By: Natalie de la Rosa
The 11th to 15th centuries saw a great surge of the Christian Church within Europe which was emphasized by the persuasiveness of the Crusades. The growing population of the Church increased the demand for the increased presence in architectural monuments and during the Romanesque and Gothic periods, a great cathedral construction boom occurred across Europe. The Romanesque and Gothic architectural styles were distinctive in not only the massiveness of the Romanesque monuments and the introduction of the cruciform plan but also for the introduction of the Gothic era art within the Cathedrals which included the inclusion of art the radiating Rose Window, column figures and the gargoyle among many others. Within Europe, there was a progression of architectural styles, many of which are still evident in the monuments today. The major styles are considered as Carolingian (800-900 AD); Ottonian (1000s); Romanesque (1000s-1100s); Gothic (late 1100s-1400s). While Romanesque is considered as the architectural style which preceded the Gothic, many of the distinct Romanesque features found within the great cathedrals of Europe were lost to the greater Gothic movement. However, many Romanesque features, as well as the earlier Carolingian reside within the Gothic-built monuments. The Romanesque name is deliberate in its direct relation to the styling designs found in Rome and there most distinctive feature is their massiveness as opposed to the much more thin monuments of the Gothic era which followed. An important structural development during the Romanesque period was the origin of the vault. The vault was originally designed as an alternative to the more fire prone wooden roofs but soon became a major architectural feature in all cathedrals. The Romanesque era and style also refers to the Norman variations in the church architecture which also