The 1818 book Frankenstein by Mary Shelley and the 1972 movie Young Frankenstein by Mel Brooks both portray the differences in feminism regarding the cultural times through the character of Elizabeth. When Mary Shelley wrote the book Frankenstein, she was on a mission to pursue equal rights in education for her daughter. In Shelley's time, the only way to show feminine empowerment was to be literate and well-poised, which readers can see in certain passages featuring Elizabeth in Shelley's book. In the 1970's, when the movie Young Frankenstein was made, female empowerment was emphasized with a movement called “lipstick feminism”, which encouraged women to seek power over men by dressing and acting seductively, a theme seen through Elizabeth in many scenes throughout the movie. “Far from being instruments of oppression in a vast male conspiracy, such ``beauty devices'' were used by women to manipulate the judgmental masculine eye in an effort to control the uncontrollable”(Reuters 1). Both versions of Elizabeth show a woman seeking to show her feminine strength through the different acceptable approaches of the time.…
In the context of passive female characters, it is interesting to note that Mary Shelley’s mother, Mary Wollstonecraft, was the author of the strongly feminist A Vindication of the Rights of Woman. One can argue that Frankenstein represents a rejection of the male attempt to usurp (by unnatural means) what is properly a female endeavor—birth. One can also interpret the novel as a broader rejection of the aggressive, rational, and male-dominated science of the late seventeenth and early eighteenth century. Though it was long met with mistrust, this science increasingly shaped European society. In this light, Frankenstein can be seen as prioritizing traditional female domesticity with its emphasis on family and interpersonal…
In the critical essay Possessing Nature: The Female in Frankenstein, Anne K. Mellor states that a society for only men is Frankenstein’s vision of creating a hidden good. Frankenstein constructed a male monster and will not develop a female creature due to the fact that he felt there was no reason for a female to exist within his race of immortal beings. Mary Shelley portrayed that Victor Frankenstein’s desire to become a sole creator to supress the value of women and to associate females with private affairs and males with public affairs, this would have consequences. The first consequence is that males would not be able to create a balance between their intellectual and emotional activities. Frankenstein displays this when he cannot focus on his scientific research and love Elizabeth at the same time. The second consequence is that the division of sexual labour is the reason for the destruction of so many women in the novel. The third consequence is that women are unable to effectively function within the public realm. The De Lacys are a family which show value in self-sacrifice, “all work is shared equally in an atmosphere of rational companionship, mutual concern and love” (pg 277). Mary Shelley uses this family to suggest that injustice is caused from the lack of feminine affections and compassion. An attitude of female sexuality is created through the separate spheres of society. This attitude is highlighted when he speaks of his fears during the creation of the female monster. He fears of the independent free will that the monster could possess that couldn’t be controlled by man and he worries that the female will develop desires that are sadistic. Also, he expresses fear that his creation will not like the female or that the female will prefer ordinary males. Lastly, Frankenstein fears the reproductive powers of the female monster and that she will create a whole new species of immortal beings. The destruction of his female creature parallels…
The negative aspects of the culture of England during the years 1800 to 1850 had a profound effect on the novel Frankenstein written by Mary Shelley. There were many problems of women’s place in society and of the conditions of the poor. However, through the reforms that were brought into England, the perspective and attitude towards women and the commoners gradually changed. These problems were thoroughly addressed in the writings of Mary Shelley to inform and criticize the English…
Some would argue that the roles of the women in the novel could easily be replaced by a man's. This argument is wrong. You see, women send a vibe, an attention to detail that men do not possess. Victor's objective was to create the perfect being. He only cared about obtaining the image in his mind. A woman's basic instinct would have over-analysed everything that could go wrong. A woman's perspective completes the thought of a man. Also, it is the fascination of the natural world that leads Victor to build the monster in the first place. The portrait of the natural world is mandatory of women. In this light, Frankenstein can be seen as prioritising traditional female domesticity with emphasis on family and interpersonal relationships.…
In her Introduction to the 1831 edition of Frankenstein, Mary Shelly characterized her revisions as “principally those of style” and added that she had not “introduced any new ideas and circumstances” or altered the story’s “core and substance.” After reading the original (1818) and the revised (1831) version of Frankenstein, I believe the changes that Shelly has made to the 1831 edition are far more than just a variation in style or cosmetic. She does make a few changes to the characters’ profiles and their relationship in the 1831 edition. In this essay, I am going to use the most significant woman character in this novel, Elizabeth Lavenza, Victor Frankenstein’s fiancée, to present my finding.…
