Preview

Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter

Good Essays
Open Document
Open Document
506 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter
Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter Artemisia Gentileschi’s Judith and Maidservant with the Head of Holofernes (98) and Georges de La Tour’s Joseph the Carpenter (151) are great examples of Chiaroscuro. Chiaroscuro meaning the representation of balance between light and shades within artwork. This type of artwork is typical of the renaissance era. There are several aspects of chiaroscuro; modeling which is light falling across a curved or round surface. Highlights which reflect the light is a direct way, and shadowing which is the darkness of a painting. Two more types that are represented by these artists is tenebrism (murky) and focal point (key focus). Gentileschi is a second generation Italian artist who demonstrates tenebrism in the form of candlelight that is placed on a table. The heroic figure, Judith within the painting is blocking the light with her hand thusly casting a shadow onto her face. This illustration seems to project the intention that Judith is hiding from unforeseen dangers just out of sight. Gentileschi’s oil canvas creation is 72 ½ X 55 ¾ inches in size and is an “expressive media tool” (253) with the use of brilliant colors, detailing in the clothing, lighting, and shadowing. It is a great asset for the artist to paint with passion and imagination as well as realistic views. Equally impressive is the creation of a focal point by La Tour, a French artist largely known for his usage of “candle lit subjects” (EB). In this case the candlelight is in the hands of the boy figure casting a shadow over Joseph the carpenter. The light “focal point” is on the boy’s face, representing the importance of the boy himself as being Christ. La Tour’s oil canvas 18 ½ X 25 ½ inches in size, somewhat smaller than Gentileschi’s piece; however the size does not imply that it is of less relevance. La Tour’s “geometric simplification” (EB) of the human form is in contrast to that of Gentileschi. This prospective
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Comparing Cimabue And Giotto's Madonna Enth
    • 271 Words
    • 2 Pages

    Comparing Cimabue And Giotto's Madonna Enth

    We know that the subject matter of both Cimabue’s Madonna and Child Enthroned and Giotto’s Madonna Enthroned depicts the Virgin mother holding her son Jesus Christ upon a golden throne with angels at either shoulder. After looking at Cimabue’s work, it is debatable whether his apprentice Giottos surpassed the man. In manners of skill, Giotto’s more classical and naturalist style took on other stylistic components that very well exhibited a 3-dimensional space upon a 2-dimensional plane. In personal opinion, if the goal was to surpass Cimabue, then Giotto definitely showed prowess by giving his figure of the virgin a more assertive and realistic presence. Both Cimabue and Giotto use the ever-common gold background to unify their pieces. The…

    • 271 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Compare/Contrast Paintings at Palmer
    • 827 Words
    • 4 Pages

    Compare/Contrast Paintings at Palmer

    The Sacrifice of Jephthah’s Daughter 1650 by Pietro Vecchia is a rather unusual painting. The premise is that he must sacrifice his own daughter because of a deal with God. In the painting she has her arms across her chest covering her naked self and is bent over almost in a ball. This cowering is a stark difference to, Giovanni Baglione’s St Sebastian healed by an Angel 1603. Sebastian is in repose with his hands behind his back revealing his body. He has already been shot by an arrow where as the daughter is awaiting her father to stab her with the spear in his hand. Both characters are half naked with a cloth covering their lower bodies. Jephthah’s daughter is more ashamed of her nakedness while Sebastian seems to accept it. In biblical times the fattest goat was to be sacrificed to gain God’s favor. The heavy set nature of Jephthah’s daughter appears to be an allusion to that sacrificial procedure. St Sebastian is fit and is being healed by a female angel. The daughter is fat about to be hurt by her father Jephthah. There is a major difference between the healing angel and the overly religious father. The angel’s presence makes the viewer calm and feels like St Sebastian is going to pull through. The presence of the father is one of fear and is rather disconcerting. Even though he is embracing his child the idea that she is about to be killed by him makes him an ominous figure. These pictures seem to scream the difference between a loving God and a vengeful God.…

    • 827 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    How Did New Spain Use Baroque Styles Relevant To The New World?
    • 987 Words
    • 4 Pages

    How Did New Spain Use Baroque Styles Relevant To The New World?

