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The poem begins by undercutting the beautiful, pleasant imagery promised by the title through the terse bluntness of the “dusk, and cold.” Flowers are indeed present as the title suggests, but only “frail, melancholy” ones, gathered by the subservient act of “kneeling” among “ashes and loam”. There is a definite sense of ending – both of the day, and of something grander. The persona’s attempts at engaging with the natural world are crudely rebuffed – she cannot succeed in her musical engagement, merely “try”, which results only in an “indifferent” blackbird “fret[ting] and strop[ing]” under “Ambiguous light. Ambiguous sky.” This unfriendly environment in which the poem begins foregrounds the sense of loss which characterises so much of Harwood’s poetry, an inevitable, confronting finality emphasised by the bluntness of the language and plethora of full stops. The adult world presented here is one of uncertainty, difficulty and ambiguity.…
The speaker of this poem is going through an identity crisis. They are dull and don’t see themselves having a personality. They see women in beautiful saris in the beginning of the poem and revel in how exotic and interesting they are or appear to be. Simultaneously they are conscious of their own bland way of life…
Of these core concepts, the one most acutely conveyed by any literary device would be the natural quality of love. Cummings lustrously and repeatedly depicts this view through his use of structure, incorporating seasons, weather, astronomical patterns, and feelings associated with particular times of the year. The seasons go through clear changes, and are mentioned along with their astronomical counterparts in nearly every stanza. The poem opens in the season of “spring”(3), and ends with “rain”(36)—a weather pattern synonymous with spring—illustrating a full cycle of the year. Throughout the poem, Cummings uses these natural yearly separations to convey specific ideas that pertain to each segment of “anyone’s” life. During spring, anyone danced and sang, as compared to the dull reaping and sowing of the average townsperson(4-7). In winter, words and phrases like: “died”(25), “buried”(27), “was by was”(28), and “deep by deep”(29) suggest death; the latter two phrases particularly indicate finality or inexorability. Love and happiness correspond to autumn, in which there are mentions of laughter, marriage, and hope. This cyclical…
The two poems I chose to write about are Elizabeth Bishops “One Art” and “What my lips have kissed” by Edna St. Vincent Millay’s. I chose both of these because they both in a way are describing love, and loss for something or someone. Even though they do not come right out and say it, both poems deal with love and the loss they have experienced. In Bishops poem she talks about how losing comes at ease and how nothing that has been lost has been disastrous. However, in the last stanza of her poem I believe she is talking about the loss of her lover and her talking about it in her poem is how she is coping. She says “may look like (Write it!) like disaster” in the last stanza of her poem is how I believe she is coping with the loss of her lover.…
“Impenetrable gloom” surrounds the last six lines of this sonnet as the speaker describes her inner emotions when not with her lover. Her life alone becomes “a narrow room” in which she is miserable and unhappy. The speaker draws within herself, and becomes…
The poem begins as a recount of past lovers whom a woman once had encounters with for only very brief moments of her life. The belief that these "lips her lips have kissed" were but only momentary passing in her life is enforced in the very opening of the sonnet, as she tells of the forgotten arms she has lain with (1-2). While the character within the story may momentarily be experiencing a feeling of quiet pain, the theme of the poem is suggested as she recites that in fact it were her lips kissing others, she does not consider her lovers kissed by herself, and thus we can recognize her lack of emotional attachment to these forgotten lovers. These…
In Edna St Vincent Millay’s Petrarchan sonnet “What lips my lips have kissed”, the speaker talks about past lovers that are in her life no more. Millay uses a variety of poetic devices such as, imagery, tone, and metaphor. She uses imagery of pleasure, intimate love, and nature. Her tone alters throughout the poem from feelings of wistfulness in the octave, to loneliness and abandonment in the sestet. The sestet signifies a shift from the speakers internal to external perspective. This is shown in the different metaphors the poet uses to convey feelings specifically of her memory and absents in her life.…
Both poems are written from the perspective of the women who fell for the charms of a man who had no intention of staying around or making a commitment.…
The poem goes from a dark tone to a light tone. The poet evokes a sad, melancholy mood in the early stanzas of the poem ‘Clouds spout upon her’ ‘Had shivered with pain’ and in the late stanzas of the poem the poet evokes a somewhat prosperous mood ‘Love beyond measure – With a child’s pleasure – All her life’s round.” There is a gentleness tone to the poet’s reflections upon his thoughts of his wife in the poem. The poem has a bittersweet feel to it.…
The poem is about a man who has killed his wife because she was having an affair. It is quite a serious poem, particularly in the first two stanzas. This is directly compromised with the amount of slang used in the poem, such as, “Banged Up” and “I slogged my guts out”. This makes the impression that the he has become mentally unbalanced by the murder of his wife.…
In the poem, “What Lips My Lips Have Kissed and Where and Why?” by Edna St. Vincent Millay, indicates that she has become an older woman who can’t remember the loves in her past that have come and gone. Throughout this poem there are hints and reasoning behind my thoughts on why Millay has described herself in this poem. I will go through this poem dissecting short parts of the poem to prove my point.…
The poem creates the theme of eternal love by using words drawn from fairytales, and multisyllabic words with a religious meaning. Additionally, images evoke loss and sadness. For example, “night” is the time when most of the events occur; the narrator gives the reader sense of a sad world. The repetition and rhyme of “Annabel Lee,” “me,” and “sea” also reinforce the tight link between the narrator, his lost love, and the sea. Finally, the ballad’s peaceful and pleasing rhythm created by anapests and iambs, “It was ma/ny and…
Except for loving to hear her speak, this speaker has not described any of the woman’s attributes in a positive light. It is the last two lines of the sonnet that give way to the larger picture as to what the man intends to tell those who read along. While all of the other lines in the sonnet contain an iambic pentameter of 5 meters, this line stands out at 5.5 meters, beginning with the words “and yet,” signaling the turning point that will transform the story from being just a list of unfortunate comparisons to something greater. The man takes these last two lines as a means of conclusion, resolving that as far as he is concerned “[his] love [towards his mistress is] as rare” as any woman that has ever been “belied with false compare”…
This poem demonstrates a feeling of incongruity exceptionally well, since it thinks about and differentiate the amount of his dad yielded for him and how he didn't understand it's something he underestimated. This sonnet may be a tad bit one-sided, sticking on to the father's side since this ballad was potentially made to express blame and lament. The mind-set of the story is about how the storyteller lamented being so unappreciative toward his dad. It certainly demonstrates how he dreaded his dad and regarded him now that he understands what he once had, his dad's cherishing and minding. In any case, as of right now of the sonnet, it's showing that his dad left alongside all the easily overlooked details he'd once accomplish for the…
“Love is not all” by Edna St. Vincent Millay, is a sonnet consisting of 1 stance and 14 lines in total. The poetic devices that the sonnet possesses in order to convey its theme are metaphors and imagery. The first device that Millay uses is metaphors where Millay compares love to everything that we believe that aren’t true about love. Such examples are included in the first and second line of the sonnet where, “it is not meat nor drink. Nor slumber nor a roof against the rain” (Millay, 1931). These examples are established in the sonnet in order for Millay to inform the reader that love is not all the things that you think it is, but instead the opposite. These examples start from the first line all the way to line seven where Millay then mainly puts focus on the second device, imagery. Even though there is imagery used throughout the entire sonnet, the last couple of lines is when this device is mostly put to effect towards what love does to the significant other. These examples are revealed to the…