“made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple -- through the purple to the green -- through the green to the orange -- through this again to the white -- and even thence to the violet, ere a decided movement had been made to arrest him” (4). The sun rises in the east and sets in the west representing the path the revelers walk through behind the masked figure starting from the blue room to the black room, where they are killed. The seven rooms also symbolize the seven stages of man, starting with the blue room which represents birth and ending with the black room representing death.
Hence those who try to avoid death are veritably trying to escape the fear of the unknown. As the clock strikes midnight, the partiers stop one final time: “and thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of the masked figure which had arrested the attention of no single individual before” (3). Throughout the night, the clock striking every hour symbolizes the idea that the impending death is looming closer and closer with each clang. The location of the clock, the seventh room, also gives it an obvious connection to death. Hence, the clock symbolizes the inevitable ticking time bomb that is death. In “The Masque of Red Death”, Edgar Allen Poe uses literary devices to emphasize that as time runs out, the fear of the unknown causes one to try and escape the
unavoidable.