I was very disappointed‚ and frankly‚ Blanche DOES come across-- by her own hand-- as rather unstable and needy. Blanche‚ though her own writings and not through anyone else’s prejudices‚ does not paint a flattering self-portrait here. The most glaring fault is her constant refrain that the world would not leave "innocent" people in peace. Neither Blanche nor Buck was innocent. Buck‚ in every account except Blanche’s prejudicial one‚ seemed to be a darned fool. No sooner was he pardoned from a long
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In Tennessee Williams’ play‚ A Streetcar Named Desire‚ the character of Blanche Dubois is a vivid example of the use of symbolism throughout the play. Blanche wants to view things in an unrealistic way. "I don’t want realism. I want magic I try to give that to people. I misrepresent things to them. I don’t tell truth‚ I tell what ought to be truth " (Blanche p.117). She doesn’t want reality; instead she wishes to view a rose-colored version of life that goes along with her old-fashioned southern
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As we can observe‚ Mitch’s actions are described as ‘shy’ or with an ‘awkward courtesy’‚ which causes Blanche to almost instantly question ‘Is he married’. This demonstrates that Blanche perceives Mitch as an idealistic husband‚ whilst she perceives Stanley as ‘primitive’. Perhaps
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A Streetcar Named Desire Tennessee Williams play "A Streetcar Named Desire" presents a fragment from the lives of a few individuals who meet in less desirable circumstances and eventually produce one of the most remarkable American modern tragedies. The main characters of this story are Blanche DuBois‚ Stella Kowalski‚ Stanley Kowalski and Harold “Mitch” Mitchell‚ and Eunice. The play begins with a verse from “The Broken Tower” by Hart Crane which Williams uses with the intent to prepare the reader
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Blanche makes superficially charming comments to Stanley that subtly insult his lower-class disposition. Stanley is unusually rude to Blanche. He insinuates that he has acquired knowledge of Blanche’s past and asks her if she knows a certain man named Shaw. Blanche falters immediately at the mention of Shaw’s name and answers evasively‚ replying that there are many Shaws in the world. Stanley goes on to say that the Shaw he met often travels to Blanche’s hometown of Laurel‚ Mississippi‚ and that
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A Streetcar Named Desire – Final Assessment 1. The title A Streetcar Named Desire holds both literal and figurative meaning. Blanche DuBois takes an actual streetcar named “Desire” to transport her to the home of her sister. Blanche is literally brought to the home of the Kowalski’s by “Desire‚” but she is also brought there by her very own desire. Blanche’s sexual intimacies held with many men has ruined her reputation and driven her out of her home town. Blanche is longing and wishing to start
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Blanche is the most sympathetic character Blanche is most sympathetic character in Tennessee William’s’ A Streetcar Names Desire. At first the audience’s reactions to Blanche would be negative because of her judgment and action. However‚ as Williams reveals more details about her past the audience start to feel that why she did like that‚ and events in her life beyond her control have led her to be this way and‚ would certainly feel sympathy for her. Blanche had sad past. Her young husband ‚Allan
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The evidence of masculinity in scene three is shown through dialogue‚ stage direction and description of the surroundings. The introduction to the dramatic purpose of the poker party demonstrates Stanley’s domination over his friends through the way in which he makes all the decisions about the game. He also shows domination over his wife by hitting her during an argument. <br> <br>Scene three opens with a description of surroundings during a poker night. The description of the poker night immediately
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How and why is the Grotesque Used in Tennessee Williams’ A Streetcar Named Desire? Throughout this semester‚ we were introduced to varying degrees of literary styles and themes. From the epiphanies discovered through American Realism‚ to the skepticism explored through Literary Modernism‚ to the conflicts of social conformity and individualism approached by a Post-Modernistic America and its writers. We have had the great opportunity of being exposed to individuals who questioned and pushed
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Reality Versus Fantasy In Tennessee Williams’ “A Streetcar Named Desire‚” the obsessive need to escape from reality defines the protagonist Blanche DuBois. Haunted by the fact that she incited the suicide of her young husband‚ Blanche is unable to cope with what has since become of her life. She relies on fables and illusions to reconstruct a more socially acceptable self. However‚ the antagonistic relationship between Blanche and Stanley Kowalski threatens her fantasy‚ as he continuously confronts
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