The chapter 5 and chapter 6 and throughout chapter 8 of the book called, The House On Mango Street; represent an ethnic picture from both the past and the present of Mango Street and the surrounding neighborhood. Cathy, Esperanza’s friend indicated what the neighborhood may have been like in the past, while the two families that moved into her house once Cathy’s left were more representative of the whole neighborhood as Esperanza came to experience it. Along the Mango Street lived the black man who was unwelcome from the rest of the neighborhood, different from the people Esperanza sees from day to day. This guy race makes him so unfamiliar that Esperanza is afraid to talk to him. Cathy has shown Esperanza the neighborhood’s two cultures, Latin American and American, and two languages, Spanish and English, which revealing the new cultural makeup of Mango Street. Cathy also provided a window into how outsiders view Esperanza’s neighborhood, even though Cathy is blind to her own family’s similarities to the families around them. Cathy’s family was moving because the neighborhood is “getting bad,” a racist reason that Esperanza immediately understands. Esperanza’s immigrant family, as well as other families like hers, was, in Cathy’s family’s view, causing the neighborhood to deteriorate, and the only thing to do was to move. However, Cathy’s family did not seem to be struggling any less than the other families in Esperanza’s neighborhood. Their house, which Cathy’s father…
Esperanza is the main character in the book “The House on Mango Street”. She started off as a naive girl that doesn’t know anything about the real world she lives in. As time passes she learns more about herself and the world around her. Another major character in this book is Sally. Sally was born into a harsh family where her father will beats her. Sally was always trapped by her father until one day she marries a man that treats her just like her father but, she doesn’t notices.…
The characterization, in The House on Mango Street, of Esperanza’s great-grandmother and Rafaela is used to convey how women were inferior to men in Esperanza’s society. According to Esperanza, her great-grandmother was a very wild woman. That is why she refused to marry until a man “threw a sack over her head and carried her off” (Cisneros, 11). This shows how unimportant women are, of that time, that a man could kidnap a woman and she could do nothing, no matter how wild she was. Also, despite her wild personality, Esperanza’s great-grandmother shows how women could be forced into marriage without a say in who they marry. Like Esperanza’s great-grandmother, Rafaela has many hopes such as dancing at the dance hall or bar. However, she never…
"Esperanza. I have inherited [my great grandmother's] name, but I don't want to inherit her place by the window." Young Esperanza's opening thoughts in Sandra Cisneros' The House on Mango Street begins with the introduction of a surprisingly insightful disadvantaged Hispanic girl named Esperanza, who has just moved into a poor Latino neighborhood. Esperanza's opening remarks foreshadow a theme that continues to develop throughout the entire novel, cumulating piece by piece until a complete puzzle is produced. As Cisneros' Mango Street chronicles an emotionally pivotal year in the life of a young girl, the author herself presumably draws on personal experiences of being raised in an environment in which she struggles and feels like she does not belong. It is evident that Cisneros creatively expresses her own experiences in her writing, and goes so far as to dedicate the book "a las Mujeres," or to the Women. Though not purely biographical, striking similarities of race and background exist between the author and narrator such that Cisneros…
In the novel The House on Mango Street By Sandra Cisneros violence plays a large role in the characters lives. Violence is shown throughout the story through the eyes of Esperanza who is the main character. She has friends and neighbors all who are affected by violence.…
The House on Mango Street is the “coming of age” story of a Mexican-American girl named Esperanza Cordero. The story covers a year in Esperanza's life starting with when she moved to the house on mango street. As the year progresses Esperanza grows emotionally and artistically, as the novel roams through her experience of life. Esperanza, her friends (Rachel, Lucy), and her sister Nenny have many adventures throughout the book. Esperanza has many life experiences including the art of poetry and music also the downsides of poverty and shame. Although the novel includes unforgettable men it also includes women who a trapped in many ways. For Example, Mamacita does not leave the apartment b/c she is afraid of the English language. Rafaela who…
In the novel The House on Mango Street, by Sandra Cisneros, we read about a girl named Esperanza, who lives in a Latino neighborhood in Chicago, a city where a lot of destitute areas are racially segregated. In a series of vignettes, Esperanza explains the time she meets her neighbors and the difficult times in their lives. Throughout the book, it proposes a selection of characters and their cultural background, how they are affected by banishment, poverty, and are even trapped.…
The House on Mango street is a feminist piece of literature because it brings attentions to the sexist way the men in Esperanza’s society regard women. Esperanza tells her story by focusing on the women around her who are owned by the dominant men in their lives due to restricting gender roles that encompasses not only women but men. “My great-grandfather threw a sack over her head and carried her off...She (Esperanza’s grandmother) looked out the window her whole life, the way so many women sit their sadness on an elbow.” (11) Cisneros brings attention to the cruel way that men in Esperanza’s society treat women. The normality of these discriminatory actions describes a gender role that society has set for men, to be the dominant figure in…
