Vishwa Bahi Analysis

Maharaja Krishna Chandra helped Britishers against Mughal during 1756, and also during that time a huge artistic revolution in Britain. After landed in India, thirst of art derives in them and they had not have a place to fulfill their thirst of art. For them hiring artists from Europe was not an easy access. Then local artists were engaged. Dutch, Portuguese, French and British came with the idea of spreading business and preaching Christianity. Some of the art pieces of religious concern like of Christ, Mother Mary and of other apostles were brought by the missionaries. But to propagate largely the Christian ideology they required more art pieces which were then made by the local artists by copying the art pieces brought by the missionaries
This fact is unknown because our ancestors started it a long time ago with the direct influence of the work of Leonardo da vinci. The impact of Vishwa Bharti can be seen on our art. But the impact of national art colleges on this art can be seen less as work of Ghurni artist is based on nature. The influence of Vishwa Bharti on this art is due to the working scheme of the Principle Nandlal Bose is moving parallel with the working approach of the artist of Ghurni. During this time the techniques of the work are unique and sophisticated and of high standards. Concerning the impact of Vishwa Bharti on the art of Ghurni, Samaresh Basu writes in his book titled ‘Dekhi Nai Phire’, which is based on artist Ram Kinker Baij, justifies in details that the art approach of Vishwa Bharti moves parallel to the art approach of the artists of Ghurni. But there is as such a bit difference in both the art approaches. During this time modern art begins after Second World War which did not left any influence on Ghurni. Ghurni art has just become a real life based art. We don’t find the unique art like of Ghurni in any art college or other art concerned institutions. And due to this the theme of Krishnanagar art heritage becomes unique in whole