archetypal pattern in literature, film, and even video game text.” Some examples of monomyths are Snow White, Star Wars, and even Casablanca. Although at first these three stories don't seem to have much in common, when you look a little closer you can see that they all follow the three steps of the monomyth, separation, struggle/Initiation, and return or reintegration. This analysis will examine the essay "The Steps Not Taken" By Paul D'Angelo, and will explain how the protagonist journeyed through the three stages and how he was transformed as a result.…
Monomyths are one of the leading archetypal examples commonly found in literature. It is a quest or a journey braved by a hero that takes them through three stages; separation, initiation and reintegration. One of the clearest examples is the essay, the Step Not Taken by Paul D’Angelo. The narrator represents the hero on a journey to understand the misery of other people he comes across. Through all of this, the hero rebounds with an epiphany that changes his outlook.…
Monomyth or the hero’s journey is a basic pattern, which is found in many narratives and myths from around the world. The monomyth is “one of the dominant archetypal pattern in literature, film, and even video game text is the story of a journey.” Through an in-depth analysis of The Step not taken by Paul D’Angelo, this essay will give an explanation of the three stages of a monomyth. The monomyth is made up of three stages that the hero moves through. The stages are departure or separation, struggle or initiation, and return and reintegration.…
Despite its brief length, Paul D'Angelo's The Step Not Taken is at its essence a monomyth. Monomyths represent a character's transition from innocence to experience by means of a journey. They are comprised of three stages: separation, struggle, and return and reintegration, and are one of the most widely used archetypes in literature. By being able to identify them, a deeper understanding of the author's message can manifest.…
Tom felt ashamed about his fake death, seeing aunt Polly’s grief. Eventually, the three of them came back to the village at their funeral, which made the villagers shocked and excited.Tom felt uneasy when summer came, because the judge would make a decision on Muff Potter’s crime. Feeling sorry for Muff Potter, he finally defeated his fear and selfishness and pointed out that Injun Joe was the real murder. But Injun escaped from the court, which made Tom evenmore uneasy.Later, adventurous Tom came up with an idea about seeking the treasure. In the process of seeking the treasure, Tom and Huckleberry found Injun, being informed of he had a lot of ill-gotten wealth, but they didn’t know where he’s hiding the money.When Becky Thatcher and her…
“The Step Not Taken” by Paul D’Angelo is a short story that demonstrates the archetype of a monomyth, a hero’s journey. The three stages of a monomyth are separation, struggle or initiation and return and reintegration. This essay discusses how these three stages are demonstrated in “The Step Not Taken”, by examining the narrative and other stories featuring a monomyth archetype.…
All three stages of monomyth were demonstrated in this story. The first stage of monomyth, seperation, was clearly displayed. This occured when the narrator begins his story in the elevator with a well-dressed young man. When the young man breaks down and bursts into tears, this changes the narrator.The narrator obtains a sense of fear and confusion. He does not know if he should help the man or just leave him. Also, he is afraid if he leaves him, the young man will endure more pain. At this point, his ordianry day turns into a not so ordinary day. The call to adventure occurs when the narrator decides to leave him alone and walks out the elevator. At this point he accepts the quest to find out if he did the right thing and left him alone. This is the starting point of the narrator's journey. The young man who was suffering in the elevator was somewhat like a guide for the narrator to begin his journey or quest. All of these events fall into the first stage of monomyth, seperation.ergation…
Timeless classics throughout the ages are known for their plots and concepts, however these classics tend to follow a similar plot. This monomyth is called the Hero’s Journey, where a similar plot is used every time to create a story proven to be successful. A great example of this would be Disney’s Hercules, a story of the demigod Hercules who loses his powers and must redeem himself by becoming a true hero. With godlike strength, he defeats Hades and proves himself a true hero by being compassionate and chivalrous, and showing anyone can be hero regardless of if they have strength. The plot of Hercules follows the three phases of the Hero’s Journey closely.…
Every story needs a hero, right? For centuries authors and poets have included this essential character into their work. Without knowing literature has been seldom following the same archetype, The Hero’s Journey. Joseph Campbell discovered that most stories follow this pattern which is why he dubbed it the monomyth. Through years of studying he found that this popular motif is made up of ten basic steps that a hero follows through a story. Well known film writer and director George Lucas molded the film Star Wars around Campbell’s monomyth not only with intent but quite distinctively. Lucas is not the only one doing this in Hollywood either, many screenwriters and directors have caught on to this including Andrew Stanton as he depicted his version of the monomyth in Finding Nemo. This animated film follows the archetype laid out in Joseph Campbell’s, The Hero With a Thousand Faces.…
This essay will dissect Joseph Campbell’s Cosmogonic Cycle’s description of a hero. But what is a hero? Joseph Campbell defines a hero as one who takes a journey over land, through the mind, or of memory but one that comes out a changed man at the end of it. This essay will explain how Telemachus meets all of the standards that Joseph Campbell has set and therefore is a hero. He does not quite meet all of Campbell’s set standards, but he is still hero-like because he does all of what he needs to with maturity and finesse that only a hero could possess. Telemachus sees that he needs to go and see where his father has been, so he takes that as his “Call to Adventure,” so he sets of to go find clues about his father’s whereabouts. During this journey he encounters many trials such as tempting offers from kings, if he is ever to achieve hero status he will need to resist temptations and survive the adventures that he will take. Telemachus does not truly fulfill all of the steps of the Cosmogonic Cycle; but, he is still a universal hero.…
One might be angered that most of their child hood and lifetime stories are all based on archetypes. A simple skeleton of all tales, novels and stories alike. Until Discovering what an archetype was, you may have though that The Odyssey and Harry Potter were completely different tales, however this assumption would be wrong. Odysseus, a true hero destined by society to have the falls and triumphs of a hero, as well as “the chosen one” That was Harry. Both chosen by society, both had ambushed plans as well as successful adventures. Analyzing this story using a thought process based on archetypical example and themes, you can clearly see the naked structure of the ‘Willing Hero’ Archetype.…
The Hero's Journey is a physical progression through a literary tale. In some cases the hero’s journey follows not only a physical progression but a rebirth or coming of age. The stories “Parker’s Back”,”By the Waters of Babylon”, and “Initiation” all follow this progression. The Hero’s Journey help the reader understand the story more deeply. This progression is useful to understanding culture and traditions in our own life.…
In almost all of the stories that have been written, there is a journey that the character undertakes to become whole and balanced, also known as the heroic journey. In the first stage of the journey, the departure, the hero leaves their known world and begins their adventure. After the hero undergoes the departure, they then move on to the next stage, the initiation, where they are put through tests and venture into the world of hero or magic or the previously unknown. The third and final stage is that of the return, where the hero must return back to his home. A perfect example of someone that underwent the heroic journey is Odysseus from the epic poem, The Odyssey by Homer because he had undergone a journey that included a departure, initiation, and return.…
Along the way, Odysseus obtains lots of advice of how he should carry on with his expedition from Circe the Enchantress…
In summation, Montag personifies the Hero’s Journey monomyth, as manifested by the journey he embarks on and the insight he attains. Specifically, by the end of the novel, Montag molds into a courageous, passionate, and determined character. Montag’s threshold of adventure begins with his realization of the evils his previous society had been committing and the dire need for transformation in both the world and himself. After overcoming a multitude of complications, Montag is able to obtain a sense of fulfillment, and accordingly restore his society. All in all, Montag’s desire to change the world allowed for a transformation within him, and thus a hero was born. After all, in the end, it is a hero “who finds the strength to persevere and endure…