Here, one can see how Frankenstein fails to complete the role of a mother, by abandoning his child' and leaving it to fend for itself. As a result, the Creature rightly kills of the loved ones of Frankenstein, causing Frankenstein to feel anguish and pain after each loss. This in turn, can be seen as an attempt to punish Frankenstein for asserting the societal norms of gender…
In the writing of Mary Shelley’s Frankenstein or, The Modern Prometheus, she creates four submissive female characters all of who are negatively affected by the hands of Victor Frankenstein. These four submissive female characters are Agatha, Safie, Elizabeth, and Justine. Each of these women is proposed as passive and nonessential. The women, Agatha, Safie, Elizabeth, and Justine, make a pathway for the creation of action for male characters. The actions that happen with/to these women negatively affect them for the purpose of teaching one of the male characters a lesson or inflicting deep emotions to the male characters.…
In Frankenstein, by Mary Shelly, Victor creates a monster who murders his loved ones. Victor could have prevented two of the female deaths but chose not to in both of the events, which provided proof that women were not of importance. By allowing all of the female characters to die, Mary Shelly was displaying how women were so disposable. In this paper, I will provide details on how women were seen and treated during the book.…
Throughout Mary Shelley's Frankenstein, we are presented with various views of women, and their role in society and family. Here, I will explore the similarities of and differences between the female characters in the novel.…
The standard novel Frankenstein is a mass of horrific situations. Writer, Mary Shelly demonstrates her passionate side of ghost stories as she fulfills them within her novel. As she writes the novel Frankenstein, it enlightens her to come up with many ideas relating to horror stories. Frankenstein, is a novel that should make one’s blood run cold because of all the wrong and offset things that happen between the creature and civilians that are in it.…
Mary Shelly was born in 1797 and enjoyed a fairly happy childhood. Like her character Victor Frankenstein, she was raised with very little formal education but benefitted from frequent educational outings. As she grew older she also read to further her education and left her home to attend a boarding school. Like Victor’s grand-father Beaufort, Mary’s father faced debt and struggled to keep his daughters cared for, and, like Victor’s mother Caroline, Mary’s mother died of the flu; both Shelly and her character Victor cherished the memories of their mother. At the time when Frankenstein was written, Mary Shelly faced the loss of several children. Their premature births and subsequent deaths caused the young Mary Shelly to become very ill and depressed, a characteristic she passed on to her character Victor Frankenstein; as Mary was seemingly “haunted” by the visions of her lost infants, it is no wonder that she was able to describe, so vividly, the grotesque images encountered in Frankenstein.…
Robin wood explains how their are different versions of the other, the version that applies to Frankenstein is the proletariat. “The proletariat—insofar as it still has any autonomous existence and has escaped its colonization by bourgeois ideology. It remains, at least, a conveniently available object for projection: the bourgeois obsession with cleanliness, which psychoanalysis shows to be an outward symptom closely associated with sexual repression, and bourgeois sexual repression itself, find their inverse reflections in the myths of working-class squalor and sexuality.” In this quote Robin Wood is saying, the otherness of the working - class people such as a scientist, who usually do the "dirty jobs", is due to the common obsession with…
Mary Shelley wrote Frankenstein during an era in which women were fighting for a voice in life and society. Shelley reflected feminism from her personal life in this renowned gothic novel. The female characters of the novel were merely props and accents to the male characters of the novel. They made minimal contributions in the plot. The male characters viewed females as possessions and caretakers for their house and children. The roles of female characters in the novel directly correlate with the typical roles of females in Shelley’s time. The strong feminism in the novel demonstrates reflections of Shelley’s life, the petty belief that males are superior to females, and the poor expectations of females in history.…
Mary Shelley 's notion of beginning 'Frakenstein ' came out to be greater than just an evening 's amusement as a horrifying story. It probed many socio-political context of the prevalent society and also probed many hidden female voices even though all the female characters are under a silent garb. The title itself speaks volumes about the text which is to follow;multiplicity which is reverberated throughout,which is highly seen in its inter-texuality feature a prominent gothic element.The subtitle 'modern prometheus ' in a sense links the old greek myth to the modern world or is trying to give a new comparitive picture to the modern world.…