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A Study on Metafictive Devices in the French Lieutenant’s Woman

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A Study on Metafictive Devices in the French Lieutenant’s Woman
A Study on Metafictive Devices in The French Lieutenant’s Woman

Abstract The French Lieutenant’s Woman is a splendid literary work written by English novelist John Fowles. It was published in 1969 and received universally acknowledged reputation as a masterpiece of postmodern novel. With intricate plot, the novel is regarded as a compelling historiographic metafiction in contemporary British literature. The characteristics of this novel are the metafictive devices employed by the author. Different from the previous studies centered on the idea of role reversal between characters or the analysis of sophisticated plot, this thesis is devoted to the exploring of metafictive devices adopted in the novel. The paper will first state the features of metafiction, followed by the thorough study of three metafictive devices, namely the intrusion of modern novelist-surrogate, the parody of Victorian romance and the creation of multiple endings. The last part will focus on the author’s profound aim in utilizing these techniques. Based on a careful survey of the original work and relevant materials, the paper holds the perception that through metafictive devices, Fowles has expressed his critical point of view towards Victorian era and woman emancipation. As a multi-faceted new woman in the novel, Sarah liberates herself from rigid social conventions and finally achieves her spiritual emancipation.

Key words: metafictive devices; woman emancipation; Victorian era

Contents
I. Introduction………………………………………………………………………...1
II. The Study of Metafictive Devices of The French Lieutenant’s Woman………...3
2.1 The Employment of Narrator-surrogate……………………..….............................4
2.2 The Parody of Victorian Romance…… …………………………..…..….…….…6
2.3 The Creation of Multiple Endings…………………….……………….……..........9
III Analysis of Fowles’s Purposes in Utilizing Metafictive Devices.......................11
3.1 Advocacy of Woman’s Selfhood…………………………………..……………..11
3.2 Resistance to



References: [1]Fowles, John.. The French Lieutenant’s Woman[M]. Boston: Little, Brown and Company, 1969. [2] Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction[M]. New York: Routledge Press, 1988. [3] Lynch, Richard P. Freedom in The French Lieutenant’s Woman[J]. Twentieth Century Literature, 2002 (48): 50-77. [4] Michael, Magali Cornier. “Who is Sarah?” A Critique of The French Lieutenant’s Woman’s Feminism[J]. Critique: Studies in Contemporary Fiction, 1987 (28): 225-236. [5] Nead, Lynda. Myths of Sexuality: Representations of Women in Victorian Britain[M]. New York: Oxford University Press, 1991. [6] Scruggs, Charles. The Two Endings of The French Lieutenant’s Woman[J]. Modern Fiction Studies, 1985 (31): 95-113. [7] Lucien Le Bouille. John Fowles: Looking for Guidelines[J] Journal of Modern Literature, 1980 (8): 203-210. [8] Gay, Peter. Victorian Sexuality Old Texts and New Insights[J]. American Scholar, 1980 (49): 372-378. [9] Johnson, A.J.B. Realism in The French Lieutenant’s Woman[J] Journal of Modern Literature, 1980 (8): 287-302. [10] Waugh, Patricia. Metafiction: The Theory and Practice of Self-conscious Fiction[M]. London: Methuen, 1984. [11] Landrum, David W. Rewriting Marx: Emancipation and Restoration in The French Lieutenant’s Woman[J]. Twentieth Century Literature, 1996 (42): 103-113. [12] 马克·柯里(宁一中译). 后现代叙事理论[M]. 北京:北京大学出版社, 2003. [13] 欧亚玲. 虚构与真实的交融—论《法国中尉的女人》的元小说性[J]. 大众文艺, 2007(2): 69-70. [14] 唐建清. 国外后现代文学[M]. 南京:江苏美术出版社, 2003. [15] 许文茹. 《法国中尉的女人》的后现代主义元小说叙事技巧[J]. 社科纵横, 2006(3): 160-162. [16] 高涵. 从《法国中尉的女人》中的三重结尾看福尔斯的创作目的[J]. 安徽文学, 2010(5): 120-121. [17] 谭青松, 陈建生. 试论《法国中尉的女人》的后现代性[J]. 文学研究, 2009(25): 77-78. [18] 李丹. 从“历史编撰元小说”的角度看《法国中尉的女人》[J]. 外国文学研究, 2010(2): 89-96. [19] 林萍. 论《法国中尉的女人》的后现代叙事特点[J]. 四川外语学院学报, 2008(3): 31-36. [20] 黄月. “入戏”和“出戏”-论《法国中尉的女人》中“双线平行叙事”的过渡[J]. 影视艺术与传播学研究, 2007(12): 189-190

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