Shelley describes where he believes imagination starts in an, “everlasting universe of things,” ( 1). He paints the image of a dark body of water flowing, “through the mind”, ( 2), and the mind seems to be a spectacular and unearthly void. The critic, Kapstein, believes “The everlasting universe of things,” (Shelley, 1) is, “the substantial existence of the universe independent of mind.” (1047). Kapstein continues by analyzing what he thinks Shelley means by “things” (1) by referring to “Locke’s theory of knowledge” (1047). In the end, Kapstein concludes, “that the “universe of thing” is the creation of mind and exists only as the mind perceives it, its qualities inhering not in the fiction called “matter,” but supplied wholly by the free and creative mind” (1049). I concur with Kapstein that Shelley’s “universe of things” (1) is not a literal place, but a place in the mind for its creativeness and for the …show more content…
This adjective is “secret” (4, 17). Shelley uses this adjective to describe the nouns “springs” (4) and “throne” (17). Both nouns relate to the central image, the Arve River, and both are places where the imagination starts. Shelley attaches “secret” (4, 17) to these words because he seems to believe imagination spawns from a place beyond human comprehension. Kapstein looks into this phrasing, but relates it to “Locke’s theory of knowledge” (1047), and is unclear about what he/she thinks of the phrasing. I believe Shelley uses the word “secret” (4, 17) in order to convey to his audience that the origins of imagination are