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    Lover’ and ‘A Grammarian’s Funeral’‚ Browning also exaggerates the idea that death must be accepted in order to achieve peace from the harsh world they lived in‚ yet achieve the prize (a lost one or love) which is shown by the regular rhyme scheme (ABAB)‚ showing that calmness in the situation is key‚ yet it could symbolise the simplicity of the narrators requests for love. In ‘Prospice’‚ Browning makes it clear that acceptance is vital for a peaceful death. “Prospice” translates from Latin to “look

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    In the poem "If We Must Die" by Claude McKay‚ the author cries out to his audience -to his men at arms- to fight back against those that oppress them and are intent to kill them. Though not as rich in poetic symbolism as the poems by Emily Dickinson and George Herbert‚ McKay’s poem evokes a stronger and more inspiring emotional reaction. He achieves this through his rhyme and rhythm scheme‚ through alliteration and repetition‚ and through animal imagery. They shall be examined in reverse order.

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    Discuss how your investigation of the generic conventions of poetry has influenced your understanding of at least one poem that you have studied in this unit. Our knowledge of the generic conventions used in poetry influences our understanding of the text. “The Firstborn”‚ a poem by Aboriginal author Jack Davis‚ enables the reader to determine the poem as a graphic protest about the extinction of and discrimination against the Australian Indigenous people‚ and the loss of their ethnicity‚ as their

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    Treatment of a Client with Obsessive-Compulsive Disorder is a passage published in the Social Work Research & Abstracts written by Marlene Cooper. In this particular article‚ Marlene Cooper‚ discusses the treatment for an obsessive-compulsive disorder patient. Cooper begins by providing a scientific description of obsessive-compulsive disorder‚ and its usual symptoms upon a client. Then‚ Cooper goes onto present a specific client used for this particular research project‚ which was eventually diagnosed

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    “And yet‚ by heaven‚ I think my love as rare…”‚ from William Shakespeare’s Sonnet 130 (13). This is one of his most well-known sonnets and it also happens to be one of my favorite poems of all time. Shakespeare does not use words to falsify his mistress’ image; however‚ he uses them to tell the reality of her. This is what makes his love for her so special. She does not have to be perfect or even seem close to it for him to feel as he does about her. The use of diction‚ figurative language‚ and imagery

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    Browning and Tennyson

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    John Keats (1795-1821)                                  TO AUTUMN.                                             1.     SEASON of mists and mellow fruitfulness‚          Close bosom-friend of the maturing sun;      Conspiring with him how to load and bless          With fruit the vines that round the thatch-eves run;      To bend with apples the moss’d cottage-trees‚          And fill all fruit with ripeness to the core;              To swell the gourd‚ and plump the hazel shells      With

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    Daffodils and Patterns

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    Paula Kriesel In the poem “Daffodils” by William Wordsworth uses many techniques through out his poem. He uses imagery‚ metaphors‚ personification‚ similes‚ and hyperbole to help the reader feel like he feels. Alliteration‚ rhyme‚ and rhythm make the poem flow smoothly and easy to read. In the poem “Patterns” by Amy Lowell the focus tends to be more on imagery than other items. Amy Lowell uses some metaphors in her poem. “Patterns” is very descriptive through out the poem. The speaker

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    English Literature is much more colourful and has greater analytical depth than West Indian Literature. It is often said that “the grass is greener on the other side.” For many which is located closer to us or that which we have become more accustom to often appear to be of lesser value and totally depreciated. The veracity of this observation is definitely pertinent as we look comparatively at the literary perspectives locally‚ and that which is regarded as foreign. English Literature is much more

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    To Love‚ is to Lose The most prominent quality of Elizabeth Bishop’s‚ “One Art‚” remains the concise organization and rhyme scheme of the poem‚ which amazingly keeps the audience informed at all times what the theme. Her choice of a villanelle constantly reminds the audience that “the art of losing” always seem easy until one loses something so much more than an inanimate object and at the point‚ it does become a “disaster.” Written in 1976‚ the poem is very modern and uses an impeccable rhyme

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    the poet also reinforces this attitude. Initially‚ we are confronted by the monotonous name‚ ‘Mr Bleaney’‚ which itself sounds very lacklustre and represents an uninteresting man who led a life absent of excitement. The use of rhyming couplets in an ABAB format symbolises the repetitious nature of Mr Bleaney’s life and how it will always remain unchanging‚ a pattern that he couldn’t escape. Another technique used by Larkin to show Mr Bleaney’s lifestyle is the use of enjambment at the beginning and

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