Le Corbusier and Mies van de Rohe were two architects influenced by the contemporary movements of their time period. Le Corbusier’s architectural ideology was derived from the multiple techniques and styles he had previously encountered through study. His early designs were expressive of the “youth style” which was introduced to him by his instructor, L’Eplattenier. New technologies, however, began to influence his philosophies. Le Corbusier saw potential in concrete building systems and desired to experiment with its structural abilities through his designs. The modern industry, as well as the political disorder which came about following the First World War, motivated his innovative design philosophies which appeared in his creation of the Domino House. The structure of the Domino House was a fundamental design for many of his future constructions. Through practice, Le Corbusier developed his own architectural theories in his Five Points on Architecture. Mies van der Rohe, too, was prompted by World War I. “The defeat and collapse of the German military-industrial imperium at the end of the First World War reduced the country to a state of economic and political turmoil and Mies, along with many other architects who had fought in the war, sought to create an architecture that was more organic that permitted by the autocratic canons of the Schinkel tradition.” Mies created an organic architecture through one of Corbusier’s Five Points: the free plan. Both Mies van der Rohe and Le Corbusier reveal revolutionary architectural designs in response to the development of their time period. Michael Speaks, current Dean of the University of Kentucky College of Design, plays an important role as an advocate of what architecture should be today. Contemporary theory continues to question how architecture of the present is defined. He claims that new architecture is dictated by the process in which it is created rather than on the objects created.
Le Corbusier and Mies van de Rohe were two architects influenced by the contemporary movements of their time period. Le Corbusier’s architectural ideology was derived from the multiple techniques and styles he had previously encountered through study. His early designs were expressive of the “youth style” which was introduced to him by his instructor, L’Eplattenier. New technologies, however, began to influence his philosophies. Le Corbusier saw potential in concrete building systems and desired to experiment with its structural abilities through his designs. The modern industry, as well as the political disorder which came about following the First World War, motivated his innovative design philosophies which appeared in his creation of the Domino House. The structure of the Domino House was a fundamental design for many of his future constructions. Through practice, Le Corbusier developed his own architectural theories in his Five Points on Architecture. Mies van der Rohe, too, was prompted by World War I. “The defeat and collapse of the German military-industrial imperium at the end of the First World War reduced the country to a state of economic and political turmoil and Mies, along with many other architects who had fought in the war, sought to create an architecture that was more organic that permitted by the autocratic canons of the Schinkel tradition.” Mies created an organic architecture through one of Corbusier’s Five Points: the free plan. Both Mies van der Rohe and Le Corbusier reveal revolutionary architectural designs in response to the development of their time period. Michael Speaks, current Dean of the University of Kentucky College of Design, plays an important role as an advocate of what architecture should be today. Contemporary theory continues to question how architecture of the present is defined. He claims that new architecture is dictated by the process in which it is created rather than on the objects created.