A feminist reading of Doris Lessing’s ‘To Room Nineteen’ and ‘Strange Case of Dr. Jekyll and Mr. Hyde’ by Robert Louis Stevenson using ideas discussed in ‘The Second Sex’ by Simone de Beauvoir
A feminist reading of Doris Lessing’s ‘To Room Nineteen’ and ‘Strange Case of Dr. Jekyll and Mr. Hyde’ by Robert Louis Stevenson using ideas discussed in ‘The Second Sex’ by Simone de Beauvoir.
The concept of Simone de Beauvoir’s myth of women discussed in ‘The Second Sex’ was still very much prevalent in the 1960s when ‘To Room nineteen’ was set and certainly at the time of ‘Strange case of Dr. Jekyll and Mr. Hyde’. In the 1960s, in accordance with the second wave of feminism, women were thought to be more conscious and aware of their rights as a woman because of the media (Hanisch)1 and this is what we, as a reader could easily deduce from the beginning of Doris Lessing’s ‘To room nineteen’. This new- found consciousness however some would argue was not the case during the 1960s and is certainly not the case in the text. ‘The Strange case of Dr. Jekyll and Mr. Hyde’ is a male dominated thriller where female instabilities are never exposed as females are hardly ever mentioned (Shuo and Dan, 2012)2. This Victorian marginalization of women was very common at the time and also links to woman being classified, according to Simone de Beauvoir in ‘The Second Sex’ as the ‘Other’ (de Beauvoir, 1949 p. 16)3 and not worthy of being the subject of the novella. Both texts involve the notion of a demon taking over the main character, whether this demon is a result of their own creation or a result of society. The following essay will attempt to draw similarities and differences between the two texts in relation to Simone de Beauvoir’s ‘The Second Sex’.
‘The Second Sex’ is arguably one of the earliest attempts to tackle human history from a feminist perspective4 and expresses the idea that men fundamentally oppress women by characterizing them as the ‘Other’. It states, ‘the moment when man asserts himself as subject and a free being, the idea of ‘Other’ arises (de Beauvoir, 1949 p. 19). Although in ‘To Room Nineteen’ it would appear that both Susan and Matthew are
The concept of Simone de Beauvoir’s myth of women discussed in ‘The Second Sex’ was still very much prevalent in the 1960s when ‘To Room nineteen’ was set and certainly at the time of ‘Strange case of Dr. Jekyll and Mr. Hyde’. In the 1960s, in accordance with the second wave of feminism, women were thought to be more conscious and aware of their rights as a woman because of the media (Hanisch)1 and this is what we, as a reader could easily deduce from the beginning of Doris Lessing’s ‘To room nineteen’. This new- found consciousness however some would argue was not the case during the 1960s and is certainly not the case in the text. ‘The Strange case of Dr. Jekyll and Mr. Hyde’ is a male dominated thriller where female instabilities are never exposed as females are hardly ever mentioned (Shuo and Dan, 2012)2. This Victorian marginalization of women was very common at the time and also links to woman being classified, according to Simone de Beauvoir in ‘The Second Sex’ as the ‘Other’ (de Beauvoir, 1949 p. 16)3 and not worthy of being the subject of the novella. Both texts involve the notion of a demon taking over the main character, whether this demon is a result of their own creation or a result of society. The following essay will attempt to draw similarities and differences between the two texts in relation to Simone de Beauvoir’s ‘The Second Sex’.
‘The Second Sex’ is arguably one of the earliest attempts to tackle human history from a feminist perspective4 and expresses the idea that men fundamentally oppress women by characterizing them as the ‘Other’. It states, ‘the moment when man asserts himself as subject and a free being, the idea of ‘Other’ arises (de Beauvoir, 1949 p. 19). Although in ‘To Room Nineteen’ it would appear that both Susan and Matthew are