The Relevance of Sound in Silent Films Before the introduction of sound in the film industry‚ two prominent silent films during the 1920’s were Nosferatu: A Symphony of Horror and The Battleship Potemkin. In Chapter 11 of The Film Experience‚ Corrigan and White pose a question regarding the use of sound in silent films. Corrigan and White asked whether sound allows film to fulfill a mission to reproduce the world‚ as it is‚ or if sound hinders cinema’s visual expression. Considering Corrigan
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effective detail of The Shallows has changed our mind. With a bonus of killer blonde as the female badass‚ Blake Lively (Green Lantern‚ The Age of Adaline)‚ it’s no longer an ordinary survival movie. Hence‚ behind the scene is Jaume Collet-Serra‚ a Spanish film director with bloody cold pieces; House of Wax (2005) and Orphan (2009). Don’t get wronged with the predictable plot cos the simple detail is seemingly geniusly effective turning this ordinary into a maximum thrill‚ giving a critical moment it needs
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In Harry M. Benshoff’s and Sean Griffin’s "Introduction to the Study of Film: Form and Representation‚" they use the terms encoding and decoding for the critique of films. Encoding is when a producer of an artwork incorporates meanings in their work whether it is intentional or non-intentional. Decoding is the viewer’s interpretation of the meaning. The decoding varies from viewer to viewer based on individual social and historical upbringing. The manner in which the producers encoded the work may
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of Why We Crave Horror Movies Thesis: Stephen King never clearly states the thesis of this essay however there is enough information provided that we can infer one. We need to keep our inner lyncher at bay by feeding ourselves with small portions of demonic‚ bloody‚ violence‚ found in horror movies. King writes “It deliberately appeals to all the worst in us. It is morbidity unchained‚ our most base instincts let free‚ our nastiest fantasies realized...” (Why We Crave Horror Movies‚ paragraph
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Sometimes distorting it to evoke emotion‚ moods and ideas. Expressionism was mainly an artistic outlet before taking its place in film. It was used as a method of disposing with aesthetically pleasing works and focusing more on the abstract. The artist would often use bright‚ clashing colors‚ messy and jagged lines‚ and flat shapes. This could easily be translated to film to evoke a sense uneasiness‚ anxiety and fear. A great example of this would be The Cabinet of Dr. Caligari‚ it used expressionism
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In Stephen King’s essay “Why We Crave Horror Movies” he suggested that we are all mentally ill‚ demonstrated by those who talk to themselves on occasion‚ make grimacing faces or have hysterical fears of snakes‚ the dark‚ or tight places. King also stated that he believed that a horror movie appealed to all that is worst in us‚ allowing us to experience morbidity‚ basic instincts and fantasies in the darkness of the theater. We all know someone who talks to himself on occasion or someone
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In Stephen Kings essay "Why We Crave Horror Movies" he claims that we are all mentally ill. According to King‚ people’s quirks are proof of this. The antidote to our mental illness‚ king says‚ is that we watch horror movies to "re-establish our feelings of essential normality". King also says that we watch them to satisfy the bad in us. We all do crazy things in our lives. Once in awhile we all want to thrash out on someone‚ to prove a point‚ or just to hurt them for the sake of hurting them. We
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summer of 1983; I was reading my first Horror novel by Jay Anson “The Amityville Horror”‚ it was the scariest thing I had ever picked up. Despite the late hours I continued to read into the early morning hours until my eyes burned for relief. Whenever I got up to use the rest room I would stand on the end of my bed lean over and open the door and jump so not to be grabbed by monsters that might be laying in wait under my bed. This started a long love affair for horror stories. For instance Stephen King
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Children in Film When pure innocence mixes with pure evil in film the result is often a terrified audience. This frightening combination is present in the wildly popular evil child genre of horror films. Because everyone has interacted with children‚ many people find evil children are inherently terrifying because they can imagine themselves as the adults in the movie. Critics of the genre often only identify evil children through the child themselves‚ but all evil children in horror films should be
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Horror movies bright out the demon in everyone. Normally someone would not be rooting on a person getting sawed in half with a chainsaw or getting stabbed in the back with a knife in the shower. In Steven King’s Why We Crave Horror Movies he discusses why people love horror movies so much. Of course‚ some people are not a fan of horror movies. Not everyone can handle the jump scares and gore‚ however some people can sit and watch the massacre for hours. Horror movies supply people with an adrenaline
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