What Is The Difference Between Emanuel De Witt And Vincent Van Gogh

Although born more than two hundred years apart, Emanuel de Witt and Vincent van Gogh are both talented painters from the Netherlands. De Witt, whose life spanned through much of the seventeenth century, lived through the Dutch Golden Age. This was a time of growth for all of the Netherlands, and in the arts, realism was heavily practiced. His paintings in particular were also quite influenced by the Protestant Reformation, where a backlash on artwork in churches – one of his most popular subject matters – left many whitewashed and bare. Van Gogh lived through the second half of the nineteenth century and is one of the most famous artists of the Post-Impressionist movement. This era of art is defined by vibrant and often unusual color schemes
De Witt’s painting may be one of a church with white walls with brown and gold accents, but he still provides intense and intriguing contrast with his employment of light and shadows bouncing off the pillars and arches. His skill does not go unnoticed here; the shading on the architecture is remarkably accurately portrayed, which is especially impressive because of the sheer number of columns and windows painted. The ground, the perspective the viewer is given with, is well-lit likely because of what appears to be windows beyond the painting’s edges, yet around the church there are many more windows. As expected, just like a photograph, the walls are varying shades of whites and greys, with the lighter spots exactly where the sunlight would have been streaming
Again, Interior of the Oude Kerk, Delft focuses on realism and accurately portraying the interior of the church. All the angles appear to be absolutely perfect. Van Gogh, on the other hand, seems to have a bit of fun with the form of his objects. From a first glance, from the perspective the viewer is given, the bedroom is not perfectly square. Rather, the room gives off an almost trapezoid-like shape. The chairs and bed are noticeably warped and the table seems unnaturally tilted as well; unlike de Witt’s straight, perfectly formed and angled lines, van Gogh’s alter the reality quite a bit. Even though it is clear that van Gogh’s painting is that of a bedroom, it is evident that realism was not his goal in