He has been told to avenge his father, and yet, this man is unable to do so. Hamlet has been unable to devise a plan in which he can trap Claudius and exact the revenge required by the phantom King Hamlet. He, Hamlet, a prince and son to a dead, disgraced father cannot sum up the energy to exact revenge, but a mere common player can stand before a group and blanch, weep, and go hoarse all for the sake of entertainment. Hamlet thinks it “monstrous” that this is so.…
The differences between Laertes and Hamlet affect a main theme of the play revenge. Both men have fathers killed, and both are seeking revenge. Hamlet, though he knows who murdered his father, hesitates to take direct action against the villain. In stark contrast is Laertes, who doesn’t know who killed his father but will kill anyone on a whim. Laertes’ rashness throughout provides the play with an unlikely stereotypical hero-- brave, unwavering, ready to kill-- and is rather ironic because Laertes is not the play’s “hero” role. The hero instead is Hamlet, and Hamlet is not a typical hero, in that he shies away from violence, and is portrayed as insane for half of the play (though that is by his own doing). Hamlet is not even able to kill his uncle until Act 5, by which time he can be argued to be mentally and emotionally instable, if not insane. In order to avenge his father’s death, Hamlet must lose himself in insanity; he must become, essentially, an entirely different character.…
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play.…
But as the play continues I think Hamlet is terrified of murdering Claudius because he doesn't want to go to hell, and that is why he procrastinates the murder, because he is still questioning whether or not he would be damned…
Shakespeare’s play The Tragedy of Hamlet explores humanities complex processes and the condition of which we live. In this play, the concept of revenge is studied cohesively with the ability of humans to make judgments over their actions and human’s curiosity toward seeking answers. Shakespeare, having written this play in the 17th century, creates the protagonist Hamlet as a forward thinking character with a philosophical quality and moral understanding regarding his ability to reason. These traits conflict against the crude revenge task at hand in the play. Through Hamlet’s complexity, Shakespeare makes direct opinions about the human condition and what it is to be human.…
Hamlet seems to be the one who lets things dwell in his mind before taking any action or making an attempt at trying to get on with his life. After the death of his father he becomes depressed and gradually becomes enraged with his mother's immediate marriage to his uncle Claudius. He was lead to believe his father died of natural cause but he became aware of the murderer when his father's ghost appeared to him. When Hamlet learns the truth of his father's murder, he cries, but promises action, though he delivers none. He says "Haste me to know't, that I, with wings as swift as meditation or the thoughts of love, may sweep to my revenge." (Act 1, Sc. 5, 29-31). At the end of the scene he says "The time is out of joint: O cursed spite, that ever I was born to set it right!" (Act 1, Sc. 5, 188-189). This shows that he is no longer in such a rush to avenge his father's death by killing his uncle Claudius.…
Perceptions and understanding of Shakespearean language evolve as time passes. It is reasonable to believe that Laertes is more of a tragic hero than Hamlet. In order for this to be seen effectively, a comparison must be made between Laertes and Hamlet. In the play Hamlet, Laertes is a character who grabs the audience's attention. His devotion to succeed, despite disadvantages is both motivational and tragic situations, is inspirational to some extent. His portrayal as the antagonist is very effective in conveying the message that, the easy way may not always be the right path to pursue. In the end, people are accountable for their own actions. To Laertes, the urge to avenge a loved ones death was worth taking, and is understandable in all cultures. One must remember that Laertes is not only after revenge, but also after loyalty to avenge. If Laertes were to take revenge on Hamlet, this would show only that he is interested in satisfying his own needs. However, by performing these acts in the name of loyalty, Laertes is ensuring that his father Polonius does not die in vain. Laertes can be thought of as more of a tragic hero than Hamlet due to greater loss in his fall, the fact that he is optimistic, his nobility and him showing a tragic flaw.…
Shakespeare’s play Hamlet (1601) explores Hamlet’s growing insecurities and uncertainties, which stem from his attempt to find certainty and order within his changing transitioning society. Hamlet’s strong moral code and genuine grief at the beginning of the play contrasts with his descent into madness and deceit, as the corruption of the court begin to deteriorate his integrity and eventually lead to his tragic downfall. Throughout the play Shakespeare explores universal notions of authenticity contrasted with duplicity, the struggle between action and inaction and challenging the archetypal tragedian. Through an exploration of these themes, Shakespeare attempts to use the characters in his play to reflect his view on humanity and the shifting, conflicting paradigms between Medieval and Renaissance thinking.…
