viking art have been identified, but no new style can be said to mark the beginning of the Viking age in Scandinavia, they grew out of the art styles of earlier centuries, the first being the Broa style, followed by the Borre, then the Jellinge, Mammen, Ringerike, and finally the Urnes. The styles all vary