    Using Baroque characteristics like tenebrism and chiaroscuro, to paint images that were appreciated…

    • 987 Words
    • 4 Pages
    Good Essays
    Read More
  • Powerful Essays

    Fra Carnevale’s Presentation of the Virgin in the Temple
    • 1824 Words
    • 8 Pages

    Fra Carnevale’s Presentation of the Virgin in the Temple

    The Museum of Fine Arts in Boston contains some of the greatest treasures of the Italian Renaissance, and not least among these is Presentation of the Virgin in the Temple, painted in 1467 by Bartolomeo d. Giovanni Corradini, better known as Fra Carnevale. This Urbinian painter and architect produced some of the greatest architectural paintings of the early Renaissance, and his techniques expressed an interest in the progression of the Italian Renaissance style of classical idealism. The Presentation, measuring 57 5/8 x 38 in., depicts the apocryphal story of the Virgin Mary’s Presentation in the Temple of Jerusalem by her parents at the age of three. Executed in oil and tempera on panel, the work frames a young Virgin in purple by the grand, classical architecture of the Temple. The entire work confers an atmosphere of contrast: the softness of Mary’s companions with the sharply defined, half-nude beggars, the religious with the classical reliefs, the tiny Virgin with the enormous architecture, and the brightly lit interior with the cloudy sky. Fra Carnevale creates a mysterious, yet orderly, scene of subtle emotion and veiled heterogeneity.…

    • 1824 Words
    • 8 Pages
    Powerful Essays
    Read More
  • Good Essays

    Quiz: Renaissance
    • 798 Words
    • 4 Pages

    Quiz: Renaissance

    In a manner similar to that used by Caravaggio, this artist incorporated chiaroscuro techniques in her paintings.…

    • 798 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Northern Renaissance Art Comparison
    • 804 Words
    • 4 Pages

    Northern Renaissance Art Comparison

    The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…

    • 804 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Art Analysis: Saint John the Baptist Preaching by Mattia Preti
    • 333 Words
    • 2 Pages

    Art Analysis: Saint John the Baptist Preaching by Mattia Preti

    The Metropolitan Museum of art boasts an impressive collection of art, among many other things. One piece that stood out the most was Saint John the Baptist Preaching, by Mattia Preti. Though the work has seemingly faded a bit over the last 360 years, it remains in superb condition, which leads one to believe it has been restored over time. It is this condition that caught my attention, surprisingly as dull as the piece appears; it stills pops when you make eye contact with it. Why does is pop? What about this work has my attention? My first thoughts were the artist’s ability to capture the human form with the amount of detail Mattia Preti had, was the drawing factor that brought me to choosing this as my focal point on my museum trip. The title is Saint John the Baptist Preaching, yet there are no subjects being preached to in the composition. Saint John is making direct eye contact with you as you are staring at him, which gives the sense of actually being in his presence, and listening to him preach. It seems Mattia Preti wanted the viewers to all feel like they were the ones being preached to from the arrangement of this piece of art. Saint John is situated in the middle of the canvas, slouched and leaning to his left in a sort of lazy posture, with his left hand over his heart. This to me says he is speaking of something in which he truly believes, or loves. Situated below him is a white lamb, which is apparent in many religious paintings, the relevance though escapes me. The human form is captured flawlessly, the artist’s ability to capture proper muscle tone and shape is uncanny, only if for a moment it seems this is a photograph taken in the 16th century. No small detail is over looked, looking closer you can actually see veins in the forearm and hand of the…

    • 333 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Giorgione Enthroned Madonna With Saints Liberale And Francis Of Assisi
    • 872 Words
    • 4 Pages

    Giorgione Enthroned Madonna With Saints Liberale And Francis Of Assisi

    In contrast to Giorgione’s portrait we assess Tintoretto’s work The Birth of John the Baptist and the distinct shift in style into the Late Renaissance with some aspects of mannerist. Although not a Mannerist artist he still incorporated many techniques associated with the work of those at the time. Noticeable features include the general layout of individuals placed in a chaotic state as some of them are in conflict with the frame of the painting. It is harder to make out the components within the portrait as those within the background are shadowed, less obvious.…

    • 872 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Carlo Crivelli's St. Michael
    • 299 Words
    • 2 Pages

    Carlo Crivelli's St. Michael

    I have chosen to do this assignment on the art piece by Carlo Crivelli “St. Michael”. This panting is one of the Four Panels from an Altarpiece that was painted in Ascoli Piceno, Italy. In this particular painting the subject matter and content are very similar. Crivelli painted Saint Michael standing on Lucifer showing when Lucifer tried to over throw God, St. Michael and his army defeated Lucifer. In this piece Carlo Crivelli was showing representation. The reason this painting, “St. Michael”, is representational is Crivelli is showing a biblical era when Lucifer was overtaken. Carlo Crivelli’s role in this painting is giving form to spiritual forces. In this painting Saint Michael is holding a balance with two humans on one side and a weight…

    • 299 Words
    • 2 Pages
    Good Essays
    Read More
  • Better Essays

    Similarities Between The Gospels Of Otto III
    • 919 Words
    • 4 Pages

    Similarities Between The Gospels Of Otto III

    If the cliché of “a picture is worth a thousand words” is true, then artists are faced with a predicament of creating a picture that exemplifies the right thousand words. Artists such as the anonymous artist who created “The Page with Christ Washing the Feet of His Disciples” are valuable to authors of sorts to communicate to the audience visually. Whether it is to be communicated to young children, the public, or college students, a visual representation should stimulate a story in the mind of the viewer. The relationship between word and image is a major area of study in the discipline of art history. Through the analysis of a painting in the Gospels of Otto III, “Christ Washing the Feet of His Disciples” I will compare and evaluate the similarities between these two forms.…

