Firstly , the medium of the Distinctively Visual articulates the tragedies of war through Misto's dramatic techniques ,which isolates and demoralises civilian prisoners of war from the contemporary world . In “The Shoehorn Sonata” , Misto effectively manipulates the visual , sound and aural imagery to reinforce Sheila's vivid account of the fall of Singapore and the failed evacuation reaching a dramatic turning point, as the Japanese mercilessly advance further into the Asia-Pacific region , directing the responders' attention to the protagonists' exposure to a hopeless and unforgiving environment , separating the audience from an unknown setting. In Act one Scene three , Sheila vividly recounts the sinking of the Giang Bee and how she “remembers...the tiny boats that really sailed and dolls with eyes that opened and stared....Whenever [she] could [she'd] yelled for help. But the night was so dark and...nobody came” , the dramatic irony presented by Sheila's
Firstly , the medium of the Distinctively Visual articulates the tragedies of war through Misto's dramatic techniques ,which isolates and demoralises civilian prisoners of war from the contemporary world . In “The Shoehorn Sonata” , Misto effectively manipulates the visual , sound and aural imagery to reinforce Sheila's vivid account of the fall of Singapore and the failed evacuation reaching a dramatic turning point, as the Japanese mercilessly advance further into the Asia-Pacific region , directing the responders' attention to the protagonists' exposure to a hopeless and unforgiving environment , separating the audience from an unknown setting. In Act one Scene three , Sheila vividly recounts the sinking of the Giang Bee and how she “remembers...the tiny boats that really sailed and dolls with eyes that opened and stared....Whenever [she] could [she'd] yelled for help. But the night was so dark and...nobody came” , the dramatic irony presented by Sheila's