What Is Persepolis A Graphic Novel

Satrapi’s early experiences have helped to form the unique perspective acknowledged throughout Persepolis. Throughout the novel, Satrapi uses graphic images to allow the readers to visualize the various dramatic events that the young Satrapi (once) witnessed. Satrapi’s informal diction and simple graphics force the readers to perceive Persepolis from the same childlike perspective she had. However, special attention is pulled towards Satrapi’s use of black and white graphics as a symbol of internal conflict. The colorless graphics and straightforward captions actually portray within themselves a stronger meaning. Furthermore, this conflict of interpretation results in the bringing out of the reader’s empathy and emphasizes a stronger grasp
As a child, Satrapi was confronted with complications that often strewed her away from self-security; more specifically, her choice of religion. What is fairly fascinating about Satrapi’s journey throughout Persepolis is the difficulty she encounters with her commitment to God. For instance, Satrapi writes, “I was born with religion…At the age of six I was sure I was the last prophet” (Satrapi, page 6). However, as the days of the revolution came, the young Satrapi found herself pushing her beliefs to the side. When asked by her parents what she desired to be, Satrapi responded “…a doctor” (Satrapi, page 9), then later that night, during one of her discussions with God the young Satrapi stated, “No, no, I will be a prophet, but they mustn’t know” (Satrapi, page 9). This incongruity in her response portrays to the readers the inner dispute Satrapi possess. Satrapi symbolizes her lack of knowledge and self-security through the use of unembellished context. At a young age, the naïve Satrapi believed in what she was taught and practiced what she was shown. Through the progression of Persepolis, Satrapi drew less images of God to illustrate the quantity of her