Hamlet, Prince of Denmark has remained the most perplexing, as well as the most popular, of William Shakespeare’s tragedies. Whether considered as literature, philosophy, or drama, its artistic stature is universally admitted. To explain the reasons for its excellence in a few words, however, is a daunting task. Apart from the matchless artistry of its language, the play’s appeal rests in large measure on the character of Hamlet himself. Called upon to avenge his father’s murder, he is compelled to face problems of duty, morality, and ethics that have been human concerns through the ages. The play has tantalized critics with what has become known as the Hamlet mystery, that of Hamlet’s complex behavior, most notably his indecision and his reluctance to act.…
Once Laertes discovers that his father has been killed, he assumes immediately that the killer must be Claudius. An effect of his speculation is his instinctive desire to retaliate against Polonius's murderer. He says, "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, that both worlds I give to negligence, let come what comes. Only I'll be revenged most thoroughly for my father" (4.5. 128-134). This excerpt provides insight into his mind and shows his thirst for revenge at any cost. In contrast to Laertes’s belief of his father's killer, Hamlet assumes that the individual eavesdropping on the conversation he has with Gertrude is Claudius, and he says, "Nay, I know not: is it the King?" (3.4.28). Consequently, Hamlet is consumed with rage and automatically thrusts out with his sword in an attempt to kill Claudius but strikes Polonius instead. Hamlet's and Laertes's spontaneous actions are incited by fury and frustration. Sudden bursts of anger prompt both Laertes and Hamlet to act rashly, and they end up giving little thought to the consequences of their actions. But while both characters have the desire to avenge their father’s murders, only Laertes has any real resolve to take real…
Although Hamlet is characterized as relatively rational in his acts, he nonetheless still possess a strong desire to enact just vengeance on those who have wronged him. While Hamlet arrives at a propitious opportunity to kill Claudius in Act III, while the unknowing murderer sits in prayer while Hamlet, dagger in hand, watches, he ultimately chooses not to, postponing the act until his uncle “is drunk asleep, or in his rage / Or in th' incestuous pleasure of his bed / At game a-swearing, or about some act / That has no relish of salvation in ’t” (III.iii.90-94). Hamlet wishes not only for his uncle to pay the ultimate price for his sins – his life – he wants Claudius to suffer in eternal damnation, reflecting the intensity of Hamlet’s feeling (Bloom 20). Only now do audiences realize the full extent to which Hamlet wishes for vengeance. Even among Hamlet’s wit and the guise of his “antic disposition”, passion and hatred…
Jealously and guilt are common motives for a course of action. In Shakespeare’s Hamlet, the murder of the king and Claudius’ prompt rise to the throne are obvious examples of envy. But, the play’s illustration of guilt is much more subtle and is revealed through the struggle Claudius experiences with his feelings that result from a repercussion of his actions. Claudius claims that Hamlet is mad, even though he does not believe so, to cause a diversion from the brutal truth. This idea is proven through his soliloquy and attempted prayer when he exclaims “my stronger guilt defeats my strong intent.”…
Laertes’ issues with Hamlet begin as mostly minor, where he attempts to dissuade Ophelia from succumbing to Hamlet’s romantic approaches, telling her, “For Hamlet and the trifling of his favor... [it is] forward, not permanent, sweet, nor lasting, the perfume and suppliance of a minute. No more” (I.iii. 5-10). He does end up creating more problems for Hamlet than he had originally intended, or even possibly realized, by taking away that which he most desired, in the form of Ophelia, which influences many of Hamlet’s actions throughout the play. As the story progresses, though, Laertes’ importance grows when he challenges Claudius’ right to the throne by accusing him of his father’s murder. Claudius is innocent, and able to convince Laertes of this, and postpones any immediate attempts for the throne. This aids the beginning of their alliance, which prompts Laertes’ most devastating action towards Hamlet, the duel. This duel demonstrates just how desperate Laertes and Claudius both are to be rid of Hamlet, as both risk sacrificing their honor and honesty to ensure his death. The duel also serves to demonstrate the lesson that quests for vengeance tend to hurt all involved, as well as the common expression “death is the great equalizer”…
Hamlet’s decisiveness ruins his life. He has the best chance to kill Claudius, but his hesitation just let Claudius go from Hamlet’s hand. “That would be scann'd: A villain kills my father; and for that, I, his…
William Shakespeare's play, Hamlet, documents one character's continual development. From a hesitant youth to a ruthless revenge-seeker, there are three major turning points that propose the start of Hamlet's wicked evolution. In dealing with his father's passing, Hamlet's grief burdens him to be overwrought with emotion and causes him to contemplate the irrational, even murder. The Players' scene, Prayer scene and Closet scene all present possible key turning points for this change. Although Hamlet's sanity remains questionable throughout the play, these three scenes suggest possible points in which Hamlet becomes particularly vicious. Beginning with the vision of his father's ghost relaying the notion of his own murder by Hamlet's uncle, Claudius, Hamlet's mind becomes increasingly flooded with impulsions.…