In her essay “Hip-Hop’s Betrayal of Black Women” Jennifer McLunes states that “Hip-hop owes its success to the ideology of woman-hating”(222). She states that hip-hop condones an attitude of objectification, sexism, and homophobia. That rarely does an artist break the mold of rampant sexism. While she is right that some lyrics may be interpreted as chauvinistic and perhaps even sexist, this is not majority of the music. McLunes argument is not valid because hip-hop’s artists, the environment it is born from, and its culture is a celebration of materialism not misogyny.…
Mclune goes on to say that artists should embody respect between genders through their music. She argues that Black female rappers are just as much to blame as their male peers. She encourages women to speak in a collective voice, as to defend themselves, instead of being “hyper feminine and hyper sexual to please men.” (McLune 215)…
“I Enjoy Being a Girl” (music videos and women’s capitalist role as primary consumers and sexualized objects)-…
The question of what is and is not discussed in academia has been intensely debated for many years. I specifically want to understand why there exists an extraordinary lack of academic discourse regarding gender-nonconforming bodies in dance. To begin that discussion, it is imperative to examine the exclusion of queer and dance knowledge that leads to the omission of queer dance from academic discourse. When the reason behind these exclusions are understood, it becomes easier to see the roots of the gender-nonconforming bodies that are excluded from the academic dance-world.…
The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.…
Crystal Smith once wrote that “Images of black women in hip-hop culture make it more likely for them to be viewed as targets to be defaced and abused.” This statement is confirmed true there are many African American women in the hip-hop culture that are disrespected or abused in some type of way during the making of a video or even the lyrics of a song. There are many ways African American women of the hip-hop culture are being abused and disrespected. Some video women or as others would call them “Video Vixens” start off as strippers. The artists go out to these strip clubs see the women and ask them to be in their video. The women accept any offer and will do anything the artist asks them to do just to make fast money. These women want to become famous and believe doing these disgraceful things to themselves will help them achieve this goal. The women are being disrespected by the things they are asked to do in these videos like the things they are asked to wear and the dances they are asked to do.…
Women have constantly been cheated out of credit and money. They have also not been taken seriously as musicians. They have been oversexualised, as well, in rock and roll. As Runaways’ Joan Jett says, “People don't want to see women doing things they don't think women should do.”…
The cultures present in today’s society stem from ancient traditions where there was the perception that women were belongings who were owned by their father and then their husbands. This created a sense of entitlement that is still present today- the idea that women are there for men’s desires and are to obey them for their pleasure only. A prime example of which is the public’s response to a rape victim Tatiana Andreeva’s self-defence saying “there is nothing wrong with a man wanting to have sex with a girl.” It is perpetuated through the use of pop culture and glorified in lyrics such as “tried to domesticate you, but you’re an animal, baby it’s in your nature” and “What? You don’t like…
Society has always seemed to be prejudiced against women; and in present times today, that still seems to be an underlying issue. To the same extent, women are often considered as being worthless — and inferior to their male counterparts. However, this often results in women being degraded in present day society. Today’s popular culture and hip-hop is extremely disrespectful to women, not everything — but a vast majority of popular culture and hip-hop is just utterly despicable towards women. Imagine the internal mindset of a woman, and how such blatantly hurtful words and gestures can alter a woman’s mindset. The music and actions towards women are extremely discouraging and distasteful. How can a woman remain positive and remain inwardly…
Hip Hop has gotten too hard core, it’s only about misogynist and materialism. Back in the day rappers had more to talk about than guns, money, jewels, cars and women. In today’s Hip Hop, it glorifies the ghetto, gangs, guns, money and jewelry which reinforces the tradition of the black stereotypes. Gangster rap is described as the angriest type of rap music where it glamorizes sex and violence. N.W.A was one of the most controversial rap groups in the world of hip hop who are known as the creators of “gansta rap”. The group was an influential force in the Hip-Hop culture because of their harsh music which questioned the government and the police. In all Hip-Hop music video you will always see a female flaunting her assets. These women are often called…
This can be referred to as the glass ceiling ‘’ the “glass ceiling,” which presents an impenetrable barrier at some point in a woman’s career’’ (Morrison, White, & Van Velsor, 1987). Because of that will affect women at some stage of their career because of them being unable to go forward within their workplace or go higher up after a position within the workplace ladder. Even though sex discrimination has been introduced within the workplace many women are still in low pay, low status, gender segregated jobs (Davidson 1992)…
The music industry, specifically the rock industry, was dominated by men. It was unusual at that time to see a female perform with an electric guitar on stage. However, Jett did not give that ideology much attention, she had the guts to break those gender boundaries. She said in an interview with Jude Rogers “Anger for women in music, for me, stemmed from the fucking principle. It was about being told that a girl couldn't play guitar when you're sitting in school next to girls playing violin and cello and Beethoven and Bach. The anger came from not been given a chance, from being told to shut up and sit down and act like a lady”. Jude Rogers (2010) The Guardian Available at https://www.theguardian.com/music/2010/mar/25/joan-jett-kathleen-hanna-angry-women…
People listen to music for a variety of reasons. Some listen to music to relax in which it serves as a sort of escape from everyday life, some because they are a fan and follow a certain artist, and others because they can relate the lyrics to their own personal experiences. Whichever the case may be, music has and continues to serve an important role in people’s lives.…
The barrier that prevents many women from attaining the most powerful, the most prestigious, and the highest paying jobs in work organizations has been labeled the glass ceiling (Biber 58). The glass ceiling is largely to blame for why many professions are gender-disproportionate. It also makes work hard for women in leadership roles because many times they are put in positions that set them up for failure. The odds of women being influenced by the glass ceiling are less when women have influence over policymaking decisions, perceive empowerment, and experience organizational equities (Sabharwal). However, women are less likely than men to be put in charge of these jobs. Therefore, women are affected by the glass ceiling either…
It will now be discussed how the sexualization of females in music videos can portray the wrong image of maturity and empowerment to young females.…