Esperanza’s great-grandmother “looked out the window her whole life, the way so many sit their sadness on an elbow” (Cisneros 11) and Rafaela—her neighbor—“gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” (Cisneros 79). Themes of spousal abuse arise as the home becomes a “prison…guarded first by domineering fathers, and second by domineering husbands” (Pagán). Esperanza does not experience this imprisonment herself, but vows to get “[A] house all my own…Not a man’s house. Not a daddy’s” (Cisneros 108). This promise comes after Esperanza sees the other female figures in her life being oppressed, particularly Sally—a classmate—who “got married…young and not ready…she is happy…expect he won’t let her talk on the telephone. And he doesn’t let her look out the window” (Cisneros 102). Esperanza’s refusal to conform to her cultural belief is a result of the homes being a symbol for imprisonment and…
One of them is Marina, a girl that sells make up and that has a bad reputation for she liked to get sexually involve with men. Even though people know Marina because of her closeness with men Esperanza still looks up to her and sees her as a very important person in her life. Another person that influences Esperanza is Sire. Even though Sire influences her indirectly because he is not telling her what to do, Sire touches his girlfriend Lois in a very special way. In a way that Esperanza desires to be touched. She longs to have someone like Sire who would touch her as a real woman. Other girl that is sexually active is Sally. Sally finds comfort in sex for her father doesn’t give her love. Most of the people look for sex because in their lives they are needed for love. Sally’s dad hits her and makes her fell miserable. Esperanza’s little sister Nenny is a young girl that is growing and learning new things therefore Esperanza doesn’t want Nenny to meet her friends for they would be a bad influence. Most of Esperanza’s friends are sexually active and thus she doesn’t want Nenny to learn all…
She would be so much better off if she kept walking past her abusive household and to a place where “nobody could make [her] sad and nobody would think [she’s] strange because [she] likes to dream and dream”(83). Next, Marin, Esperanza’s neighbor, stands “under the streetlight…waiting for a car to stop, a star to fall, someone to change her life”(27) instead of going out into the world and making changes herself. The way the women of Mango Street live dissatisfies Esperanza. They have either accepted the way their lives played out, knowing that they cannot escape, or simply wait around for a miracle to take them out of their situations. Her own family is no exception. Her mother “could’ve been somebody” with her “velvety opera voice that speaks two languages” but instead, became a housewife after her “shame [kept her] down because [she] didn’t have nice clothes” (91). Her great grandmother, and namesake, was once a “wild horse of a woman” before her husband threw a sack over her head and “carried her off…as if she were a fancy chandelier”(11). Esperanza has inherited her relative’s name, but does not want to inherit her place by the window, where her great grandmother “sat her sadness on an elbow”(11) and looked out, watching her life pass her…
In 1984 Sandra Cisneros wrote the novella The House on Mango Street based on the narrator, Esperanza’s, first year living on Mango Street. A young Latino girl, by the name of Esperanza, is growing up in the suburbs of Chicago and is determined to leave her life on Mango Street in her past. In this novella Cisneros explores the effect of loss of innocence on Mango Street. The roles of women and how they treat each other is highly prominent in The House on Mango Street. Throughout Esperanza’s year on Mango Street she begins to realize that women have a responsibility to not harm each other but to help.…
The House On Mango Street and “ Only Daughter” both prove that being an Mexican- American women is a struggle. As Cisneros shows her first hand experience, and as well shows it through story telling. Yet without telling a biography and going straight to the point she shows emotion by using literary elements. Sandra Cisneros Chose to use metaphors and imagery to express the hard ships of being a Mexican- American women. If Sandra Cisneros did not use literary elements to show the lifestyle of a Mexican-American women, the points that she showed in both the texts would not have been as powerful as they were.…
Throughout history, women have been seen as inferior to men. In the novel, The House On Mango Street, the main character, Esperanza sees many examples of women who are treated lower by their husbands. These women are imprisoned in their own homes on Mango Street. The author, Sandra Cisneros uses the motif of Imprisoned Females to show that women have been seen as inferior to men.…
The first stuggle that latinos have to overcome when they come here is the language barrier. Something that mamacita in "No speak english" does not understand. Mamacita is a women who doesn't want to change her lifestyle to the american way. She only knows a few words and like many latinos no speak english is the main thing she says. Esperanza believes that "she doesn't comes out because she is afraid to speak english". Many latino immigrants go through the same thing. If it's not…