    • 919 Words
    • 4 Pages
    Better Essays
    Read More
  • Good Essays

    The Annunciation Analysis
    • 969 Words
    • 4 Pages

    The Annunciation Analysis

    The nine elements of composition are: dynamic vs. stable, balance, rhythm, line, textures, masses, space, color, and modeling (36-76). The composition of “The Annunciation” is mostly stable, from the straight lines of the walls, the rays of light, and the upright positions of Mary and angel Gabriel. It is also partly dynamic because of the folds of fabric, the arches towards the ceiling, and angel Gabriel’s wings. There is evident rhythm from the repeated rays of light, hands, and wings. Although the textures in the painting are only simulated and not real, they are extremely realistic. Especially on the clothes, hair, and skin. The three largest masses in the painting are Mary, then archangel Gabriel or the large red bed behind Mary, then God off in the distance of the painting. Master of the Retable used all the techniques of space that Gill mentions: a register line, overlapping, foreshortening, diminishing size, aerial perspective, and scientific perspective. The sense of space in this painting is spectacular and is something that artists of the Renaissance and High Renaissance were able to achieve for the first time. There are many warm colors, for example, the bed behind Mary, the outside of archangel Gabriel’s cloak, God’s clothes, and Mary’s hair. The cool colors of the painting include Mary’s clothes and the landscape outside. The light source…

    • 969 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Mystic Marriage Of Saint Catherine Analysis
    • 580 Words
    • 3 Pages

    Mystic Marriage Of Saint Catherine Analysis

    The shimmering golden highlights from the halos behind their heads were captivating. The Mystic Marriage of Saint Catherine is an altarpiece that was painted by Benozzo Gozzoli and his assistants in 1490. Benozzo Gozzoli was an Italian Renaissance painter who is particularly known for his fresco painting style and his murals. This riveting piece he created only 7 years before his death, encapsulates the essence of the Renaissance time period. This paper will discuss in detail, a depiction of the painting, the historical context of the painting, and how the imagery and colors were used to give an impression of the celebratory ceremonial essence of the unification of Saint Catherine of Alexandria and Christ. The vivid pigment and bold colors…

    • 580 Words
    • 3 Pages
    Good Essays
    Read More
  • Better Essays

    Baltimore Art Museum
    • 1051 Words
    • 5 Pages

    Baltimore Art Museum

    The artist utilized oil and multiple layers of gesso on canvas to create his three dimensional piece of art. The Dancer At Pigalle’s represents a woman who dances in the spotlight on a stage. Her dress is spinning around in a circular flow. In this work, Servini is using a futurist style of painting. I have a feeling that I am inside the stage watching this woman performing ballet dancing. The canvas is developed with layers of plaster to be able to represent the dancer’s motion and dress by projecting them out into the viewer’s land. Light and environment act concurrently on the forms of movement. The work is a colorful representation of the body and the cloth of the woman as depicted. Her dress is pink and is printed with brown hearts. Her shoes are brown. She has black hair. While the painting does not reflect the real mood of the dancer, the bright colors and the gestures that the artist used on this painting reveals the happiness of this…

    • 1051 Words
    • 5 Pages
    Better Essays
    Read More
  • Good Essays

    Judith and Holofernes
    • 863 Words
    • 4 Pages

    Judith and Holofernes

    The story of Judith and Holofernes from the book of Vulgate demonstrates the extraordinary power a woman can possess. Judith, the heroine of the story, saves her town from destruction as the author conveys her strength, faith, and determination throughout her quest against the tyrannical Holofernes by using various archetypes and themes.…

    • 863 Words
    • 4 Pages
    Good Essays
    Read More
  • Better Essays

    Prometheus Bound Analysis
    • 1381 Words
    • 6 Pages

    Prometheus Bound Analysis

    The Baroque era represented a time of significant emotional and religious conflict due to the Counter-reformation and the attempt by the Catholic Church to regain its membership. Art became a mechanism for the church to reach out to and connect with the masses, and Baroque art began to explore emotional themes that were shied away from during the Renaissance. In particular, Flanders was a region that sought to emulate the emotional quality of Italian baroque using a unique style and innovative techniques. In this paper, two works by Peter Paul Rubens, The Emblem of Christ Appearing to Constantine and Prometheus Bound, will show how both mythological and religious scenes were used to emotionally connect with ordinary citizens during the Baroque…

    • 1381 Words
    • 6 Pages
    Better Essays
    Read More